Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Franz Giegling. K. 191 (186e). Set of performance parts (includes separate pull-out bassoon part) for bassoon and piano. Urtext of the New Mozart Edition. With solo part, piano reduction and introductory text. Bb Major. Published by Baerenreiter-Ausgaben (German import). ISBN M006458097.

Bassoon solo with piano accompaniment - Grade 1

SKU: CL.081-0098-17

Composed by F. McKay. Solo. Composed 1961. C.L. Barnhouse #081-0098-17. Published by C.L. Barnhouse (CL.081-0098-17).

The troubador in this piece can definitely carry a tune! You may even be humming it by the end.

Bassoon solo with piano accompaniment - Grade 1

SKU: CL.080-0097-17

Composed by F. McKay. Solo. Composed 1961. C.L. Barnhouse #080-0097-17. Published by C.L. Barnhouse (CL.080-0097-17).

A nice change from the usual classical solo. This one is a toe-tapper!

Bassoon solo with piano accompaniment - Grade 1

SKU: CL.081-0095-17

Composed by F. McKay. Solo. Composed 1961. C.L. Barnhouse #081-0095-17. Published by C.L. Barnhouse (CL.081-0095-17).

A waltz like this is a perfect selection for a developing soloist.

For Oboe, Clarinet in B-flat, Horn in E-flat, Bassoon and Piano. By Ludwig van Beethoven. Edited by S. Kross. Chamber Music with Winds. Pages: Score(Pno) = 48 * Oboe = 7 * Bassoon = 7 * Clar B-flat = 7 * Horn E-flat = 4. Urtext edition-paper bound. Published by G. Henle.

Bassoon and Piano

SKU: ST.C184

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C184. Published by Clifton Edition (ST.C184).

ISBN 9790570811847.

March of the Day
The subtitle says it all, I think. The piece has three main ideas each in the contrasting keys of Bb, Eb and F majors. Can you find a different character for each one? The danger for bassoonists in this sort of piece is that everything can sound accented, so be careful to follow the articulation marks as closely as you can.

Rondolettinetto
This is all about building phrases through repetition. It relies largely, therefore, on control of the sound. Try to achieve a really obvious contrast of character between the opening phrases and the less refined con spirito episode. This might be played just a touch faster than the opening and closing sections, if you wish. There is a hint of gentle parody in this piece if you can find a way of expressing that too.

Sand-dance Kid
This piece stretches the compass and range of expression even further. There are very obvious contrasts of staccato and legato and the phrase lengths of the middle section are far from regular. Try to scale down the dynamics at the end so that you end as softly as you can play.
Three Pieces for Bassoon and Piano

Grade 4
Former Spartan Press Cat. No.: SP1164.

By Capel Bond. For bassoon and piano (organ). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 289D)
Level: 4+.

By Antonio Vivaldi. For bassoon and piano (organ). Swiss import. Level: 4 . Score and parts. Published by Editions Marc Reift. (EMR 2051D)

Bassoon & Piano (Organ) or CD Play Back / Play Along - Grade 4+

SKU: MA.EMR-57293

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 14'40. Editions Marc Reift #EMR 57293. Published by Editions Marc Reift (MA.EMR-57293).

Bb Major.

By Antonio Vivaldi. For bassoon and piano (organ). Swiss import. Level: 4 . Score and parts. Published by Editions Marc Reift. (EMR 2049D)

Bassoon & Piano (Organ) or CD Play Back / Play Along - Grade 4+

SKU: MA.EMR-57239

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 12'18. Editions Marc Reift #EMR 57239. Published by Editions Marc Reift (MA.EMR-57239).

Bb Major.

By Louise Farrenc. Edited by Willi Rechsteiner. For flute, oboe, clarinet in Bb, horn in Eb, bassoon and piano. First Publication. Level: intermediate. Score and parts. Composed 1851-52. Duration 26,30'. Published by Furore-Verlag (German import). (fue 1980)