SKU: BT.DHP-1196147-404
ISBN 9789043157223. English-German-French-Dutch.
Since the revival of Klezmer in the 1990s, the style has enjoyed a continued popularity. Hey Klezmorim! presents 16 new pieces of music from the pen of Joachim Johow, inspired by traditional Yiddish music. This edition is especially aimed at saxophonists who wish to be accompanied on the piano. It therefore also contains easy-to-play piano accompaniment parts while play-along recordings are available online. Additional demo recordings that encourage you to develop your own personal Klezmer playing style should help you to enjoy this unmistakable and diverse music!Sinds de revival van klezmer in de jaren negentig is deze muziekstijl onophoudelijk populair gebleven. Hey Klezmorim! presenteert zestien fraaie nieuwe muziekstukken van de hand van Joachim Johow, die zich heeft laten inspireren door traditionele Jiddische muziek. Deze uitgave is bedoeld voor saxofonisten die graag op de piano worden begeleid. Ze bevat eenvoudig speelbare pianobegeleidingen, en online zijn ook meespeelopnamen beschikbaar, plus demo-opnamen die de muzikant een idee geven van de samenklank én hem of haar aanmoedigen een eigen klezmerspeelstijl te ontwikkelen. Een bundel vol afwisselende muziek die veel speelvreugde zal opleveren!Seit seinem Revival in den 90er-Jahren des vergangenen Jahrhunderts erfreut sich der Klezmer-Musikstil einer ungebrochenen Beliebtheit. Hey Klezmorim! präsentiert 16 neue Musikstücke aus der Feder von Joachim Johow, die an die traditionelle jiddische Musik anknüpfen. Die Ausgabe wendet sich besonders an Saxophonisten, die sich gerne am Klavier begleiten lassen möchten, und enthält daher gut spielbare Klavierbegleitungen als Notentext sowie in online verfügbaren Play-along-Aufnahmen. Zusätzliche Demo-Aufnahmen sollen dazu anregen, einen eigenen, persönlichen Klezmer-Spielstil zu entwickeln. Viel Freude mit dieser unverwechselbaren, abwechslungsreichen Musik!La musique klezmer jouit dâ??une popularité sans faille depuis son renouveau dans les années 90. Hey Klezmorim! présente 16 nouveaux morceaux de la plume de Joachim Johow, inspirés de la musique traditionnelle yiddish. Cette édition sâ??adresse tout particulièrement aux saxophonistes désireux de jouer avec un accompagnement de piano. De ce fait, elle comprend des accompagnements de piano faciles jouer, la fois sous forme de partitions et sous forme dâ??enregistrements en ligne. Dâ??autres enregistrements de démonstration sont également disponibles sur le site, afin dâ??encourager les musiciens développer leur style personnel de klezmer. Nous vous souhaitons beaucoup de plaisir jouer cette musique aux accents variés, unique en son genre !
SKU: HL.49045907
ISBN 9783795710507. UPC: 888680792671. 9.0x12.0x0.239 inches.
The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and arearranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c'', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Putz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire.
SKU: BT.DHP-1125286-400
ISBN 9789043145541. 9x12 inches.
Let's go back in time to the roaring twenties, a turbulent period between the two world wars... It was the era of the Charleston, Ragtime, short bob haircuts and Coco Chanel - and also of saxophone virtuoso Rudy Wiedoeft (1893-1940). In this album you will find his best-known compositions for alto saxophone and piano. They give you a glimpse of the cheerful music of the 1920s and introduce you to Wiedoeft's unequalled playing style. Rudy Wiedoeft - Spirit of the Saxophone: an homage to a great artist.Welkom terug in de â??roaring twentiesâ?, het tijdperk van de Charleston, ragtime, korte page boy kapsels en Coco Chanel - en ook de tijd van de saxofoonvirtuoos Rudy Wiedoeft (1893-1940). Dit album is een verzameling van zijn bekendstecomposities voor altsaxofoon en piano. Beleef de unieke en vrolijke muziek van de jaren twintig!Op de meegeleverde CD kunt u de werken beluisteren.Willkommen zurück in den roaring twenties, der Ã?ra von Charleston, Ragtime, kurzen Pagenkopf-Frisuren und Coco Chanel - und auch die Zeit des Saxophonvirtuosen Rudy Wiedoeft (1893-1940). In diesem Album sind seine bekanntesten Kompositionen in Arrangements für Altsaxophon und Klavier versammelt. Sie erlauben einen Einblick in die fröhliche Musik der 1920er-Jahre und stellen Wiedoefts unvergleichlichen Spielstil vor. Remontons le temps jusquâ??aux Années folles, la période mouvementée de lâ??entre-deux-guerres â?¦ Câ??était lâ??époquedu charleston, du ragtime, de la coupe de cheveux au carré et de Coco Chanel - mais aussi celle du saxophonistevirtuose Rudy Wiedoeft (1893-1940). Cet ouvrage rassemble ses plus célèbres compositions pour saxophonealto et piano. Elles vous donneront un aperçu de la musique enjouée des années vingt et vous feront découvrir letalent hors pair de Wiedoeft. Rudy Wiedoeft - Spirit of the Saxophone : un hommage un grand artiste.Bentornati ai ruggenti anni Venti, l'era di charleston e ragtime. Ed anche il tempo del virtuoso del sax Rudy Wiedoeft (1893-1940). In questo album sono raccolte le sue composizioni più popolari trascritte per sassofono contralto e piano.
