SKU: YM.GTW01100365
ISBN 9784636102581. 8.5 x 12 inches.
Have you ever wanted to play some popular J-Pop songs, but the notes are too high, too detailed, too difficult to finger, or the song is too long? To solve such difficulties, the scores are arranged in keys that are easier for wind instruments to play, reviewed the detailed notes, and shortened the length of the songs. *Alto saxophone scores are notated in E-flat. *All chord symbols in alto saxophone sheet music are transposed chords. The concert key is the minor third degree above the chord listed. (For example, a piece in C is written in E-flat.).
SKU: HL.48181102
UPC: 888680861902. 9.5x12.5x0.075 inches.
French composer, Robert Planel (1908-1994) was the son of composer and founder of the Music School of Montelimar, Alphonse Planel. Planel junior was an exceptionally accomplished musician, which is reflected in his composition, Romantic Suite for alto saxophone and piano. The sixth movement of Romantic Suite, Song of the Muleteer is a charming piece for intermediate level saxophonists. With a typical performance lasting about three and a half minutes, Planel's Song of the Muleteer addresses a wide range, dotted rhythms, articulation, dynamics, tempo changes, key changes and variety in performance directions. Planel's Romantic Suite is an exciting addition to the modern repertoire of the saxophone and cannot be missed by aspiring saxophonists.
SKU: HL.48181367
UPC: 888680788445. 9.25x12.25 inches.
Composed by J.S. Bach originally for flute and piano, this edition of 6th Sonata was arranged for alto saxophone in E flat and piano by Marcel Mule. Its difficulty would fit the skills and abilities of intermediate players. In terms of composition, this piece was created in four different sections: Adagio ma non tanto, Allegro, Siciliano and Allegro.Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as Scale and Arpeggios (in three books), Daily Exercises After Terschack or 30 Great Exercises or Studies After Soussmann (in two books), among others.
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