from the Opera Little Women-from the Opera Little Women for Baritone and Piano Reduction. Vocal sheet music.

Baritone. This volume contains French operatic arias for baritone from works that opera reformer Christoph Willibald Gluck was commissioned to compose for the Paris Opéra: ?Iphigénie en Aulide? (1774) | ?Cythère assiégée? (1775) | ?Alceste? (1776) | ?Armide? (1777) | ?Iphigénie en Tauride? (1779). The informative text sections contain a Foreword (Fr/Eng), a brief account of the dramatic context and a literal English translation of each aria. About the series: Christoph Willibald Gluck: French Operatic Arias. For the first time all the arias from Christoph Willibald Gluck?s French operas are being published in arrangements for voice and piano. This series, a coproduction with the Centre de musique baroque de Versailles (CMBV), presents this collection according to voice register in four volumes. With their wealth of arias and informative texts, these volumes offer a rich treasure-trove from works by this major 18th-century opera composer for use in voice lessons, auditions and recitals.

The Musical Theatre Essentials series represents the ultimate selection of songs from the stage. Volumes are available for Soprano Mezzo-Soprano Tenor and Baritone/Bass either with or without accompaniment CDs.Unique song lists are provided in the books for each vocal range including this volume for Baritone/Bass.Newly edited and engraved with Vocal line and Piano accompaniment the two Baritone/Bass volumes from theMusical Theatre Essentials series provide a golden opportunity to celebrate the music of the stage containing songs from classic and modern musicals such as: Cabaret The Lion King Hairspray SouthPacific and Les Miserables.

Baritone Voice And Piano Performing Score-Composed in 2012 the two pieces in Sadie Harrison’s Heartoutbursts! take their inspiration from traditional English folk.'...in the folk-song there is to be found the complete history of a people recorded by the race itself through the heartoutbursts of its healthiest output. It is a history compiled with deeper feeling and more understanding than can be found among the dates and data of thegreatest historian...'(Percy Grainger 1922)In 1905 Joseph Taylor won a Lincolnshire folksong competition with his rendition of Brigg Fair a song he had learnt from a gypsy. Australian composer Percy Graingersubsequently published a setting in his Lincolnshire Posy with Delius using the tune in his rhapsody Brigg Fair. Both composers sought to vivify the tradition of English folksong celebrating not only the ancient tunes and words but also the qualities of particular folksingers like Joseph Taylor.Harrison’s own Australian Heartoutbursts! follow unashamedly in the Grainger tradition with echoes of the original folktunes underpinning both songs Brigg Fair and The Seeds of Love. Although different in character both texts use similar images as analogies for the joys and despairing associated with love - the lark and violet symbolize youth the lily as virginity the red rose as true love and the willow representing falsehood and abandonment.

Two accompaniment CDs in each package which match the books containing a collection of songs from the musical stage categorized by voice type. The selections are presented in their authentic settings excerpted from the original vocal scores. Baritone/Bass Volume 1. Two accompaniment CDs in each package which match the books containing a collection of songs from the musical stage categorized by voice type. The selections are presented in their authentic settings excerpted from the original vocal scores.

for baritone and piano. Par DAVIES PETER MAXWELL. Opening simply with a solo voice, Sir Peter Maxwell Davies' Italian settings of eight poems by Renaissance artist Michelangelo for baritone and piano take both the performers and audience on a striking journey through Michelangelo’s tortured and knotty Tuscan poetry. The piano is introduced in the second of the eight settings punctuating the vocal part with a variety of different textures from bell-like figuration to turbulent virtuosity. / Date parution : 2009-11-20/ Répertoire / Baryton et Piano

Baritone-Operatic AriasBased on the Opera Omnia Rameau (OOR) This edition contains the great monologues arias and ariettas that Rameau wrote for basse-taille (the 18th-century equivalent of today’s baritone). The volume which contains a historical Introduction in German and English is based on the critical edition of the works Opera omnia Rameau (OOR). A short description of the dramatic situation and an English translation of the vocal text precede each number. The volume contains the baritone arias for the main characters from the following operas: Anacréon (Anacréon)Castor et Pollux (Pollux)Dardanus (Anténor)Les Fêtes de Polymnie (Zimès)Hippolyte et Aricie (Thésée)Les Indes galantes (Bellone Huascar Adario)Naïs (Tirésie)La Naissance d’Osiris (le grand Prêtre)Nélée et Myrthis (Nélée)Les Paladins (Orcan Anselme)La Princesse de Navarre (un Français)Les Surprises de l’amour (Anacréon Astole)Le Temple de la Gloire (l’Envie)Zoroastre (Abramane)

10 Lieder-Ten songs for Baritone Voice and Piano with music by Gerald Finzi and words by Thomas Hardy. This collections is a wonderful combination featuring texts by one of the most typically English poets set to music by one of characteristically English composers from the first half of the 20th century.

Schubert?s operas contain a wealth of magnificent music. This anthology of opera arias for baritone with piano accompaniment presents a delightful selection from Des Teufels Lustschloss D 84 Adrast D 137 Die Freunde von Salamanka D 326 Alfonso und Estrella D 732 and Fierabras D 796. An enclosed violoncello part for the aria ?Wo find ich nur den Ort mein Haupt zur Ruh zu legen? (Alfonso und Estrella) makes it possible to perform this piece in a chamber music setting.Urtext edition based on the New Schubert EditionTrilingual texts (Ger/Eng/Fr) with an informative Foreword notes on the arias? dramatic context and literal translations of the aria textsinto English and FrenchIdiomatic playable piano part

Par MACONCHY ELIZABETH. Elizabeth Maconchy's Four Shakespeare Songs written for Baritone and Piano with text taken from Shakespeare's Twelfth Night, Measure for Measure and Othello. Duration: 6 minutes Elizabeth Maconchy's Four Shakespeare Songs written for Baritone and Piano with text taken from Shakespeare's Twelfth Night, Measure for Measure and Othello. Duration: 6 minutes/ Répertoire / Baryton et Piano

Version for Bass-Baritone and Piano. The texts for the work were taken from the Oxford Dictionary of Nursery Rhymes.