SKU: FG.55011-432-6
ISBN 9790550114326.
According to the composer, the sonata for alto saxophone and piano, which he regards as his first mature composition, takes its title from the astronomical term referring to the spacetime boundary in a black hole beyond which light can no longer escape - a point of no return. Event Horizons is an intensely emotional piece, stemming from reflections on the immensity of the universe and one's own place in it. The title was merely a catalyst, an image that sparked the creative process. Whittall was also greatly affected by the spaciousness and subtle intricacies of Eastern music - the gamelan music of Bali in particularly. Much of the resulting music is reminiscent of the ringing of bells or gongs, which in so many cultures has great ceremonial and spiritual importance. They can be seen as a symbol of connection between the natural and meta-physical worlds. At its core, Event Horizons is an intense rite of passage, a quest for ultimate understanding, and perhaps reaches it, at least in part.
SKU: PR.114419850
ISBN 9781491135808. UPC: 680160681044. 9 x 12 inches.
Both a spectacular concerto for saxophone, and a dramatic tone poem on Roman mythology, QUICKSILVER is a 23-minute concerto for Alto Saxophone and Wind Ensemble by one of the sax literature’s most commissioned and admired composers.Through worded captions as well as gorgeously expressive tone painting, Movement 1 depicts the birth and childhood pranks of Mercury, Movement 2 shows him escorting souls to the gates of the Underworld, and Movement 3 is a phantasmagoric finale portraying Mercury as messenger amid the conflicts of other mythological figures. There are many YouTube performances available, both in the original version with Wind Ensemble, and with Piano.In addition to being another name for the element mercury, “quicksilver†is used to describe something that changes quickly or is difficult to contain. My concerto of the same name was inspired by the Roman god Mercury, as well as the mercurial nature of the saxophone: unpredictable, very lively, and volatile. Mercury (known as Hermes in Greek mythology) is best known for his winged shoes, which allowed him to fly swiftly as the messenger of his fellow Olympians. Mercury had other duties too, including serving as the god of merchants, travelers, and tricksters; he also ushered souls of the departed to the Underworld.Quicksilver tells three tales of the Roman god. The first movement (Antics of a Newborn God) opens with the birth of Mercury; after he takes his first steps, he toddles around, gleefully looking for mischief. He stumbles across a herd of cows that belong to his brother Apollo; Mercury slyly lets the cows out of their pen before toddling onward with his mischief-making.In the second movement (Guiding Souls to the Underworld), Pluto, god of the Underworld, bids Mercury to bring him fresh souls. The movement begins with death-knells tolling for humans who are about to die; Mercury picks up these souls and leads them down to the gates of the Underworld.The third and final movement (Messenger of Olympus) depicts Mercury as he is busily running errands for various gods and goddesses. We first encounter him mid-flight as he dashes to earth to find Aeneas, a Trojan lieutenant who had been run out of Troy by the invading Greeks. Aeneas is on a quest to find land on which to establish a new city that would eventually become Rome. While traveling, he is distracted from his quest when he meets the beautiful queen Dido. They live together for many years before Mercury intervenes; he chastises Aeneas for giving up on his quest and persuades him to pick it up again. As Aeneas mournfully resumes his journey, we hear Dido perish of a broken heart. Mercury then takes to the skies to seek out Perseus, who is preparing to kill Medusa, the hideous gorgon who has snakes for hair and a gaze that turns those who catch her glance into stone. Mercury advises Perseus on how to slay Medusa and lends Perseus his sword to do the deed. We hear Perseus victorious in the beheading of Medusa, after which Mercury takes to the skies once more to fly home to Olympus.
SKU: CF.W2657
ISBN 9780825891120. UPC: 798408091125. 9 x 12 inches.
