Baryton-Basse. Par VASSILIEVA ELENA. Ces vocalises sont faites pour trouver la virtuosité de sa voix, et sa fluidité dans une écriture d'aujourd'hui. Vous y trouverez quelques fondamentaux comme les grands intervalles, la longue tessiture, pour toutes les voix, le chromatisme, le tempo rapide vocalisé, les slanci ou glissati, les quarts de tons, les nuances ainsi que les tenuti pianissimi ou encore le decrescendo finissant sur 'un fil di voce'. La valeur ajoutée sur le plan rythmique habituera le chanteur à combiner les textes sur une pulsation interne permanente malgré l'exécution de la mélodie étudiée. Les tenuti ouvriront l'imaginaire du chanteur en y plaçant le texte, ad libitum. Les respirations inaudibles pour certains textes - proches de la mélodie ou du récitatif - côtoieront quelques inspirations et expirations audibles, ou sons-bruits fantômes./ Etude / Baryton Basse et Piano

This is Kinesias's aria from Adamo's recent opera Lysistrata. For Baritone and Piano.

‘Eleven-Fifty’ is the fourth of seven separate songs to various poets written byLennox Berkeley in the late 1930s and early 1940s. They were grouped together forconvenience as Opus 14 No. 2.‘The Beacon Barn’ thethird of these songs also has a text by Patrick O’Malleywho according to Tony Scotland was ‘one of the First World War poets whoserved as a private in the Royal Dublin Fusiliers’. ‘Eleven-Fifty’ was composed inApril1938 and is a brief glorification of a high-speed train where the moto perpetuoaccompaniment barely stops. Berkeley admired Honegger bought a copy of thescore of his railway depiction Pacific 231 in 1924 andreviewed enthusiastically an all-Honegger concert conducted by the composer in Paris (‘A Paris Letter’ The MonthlyMusical Record June 1929).

Composer's Notes:Heavenly Things is my fourteenth song-cycle but the first with piano accompaniment. I mention this because when I was asked to write this piece my first reaction was ‘what can I make of amedium that seems to me quintessentially 19th century’ and I was doubtful that I could produce anything that I would be happy with. Then I went to hear Christopher Maltman and Malcolm Martineau and was so impressed by the magicand intensity of their performance that I saw a ‘way in’ to what at first had seemed a problem. The choice of poems was obviously going to be crucial and I chose the Donne Holy Sonnets because of the dramatic possibilities theyoffer and the huge range of emotion that they encompass. In these settings the piano is always more than a mere accompaniment it tends either to be in dialogue with the voice or to have its own musical agenda which the voicereacts to in an independent but parallel way. Geoffrey Burgon

Par POULENC FRANCIS. Poulenc 's song cycle, Chansons Gaillardes was composed in 1925-1926 during the post-war euphoria. The cycle is essential to aspiring, advanced Baritones. Francis Poulenc (1899-1963) was a highly prolific composer, and remains popular to this day. Chansons Gaillardes was composed towards the beginning of the composer's career for Baritone Pierre Bernac. At the first performance, Poulenc himself played the piano and the song cycle was immediately a hit. Chansons Gaillardes is made up of eight songs which alternate between lively and slow tempos; 1) TheFickle Mistress, 2) Drinking Song, 3) Madrigal, 4) Summoning the Fates, 5) Bacchanalian Couplets, 6) The Offering, 7) The Beautiful Youth, and 8) Serenade. As a song cycle with much variation, Poulenc 's Chansons Gaillardes is an exciting addition to the Baritone repertoire./ Répertoire / Baryton et Piano

