SKU: IS.BC7076EM
ISBN 9790365070763.
It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. I pleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn’t to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument.
SKU: AY.BC3529PM
ISBN 9790543573420.
Solo for bass clarinet, the last work of the Belai series; the fifth one of a collection of pieces for different instrumentations. The works are written from the reflection about the concept of continuity. The idea is raised from the pitch, the intensity and principally, from the treatment of contrast. The work has a flexible writing and allows the brilliance of the performer.
SKU: IS.BC6932EM
ISBN 9790365069323.
Sarah Watts is an award winning British Clarinettist who has gained an international reputation for her work as a solo bass clarinettist. Her work both as a soloist and with her various chamber ensembles has led to numerous CD releases and invitations to perform all over the world. Sarah is passionate about teaching and in addition being the visiting teacher of solo bass clarinet at the Royal Northern College of Music, she hosts and tutors several courses for adult amateur musicians in the UK and France. Sarah has recently completed a PhD in bass clarinet multiphonics. She has created new multiphonics charts for the bass clarinet and commissioned new works for bass clarinet that use her results. Spectral Immersions: A Comprehensive Guide To The Theory And Practice Of Bass Clarinet Multiphonics is published by Metropolis. The book contains history, analysis, new charts and new compositions together with audio and data CDs. A separate series of works written for the project was also published alongside. Screapadal is Sarah's own composition, illustrating the use of multiphonics in contemporary music.
SKU: IS.BC6927EM
ISBN 9790365069279.
Gareth Churchill trained in London with Rhian Samuel and in Cardiff with Anthony Powers (PhD Composition 2007); other teachers having included Peter Maxwell Davies, Judith Weir, John Metcalf and Charles Camilleri. Commissions include works for Vale of Glamorgan Festival for Arvo Pärt's 75th birthday, Aberystwyh Musicfest, Bangor New Music Festival, Mavron Quartet and South Wales Gay Men's Chorus. Performances have reached audiences in Belgium, Estonia, Italy, Japan, Norway, Spain, the USA and throughout the UK. His output reflects an interest in musical cryptography with many works' titles providing the key to understanding their musical means. He has taught at Cardiff University School of Music, at Aberystwyth Musicfest and is composition teacher for Cardiff University Centre for Continuing and Professional Education.This composition was written for bass clarinet soloist Sarah Watts, who did extensive research on bass clarinet multiphonics. This piece is a great illustration on the integration of multiphonics in contemporary music.
SKU: IS.BC6926EM
ISBN 9790365069262.
Iain Matheson is a Scottish composer and musician, based in Edinburgh. He writes concert music in the classical tradition. Most of his work is based on some aspect of time, the medium in which music happens. It doesn’t represent programmatic ideas: instead it explores memory, and invites listeners to notice the ways in which time passes. This composition was written for bass clarinet soloist Sarah Watts, who did extensive research on bass clarinet multiphonics. This piece is a great illustration on the integration of multiphonics in contemporary music.
SKU: AY.BC3564PM
ISBN 9790543575400.
The Escenas Argentinas (Argentinian Scenes) join the flavours of the local rhythms with a virtuous writing and full of varied effects. One more time, the bass clarinet is a highly versatile instrument, not only in technical aspects, but also in the expressive roles that it adopts. Gentile makes the most of her very idiomatic writing creating a score with an original approach.
SKU: AY.BC3665PM
ISBN 9790543574557.
I have never seen faces was first beformed in November 2017 by Ken Kunita, part of Dodecavember 2017. It was composed as part of a project to write a new piece of music every day for 30 days in a row, all using serial, twelve-tone techniques.
SKU: PR.114424270
ISBN 9781491137772. UPC: 680160691562.
In this short and wild ride free of barlines, Pann’s fantasical imagination gives bass clarinetists an excitement-packed adventure. The composer has written, “As these four pages progress, the music tries to achieve higher and even higher perches through twists and turns, different genres, and varied extended techniques until finally the player reaches the zenith atop a culminating arpeggio. RAMP is a piece of virtuosity for aspiring musicians, lasting 3-4 minutes.”.Ramp was commissioned by clarinetist Gleyton Pinto at the University of Colorado - Boulder during the Fall of 2023. He had recently acquired a new bass clarinet and planned to record an album of new works into the winter months. This was my first non-piano solo work in decades, and the challenge of writing such a work never escaped my acknowledgment. As these four pages progress, the music tries to achieve higher and even higher perches through twists and turns, different genres, and varied extended techniques, until finally the player reaches the zenith atop a culminating arpeggio. Ramp is a piece of virtuosity for aspiring musicians, lasting 3-4 minutes.
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