On May 29, 1913, an over-capacity audience in Paris’ Théâtre desChamps-Élysées witnessed an historical spectacle as they became a brutecatalyst in the most (in)famous opening night of the twentieth century.The Rite of Spring premiered that evening in the midst of a riot inspiredby the overwhelming primitivism both onstage and in the score.One-hundred plus years later, the music still incites the senses. The balletwas first published in 1914 in a reduction for two pianos, and serves asa basis for this arrangement. This edition is presented in honor of thecentennial of the ballet’s premiere, and is intended to give soloists andaccompanists a chance to perform this monumental work.On May 29, 1913, an over-capacity audience in Paris’ Théâtre des Champs-Élysées witnessedan historical spectacle as they became a brute catalyst in the most (in)famous opening nightof the twentieth century. The Rite of Spring premiered that evening in the midst of a riotinspired by the overwhelming primitivism both onstage and in the score. Subtitled “Picturesof Pagan Russia,†the ancient scenes were evoked using contemporary musical innovations,shattering expectations of a more traditional Ballet Russe production.How was an ancient ritual of sacrifice to the earth to be scored? The unevolved pesantecharacter of a village gathering was portrayed by odd time signatures and accents. Melodieswere geometrically woven as dissonant pastorales with grace-notes mimicking gutturalbreaks in primal voices. Instruments were orchestrated against the grain, straining soundsinto unrecognizable timbres. And just like the dancers on stage, musicians were organizedinto alternating groups often clashing with one another.One-hundred plus years later, the music still incites the senses. The ballet was first publishedin 1914 in a reduction for two pianos, and serves as a basis for this arrangement. This editionis presented in honor of the centennial of the ballet’s premiere, and is intended to give soloistsand accompanists a chance to perform this monumental work. Both movements may beplayed alone, and the first movement may also serve as a solo piece.
SKU: AP.1-ADV7075
UPC: 805095070750. English. Traditional.
A collection of five traditional Klezmer pieces. To encourage the musician to create his own phrases, no articulations or embellishment signs are provided. Titles: Odessa Bulgar * On Sabbath Day * Chassidic Dance * Night in the Garden of Eden * Der heyser Bulgar.
SKU: FL.FX074212
Who does not have a little nostalgic air in their head when they think of their last vacation in Italy? And who says Italy says Tarantella! - Pascal PROUST ; A piece to be played from 5 years of practice. ; Instruments: 1 Alto Saxophone 1 Piano; Difficuly Level: Grade 3; Duration: 3 mns; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: BT.DHP-1074419-400
ISBN 9789043154185. 9x12 inches. English-German-French-Dutch.
The pieces in Concert Time are fun and varied: they have been written in diverse styles, and different time signatures are featured. The piano accompaniments are included, especially for live performances. The accompaniments are also on the CD - played on a real grand piano. There is a demo version of each piece as well. This book will undoubtedly lead to success on stage! De voordrachtstukken in Concert Time, gecomponeerd door hedendaagse componisten, bieden speelplezier en variatie: ze zijn geschreven in diverse stijlen en er komen verschillende maat- en toonsoorten aan bod. De pianobegeleidingenzijn meegeleverd, speciaal voor liveoptredens. Ze staan ook op de cd, verder is er van elk stuk een voorbeeldversie te beluisteren. Dit boek leidt ongetwijfeld tot succes op het podium! Inhoud: Chameleon Walk Jolly JumperSentimental Tune Baroque Concertino e.a.Die Stücke in Concert Time bieten durch eine Vielfalt an Stilen sowie unterschiedliche Takt- und Tonarten Abwechslung und groÃ?en Lerneffekt. Komponiert wurden die 13 Stücke von zeitgenössischen Komponisten, wie Otto M. Schwarz, André Waignein, Bertrand Moren, Ferrer Ferran u. a. Die Auswahl der Stücke ist sorgfältig auf das Instrument abgestimmt. Die gerade für Live-Auftritte nützlichen Klavierbegleitungen sind im Buch enthalten. Es gibt sie auÃ?erdem auch auf der CD, auf einem echten Flügel aufgenommen. Zusätzlich sind Demoversionen aller Stücke zu hören. Dieses Buch führt auf direktem Wege zum Bühnenerfolg!Concert Time contient des pièces divertissantes et variées écrites par cinq compositeurs européens. Différents chiffrages de mesure, styles et tonalités sont représentés. Cet ouvrage propose un accompagnement de piano (version papier) inclus dans le recueil ainsi quâ??un accompagnement sur compact disc, interprété au piano queue. Les versions intégrales vous serviront de guide. Concert Time en « live », câ??est le succès assuré ! I brani di Concert Time sono variegati e divertenti: sono scritti in diversi stili, e sono proposti in ritmi diversi. Le parti del piano sono incluse per permettervi di suonare in pubblico. Sul CD sono registrati gli accompagnamenti di un vero piano a coda. Troverete una versione demo di ogni brano. Questa pubblicazione è indispensabile per trovare il successo sul palco.
SKU: FL.FX073472
A page for young saxophone players from 4 years of instrument practice. They will employ all their agility, will present it to a large audience, take some risks... as acrobats and jugglers... - Pascal PROUST ; Instruments: 1 Alto Saxophone 1 Piano; Difficuly Level: Grade 3.
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