SKU: HL.14022517
ISBN 9788759858974. Danish.
The distinctive Bass Clarinet part for Per Norgard's Mytisk Morgen. This is a challenging piece, especially for choirs, and uses ambiguous tonality and other dissonance as structural devices. This work for Mixed voice Chorus and Bass Clarinet was composed in 2000. The Vocal Score is also available KP01061.
SKU: IS.BC6926EM
ISBN 9790365069262.
Iain Matheson is a Scottish composer and musician, based in Edinburgh. He writes concert music in the classical tradition. Most of his work is based on some aspect of time, the medium in which music happens. It doesn’t represent programmatic ideas: instead it explores memory, and invites listeners to notice the ways in which time passes. This composition was written for bass clarinet soloist Sarah Watts, who did extensive research on bass clarinet multiphonics. This piece is a great illustration on the integration of multiphonics in contemporary music.
SKU: IS.BC6927EM
ISBN 9790365069279.
Gareth Churchill trained in London with Rhian Samuel and in Cardiff with Anthony Powers (PhD Composition 2007); other teachers having included Peter Maxwell Davies, Judith Weir, John Metcalf and Charles Camilleri. Commissions include works for Vale of Glamorgan Festival for Arvo Pärt's 75th birthday, Aberystwyh Musicfest, Bangor New Music Festival, Mavron Quartet and South Wales Gay Men's Chorus. Performances have reached audiences in Belgium, Estonia, Italy, Japan, Norway, Spain, the USA and throughout the UK. His output reflects an interest in musical cryptography with many works' titles providing the key to understanding their musical means. He has taught at Cardiff University School of Music, at Aberystwyth Musicfest and is composition teacher for Cardiff University Centre for Continuing and Professional Education.This composition was written for bass clarinet soloist Sarah Watts, who did extensive research on bass clarinet multiphonics. This piece is a great illustration on the integration of multiphonics in contemporary music.
SKU: PR.114424270
ISBN 9781491137772. UPC: 680160691562.
In this short and wild ride free of barlines, Pann’s fantasical imagination gives bass clarinetists an excitement-packed adventure. The composer has written, “As these four pages progress, the music tries to achieve higher and even higher perches through twists and turns, different genres, and varied extended techniques until finally the player reaches the zenith atop a culminating arpeggio. RAMP is a piece of virtuosity for aspiring musicians, lasting 3-4 minutes.”.Ramp was commissioned by clarinetist Gleyton Pinto at the University of Colorado - Boulder during the Fall of 2023. He had recently acquired a new bass clarinet and planned to record an album of new works into the winter months. This was my first non-piano solo work in decades, and the challenge of writing such a work never escaped my acknowledgment. As these four pages progress, the music tries to achieve higher and even higher perches through twists and turns, different genres, and varied extended techniques, until finally the player reaches the zenith atop a culminating arpeggio. Ramp is a piece of virtuosity for aspiring musicians, lasting 3-4 minutes.
SKU: AY.BC3665PM
ISBN 9790543574557.
I have never seen faces was first beformed in November 2017 by Ken Kunita, part of Dodecavember 2017. It was composed as part of a project to write a new piece of music every day for 30 days in a row, all using serial, twelve-tone techniques.
SKU: HL.48024907
UPC: 840126931600.
An alternating stream of thoughts for bass clarinet - free and restless, tender and brutal, angry, singing. This short solo piece, like an exclamation mark, is given by the interpreter * in space to struggle to shake off conventions, in short, to play. The composer - i.a. Professor of media composition (University of Music and Performing Arts Vienna) and visiting professor forexperimental composition (UdK Berlin) - encourages quasi-improvisation, a wild ride through emotional states and playing techniques. Caution, risk of explosion!
SKU: SU.50019840
Published by: Seesaw Music.
SKU: P2.30124
Composer Lori F. Ardovino says, Sessionography: A description of various musical sessions. This piece for solo bass clarinet is in three movements. The first movement, King Super 20, is inspired by the artistry of Charlie Parker. The fast improvisatory runs represent his virtuosic technique. A quasi 'walking bass' can be heard between the sudden bursts of notes. The title of this work is the brand of saxophone that Parker mainly played. Composition No. 2 is inspired by the free jazz style of Anthony Braxton. His music is free improvisation based and named by Braxton 'creative music'. Extended techniques such as flutter tonguing and singing while playing add to the creative process and the flavor of Braxton's style. The name comes from similar titles for works by Braxton. The final movement, Just Groovin', is what Miles Davis' composition Move was dubbed by jazz critics. This movement is inspired by the rhythmic style and free improvisation style of this bebop tune..
SKU: HL.48023982
Orcus, presented by the composer in a version for contraforte as well, is a virtuoso solo which gives the instrument the character of a 'bass nightingale'. Mockery and humour, however, are disregarded. This composition rather is a piece of archaic language-like character. Lamenting vocal tones are crossed dramatically by staccatos.
SKU: AY.BC3529PM
ISBN 9790543573420.
Solo for bass clarinet, the last work of the Belai series; the fifth one of a collection of pieces for different instrumentations. The works are written from the reflection about the concept of continuity. The idea is raised from the pitch, the intensity and principally, from the treatment of contrast. The work has a flexible writing and allows the brilliance of the performer.
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