SKU: MB.97210
ISBN 9780786648009. UPC: 796279062350. 8.75 x 11.75 inches.
An extensive collection of reels, jigs, hornpipes and polkas from the French Canadian, Cape Breton, Scottish, Shetland, New England, and Southern Old-Time Traditions arranged for the piano accordion. Written with the beginner as well as the advanced player in mind, the arrangements are complete with ornamentation, fingering, left-hand notation and chord symbols. Appropriate for any G clef instrument.
SKU: BT.EMBZ14566
Hungarian-English-German-French.
The dances originally written by Franz Schubert for piano sound equally well on the accordeon. The well-known Hungarian accordeon player and teacher László Ernyei took advantage of this opportunity when he selected and transcribed for this volume the pieces best suited to his instrument. Included among the many Ländler, waltzes and écossaises are a number of well-known melodies from Dreimäderlhaus. Die ursprünglich für Klavier komponierten Tänze von Franz Schubert klingen auch auf dem Akkordeon sehr gut. Diese einladende Möglichkeit nutzte der anerkannte ungarische Akkordeonist und Lehrer, László Ernyei, als er für diesen Band die zum Instrument am besten passenden Stücke auswählte und bearbeitete. Unter den vielen Ländler, Walzer und Écossaiseslassen sich auch die bekannte Melodien des Dreimäderlhaus' wiedererkennen.
SKU: PR.UE037165
ISBN 9783702474768. UPC: 803452071877.
The charming miniature Ukuaru Valss was written for the 1973 Estonian film Ukuaru (Leida Laius, director). Originally played on concertina by a main character, the music is developed through the film into a powerful theme. In its captivating simplicity, the waltz has been arranged for piano solo and is here arranged for accordion, its originally intended instrument.
SKU: HL.48024908
UPC: 840126931631.
The pragmatic title hides a real challenge to the rhythmic and technical skills of the interpreters. Created in close collaboration with the Finnish accordionist Janne Rattya (professor at the University of Music and Dramatic Arts in Graz), this work takes the instrument, which is mostly based on folklore-related genres, into an abstract, atonal sound world. There are two versions to choosefrom, which reach the limits of written music without losing any of their emotional depth or melodic singing.
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