SKU: BT.EMBZ14880
Composer and violinist János Lavotta (1764-1820), as a member of the ''virtuoso trio'' who played a great role in the history of Hungarian music, was one of the pioneers of verbunkos music. (The other two key players being János Bihari and Antal Csermák.) Although Lavotta s Violin Duos Op. 49 must have also been used for playing music at home, they show the composer's clear educational intent since the fourteen consecutive pieces gradually increase in difficulty in both technical and musical respects. The relatively short and undemanding melodies (which can be grasped by beginners), the sequence-like structure that makes practising individual technical elements possible, therhythmical-harmonic accompanying forms, as well as the temperately applied modulations are definitely suitable for beginner violinists to achieve significant progress in playing. According to music historian Mária Domokos, Lavotta's duos could have been included in the syllabus of any contemporary music school at the time. The first publication of Easy Duos - which came out on the 250th anniversary of the Lavotta's birth - was edited by János Dombóvári who provided the fingering and the necessary instructions for performance. Die Erstauflage von EASY DUOS - die anlässlich des 250. Geburtstag von Lavotta erschien - wurde von János Dombóvári mit Fingersätzen und Spiel-Tipps ergänzt. Die 14 relativ kurzen, spielfreundlichen Melodien, die unkomplizierte rhythmisch-harmonischeStruktur und die einfachen Modulationen machen sie zu idealen Übungsstücken für Anfänger, ohne diese jedoch zu unterfordern.
SKU: HL.233152
UPC: 888680701710. 9x12 inches. English.
“Four Studies was written for Angela and Jennifer Chun in 2014. Each movement has a drone which lasts for the duration of the movement. The first bar of movements 1 and 4 can be quite long. The drone should remain loosely indifferent to the other part, avoiding any overly-dramatic commentary. That having been said, the droning player should feel free to subtly and constantly change the nature of the sound. Rests are meant to be played freely, expanding and contracting as the spirit moves the soloists, but the notes should be played in relatively even time. The space between the movements can work either with very short pauses or with no pauses at all; this is left up to the discretion of the performers.” – Nico MuhlyApproximately 12 minutes.
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