SKU: PR.114419850
ISBN 9781491135808. UPC: 680160681044. 9 x 12 inches.
Both a spectacular concerto for saxophone, and a dramatic tone poem on Roman mythology, QUICKSILVER is a 23-minute concerto for Alto Saxophone and Wind Ensemble by one of the sax literature’s most commissioned and admired composers.Through worded captions as well as gorgeously expressive tone painting, Movement 1 depicts the birth and childhood pranks of Mercury, Movement 2 shows him escorting souls to the gates of the Underworld, and Movement 3 is a phantasmagoric finale portraying Mercury as messenger amid the conflicts of other mythological figures. There are many YouTube performances available, both in the original version with Wind Ensemble, and with Piano.In addition to being another name for the element mercury, “quicksilver†is used to describe something that changes quickly or is difficult to contain. My concerto of the same name was inspired by the Roman god Mercury, as well as the mercurial nature of the saxophone: unpredictable, very lively, and volatile. Mercury (known as Hermes in Greek mythology) is best known for his winged shoes, which allowed him to fly swiftly as the messenger of his fellow Olympians. Mercury had other duties too, including serving as the god of merchants, travelers, and tricksters; he also ushered souls of the departed to the Underworld.Quicksilver tells three tales of the Roman god. The first movement (Antics of a Newborn God) opens with the birth of Mercury; after he takes his first steps, he toddles around, gleefully looking for mischief. He stumbles across a herd of cows that belong to his brother Apollo; Mercury slyly lets the cows out of their pen before toddling onward with his mischief-making.In the second movement (Guiding Souls to the Underworld), Pluto, god of the Underworld, bids Mercury to bring him fresh souls. The movement begins with death-knells tolling for humans who are about to die; Mercury picks up these souls and leads them down to the gates of the Underworld.The third and final movement (Messenger of Olympus) depicts Mercury as he is busily running errands for various gods and goddesses. We first encounter him mid-flight as he dashes to earth to find Aeneas, a Trojan lieutenant who had been run out of Troy by the invading Greeks. Aeneas is on a quest to find land on which to establish a new city that would eventually become Rome. While traveling, he is distracted from his quest when he meets the beautiful queen Dido. They live together for many years before Mercury intervenes; he chastises Aeneas for giving up on his quest and persuades him to pick it up again. As Aeneas mournfully resumes his journey, we hear Dido perish of a broken heart. Mercury then takes to the skies to seek out Perseus, who is preparing to kill Medusa, the hideous gorgon who has snakes for hair and a gaze that turns those who catch her glance into stone. Mercury advises Perseus on how to slay Medusa and lends Perseus his sword to do the deed. We hear Perseus victorious in the beheading of Medusa, after which Mercury takes to the skies once more to fly home to Olympus.
SKU: HL.50601598
8.0x11.75 inches.
The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996.In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from thecomposer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development,recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with soniceffects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova).
SKU: YM.GTW01101670
ISBN 9784636113440. 12 x 9 inches.
Debussy and Ravel are the most famous impressionist composers. This book contains a selection of pieces from their piano compositions, arranged for alto saxophone and piano ensemble. We hope that this new arrangement will enable a wider audience to enjoy the exquisite melodies of these songs! *Both the video of the model performance and the video of the performance commentary can be viewed at the URL given in this book. Performers in the video: Alto Saxophone - Kohei Ueno / Piano - Takuya Uchikado.
SKU: BT.DHP-1145589-401
ISBN 9789043136792. International.
The heat of the day ebbs away as the sun slowly dips from view over the western horizon. A dazzling display of warm hues, vibrant yellows, glowing oranges and burning reds, lights up the evening before cooling to calm blues, dark, cool purples andfinally the black of night. Such are the unforgettable sunsets that inspired Jan de Haan to write this piece.De hitte van overdag ebt weg terwijl de zon in het westen langzaam achter de horizon verdwijnt. Een schitterend schouwspel van warme schakeringen - levendig geel, gloedvol oranje en vurig rood - verlicht nog even de avond, waarna koele kleuren volgenmet serene tinten blauw, donkere nuances van paars en ten slotte het zwart van de nacht. Fraaie zonsondergangen als deze vormden voor Jan de Haan de inspiratie tot het schrijven van dit sfeervolle werk voor blaasinstrument en piano.Die Hitze des Tages verebbt, während die Sonne langsam am westlichen Horizont versinkt. Ein schillernder Reigen warmer Farben aus pulsierendem Gelb, glühendem Orange und brennendem Rot erhellt den Abendhimmel, bevor ruhige Blautöne, kühle Lilaschattierungen und schlieÃ?lich die Schwärze der Nacht Abkühlung bringen. Solcheunvergesslichen Sonnenuntergänge inspirieren Jan de Haan zur Komposition dieses Stückes für diverse Blasinstrumente und Klavierbegleitungen. La chaleur de la journée sâ??atténue peu peu alors que le soleil plonge lentement derrière lâ??horizon. Un éblouissant spectacle met en scène des jaunes vibrants, des oranges lumineux et des rouges br lants qui illuminent le début de soirée alors quedéj , apparaissent les premières nuances bleutées et pourpres, synonymes de fraîcheur. Ces inoubliables couchers de soleil ont inspiré Jan de Haan lorsquâ??il a composé cette pièce pour instrument vent diverses et piano.Il calore del giorno si stempera mentre il sole scompare lentamente all`orizzonte. Una brillante combinazione di calde tonalit di giallo vibrante, arancio luccicante e rosso incandescente riscalda la sera. Colori che lasciano il passo a un blu cherilassa, a rinfrescanti tonalit del viola, e infine al nero della notte. Questi sono i tramonti indimenticabili che hanno ispirato Jan de Haan nel scirvere questo brano per diversi strumenti a fiati e pianoforte.
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