The ultimate R&H source for singers with a unique song list for each voice type. Each volume includes an introduction about each show and plot notes for each song plus a Rodgers & Hammerstein biography.The series represents 10 musicals: Oklahoma! Carousel State Fair Allegro South Pacific The King and I Me and Juliet Cinderella Flower Drum Song and The Sound of Music.These packages include two companion CDs one featuring full performances and the other Piano accompaniments. The CDs work in all CD players but are also enhanced CD-ROMs with tempo adjustment software that will work in all PCs and Macintoshcomputers.Bass/Baritone edition includes: Do I Love You Because You're Beautiful?; Edelweiss; A Fellow Needs A Girl; The Highest Judge Of All; I Have Dreamed; If I Loved You; Lonely Room; Oh What A Beautiful Mornin'; Soliloquy; Some Enchanted Evening; The Surrey With The Fringe On Top; Ten Minutes Ago; This Nearly Was Mine; You Are Never Away

Book/CD package (2 CDs)-More great teaching material at the same level as the first volume. Over 30 songs in each volume with no song duplicated between voice types. A student could easily begin either in The First Book or The First Book Part II or the books may be used concurrently.

Description G. Schirmer Operatic Anthology - Arias For Baritone Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Songlist Ach, Wir Armen Leute (Hansel Und Gretel) [Humperdinck, Engelbert] Ah Per Sempre Io Ti Perdei (I Puritani) [Bellini, Vincenzo] Ah Pescator (La Gioconda) [Ponchielli, Amilcare] Avant De Quitter Ces Lieux (Faust) [Gounod, Charles] Bella Siccome Un Angelo (Don Pasquale) [Donizetti, Gaetano] Come Paride Vezzoso (L'elisir D' Amore) [Donizetti, Gaetano] Deh, Vieni Alla Finestra (Don Giovanni) [Mozart, Wolfgang Amadeus] Der Vogelfanger Bin Ich Ja (Die Zauberflote) [Mozart, Wolfgang Amadeus] Di Provenza Il Mar (La Traviata) [Verdi, Giuseppe] Donne Mie, La Fate A Tanti (Cosi Fan Tutte) [Mozart, Wolfgang Amadeus] Ein Madchen Oder Weibchen (Die Zauberflote) [Mozart, Wolfgang Amadeus] Fin Ch'han Dal Vino From Don Giovanni (Don Giovanni) [Mozart, Wolfgang Amadeus] Hai Già Vinta La Causa (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Largo Al Factotum (The Barber Of Seville) [Rossini, Gioacchino] Mab, La Reine Des Mensonges (Romeo Et Juliette) [Gounod, Charles] Minnie, Dalla Mia Casa (La Fanciulla Del West) [Puccini, Giacomo] O Du Mein Holder Abendst (Tannhauser) [Wagner, Richard] O Vin, Dissipe La Triste(Thomas) (Hamlet) [Thomas, Ambroise] Pari Siamo (Rigoletto) [Verdi, Giuseppe] Questo Amor, Vergogna Mia (Edgar) [Puccini, Giacomo] Si Puo? Si Puo? (I Pagliacci) [Leoncavallo, Ruggiero] Vision Fugitive (Herodiade) [Massenet, Jules] Voila Donc La Terrible Cite (Thais) [Massenet, Jules] Votre Toast Je Peux (Carmen) [Bizet, Georges] Warm As Autumn Light (The Ballad Of Baby Doe) [Menotti, Gian Carlo] You Rascal, You I Never Knew You Had A Soul (Vanessa) [Barber, Samuel] Zaza, Piccola Zingara (Zaza) [Leoncavallo, Ruggiero]

Par MACONCHY ELIZABETH. Three baritone songs taken from the composer's cantata 'Héloïse and Abelard', and the opera 'The Three Strangers'. Specially arranged for baritone and piano by the composer for Brian Raynor Cook. / Date parution : 2022-02-03/ Répertoire / Baryton et Piano

for baritone and piano. Par DAVIES PETER MAXWELL. Opening simply with a solo voice, Sir Peter Maxwell Davies' Italian settings of eight poems by Renaissance artist Michelangelo for baritone and piano take both the performers and audience on a striking journey through Michelangelo’s tortured and knotty Tuscan poetry. The piano is introduced in the second of the eight settings punctuating the vocal part with a variety of different textures from bell-like figuration to turbulent virtuosity. / Date parution : 2009-11-20/ Répertoire / Baryton et Piano