SKU: CF.W2657
ISBN 9780825891120. UPC: 798408091125. 9 x 12 inches.
On May 29, 1913, an over-capacity audience in Paris’ Théâtre desChamps-Élysées witnessed an historical spectacle as they became a brutecatalyst in the most (in)famous opening night of the twentieth century.The Rite of Spring premiered that evening in the midst of a riot inspiredby the overwhelming primitivism both onstage and in the score.One-hundred plus years later, the music still incites the senses. The balletwas first published in 1914 in a reduction for two pianos, and serves asa basis for this arrangement. This edition is presented in honor of thecentennial of the ballet’s premiere, and is intended to give soloists andaccompanists a chance to perform this monumental work.On May 29, 1913, an over-capacity audience in Paris’ Théâtre des Champs-Élysées witnessedan historical spectacle as they became a brute catalyst in the most (in)famous opening nightof the twentieth century. The Rite of Spring premiered that evening in the midst of a riotinspired by the overwhelming primitivism both onstage and in the score. Subtitled “Picturesof Pagan Russia,†the ancient scenes were evoked using contemporary musical innovations,shattering expectations of a more traditional Ballet Russe production.How was an ancient ritual of sacrifice to the earth to be scored? The unevolved pesantecharacter of a village gathering was portrayed by odd time signatures and accents. Melodieswere geometrically woven as dissonant pastorales with grace-notes mimicking gutturalbreaks in primal voices. Instruments were orchestrated against the grain, straining soundsinto unrecognizable timbres. And just like the dancers on stage, musicians were organizedinto alternating groups often clashing with one another.One-hundred plus years later, the music still incites the senses. The ballet was first publishedin 1914 in a reduction for two pianos, and serves as a basis for this arrangement. This editionis presented in honor of the centennial of the ballet’s premiere, and is intended to give soloistsand accompanists a chance to perform this monumental work. Both movements may beplayed alone, and the first movement may also serve as a solo piece.
SKU: YM.GTW01091429
ISBN 9784636914290.
25 songs arranged for solo saxophone and piano. Saxophone part with a book for piano accompaniment and Karaoke CD. 25Shou Zhong Yin Sa Ke Si Guan Du Zou Qu ,Gang Qin Ban Zou . Han Sa Ke Si Guan Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Haru no Umi(Sea in Spring); 3. Hana; 4. Sakura Sakura; 5. Oborozukiyo(A Night with a Hazy Moon); 6. Amefuri Otsukisan(Moon in the Rain); 7. Kono Michi; 8. Hamabe no Uta(A Song at the Seaside); 9. Yashi no Mi; 10. Natsu no Omoide(A Memory from Summer); 11. Nanatsu no Ko; 12. Aka Tombo(Red Dragonfly); 13. Momiji; 14. Furusato(My Old Town); 15. Sato no Aki; 16. Nagori Yukii(Snowfall at the end of the Winter); 17. Nada SouSou(Down Come My Tears); 18. Ue o muite Aruko(Sukiyaki Song); 19. Kawa no nagare no Yo ni(As a River's Running); 20. Hana wa Saku(Flowers Will Bloom); 21. Satoukibi Batake(In a Large Field of Sugarcane); 22. Sen no Kaze ni natte(A Thousand Winds); 23. Stand Alone; 24. Miagete goran Yoru no Hoshi wo(Look up at the Night sky); 25. Jidai 1. Zao Chun Fu ; 2. Chun Zhi Hai ; 3. Hua ; 4. Ying Hua ; 5. Meng Long Yue Ye ; 6. Yu Zhong De Yue Liang ; 7. Zhe Tiao Lu ; 8. Hai Bin Zhi Ge ; 9. Ye Zi De Guo Shi ; 10. Xia Ri Hui Yi ; 11. Qi Ge Hai Zi ; 12. Hong Qing Ting ; 13. Hong Xie ; 14. Gu Xiang ; 15. You Jian Chui Yan ; 16. Can Xue ; 17. Lei Guang Shan Shan ; 18. Ang Shou Xiang Qian Zou ; 19. Chuan Liu Bu Xi ; 20. Hua Zheng Zai Kai ; 21. Gan Zhe Tian ; 22. Hua Wei Qian Feng ; 23. Stand Alone; 24. Yang Wang Xing Kong ; 25. Shi Dai.
SKU: HL.49015692
ISBN 9784890664566. UPC: 884088138370. 9.0x12.0x0.132 inches.
In recent years, Gondai has collaborated with Buddhist priests and Shomyo chanters and broken new ground through interchange with Buddhist music. This piece was inspired from Tibetan Buddhism and is composed of seven chapters' basis of seven tones after rainbow (in Japan people thinking that the rainbow is made of seven colours).
SKU: HL.4008610
ISBN 9798350112597. UPC: 196288183204.
Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composedThe Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'.
SKU: MA.EMR-45019
Grandfather Clock / Snail, come out to play! / Rain is Falling / Joy To The World / William Tell / Tenderness / Let's Climb the Ladder / Little Ladybird / It's Christmas / Santa Claus's Toy / Pirouette, Cacahuete / Doctor Staccato...
SKU: MA.EMR-33875
Possible instrumentations:Alto Saxophone & CD Play Back / Play AlongAlto Saxophone & OrganAlto Saxophone & Piano.
SKU: CF.W2401
ISBN 9780825839238. UPC: 798408039233. 9 X 12 inches. Key: Eb major. Transcribed by Harry Gee.
This edition of Georges Bizet's Intermezzo from L'Arlesienne Suite No. 2 was transcribed by Harry Gee for alto saxophone and piano and edited by Don McCathren. It includes a study guide which has been prepared to assist the student in mastering the solo correctly as well as improve saxophone technique. Don McCathren writes that this piece is intended primarily as a training piece but it is also well suited for a recital or contest piece.
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