SKU: BT.AMP-430-400
ISBN 9789043148610. English-German-French-Dutch.
Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.Faisant partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.
SKU: ST.C389
ISBN 9790570813896.
An Album of Twenty French Songs arranged for Bassoon and Piano by Martin GattFauréâ??s poignant love song Après un rêve exists in many different transcriptions for various instruments (the most famous version perhaps being the one for cello and piano that Pablo Casals made in 1910), and provides the initial inspiration for this album of French songs transcribed for bassoon and piano. The bassoon is capable of a broad range of timbres and expression, and it is the lyrical, vocal quality of the instrument that Martin Gatt has always been attracted to. In both his performance and teaching, his emphasis is on the importance of what he calls â??vocalisingâ?? through the bassoon, and for him, music for the voice â?? especially art songs of the 19th and 20th centuries â?? has been a rich source of material for exploring the expressive tonal colours of the bassoon.The treasure trove of French art song from composers ranging from Claude Arrieu to Louis Vierne, not to mention the greats like Berlioz or Debussy or Ravel, has made the task of choosing which songs to include in this album a difficult one. In the end, Martin has settled on eight composers who have produced some of the most appealing music in the genre â?? Camille Saint-Saëns (1835-1921), Georges Bizet (1838-1875), Emmanuel Chabrier (1841-1894), Jules Massenet (1842-1912), Gabriel Fauré (1845-1924), Henri Duparc (1848-1933), Cécile Chaminade (1857-1944), and Francis Poulenc (1899-1963). Rather than grouping by composer, the songs are set out in a way that contrasts different emotional worlds and sentiments, from the vibrant exuberance of Chabrierâ??s Lâ??île heureuse to the gentle melancholy of Poulencâ??s Mais mourir. These â??songs without wordsâ? for the bassoon, clearly demonstrate the instrumentâ??s cantabile qualities, varied nuances, and wide-ranging emotional possibilities.
SKU: BT.DHP-1185973-401
ISBN 9789043157513. International.
This short work is partly based on the well-known bassoon solo from Peter and the Wolf, the musical fairy tale by Sergei Prokofiev. However, the original melody is presented in â??inversionâ??: ascending intervals become descending ones, and vice versa. The middle cantabile section is mainly situated in the higher bassoon register, thus forming a lovely contrast with the other parts. The piano accompaniment is modest and transparent, so that the bassoon is not drowned out.Dit korte werkje is deels geënt op de bekende fagotsolo uit Peter en de Wolf, het muzikale sprookje van Sergei Prokofjev. De oorspronkelijke melodie wordt echter in â??omkeringâ?? gepresenteerd: stijgende toonafstanden worden dus dalende en vice versa. Het middendeel is zangeriger en ligt vooral in het hogere register van de fagot, wat een fraai contrast vormt met de hoekdelen. De pianobegeleiding is bescheiden en transparant, zodat de fagot niet overstemd wordt.Dieses kurze Werk basiert zum Teil auf dem bekannten Fagott-Solo aus Sergei Prokofjews musikalischem Märchen Peter und der Wolf. Die ursprüngliche Melodie wird jedoch als Umkehrungâ?? vorgestellt: aufsteigende Intervalle werden zu absteigenden und umgekehrt. Der Mittelteil ist kantabler und liegt hauptsächlich in der höheren Stimmlage des Fagotts, womit er einen schönen Kontrast zu den Eckteilen bildet. Die Klavierbegleitung ist zurückhaltend und transparent, sodass das Fagott nicht übertönt wird.Cette Å?uvre courte est basée en partie sur le célèbre solo pour basson de Pierre et le Loup, le conte musical de Sergue Prokofiev. Toutefois, la mélodie originale est présentée en « inversion » : les intervalles ascendants deviennent ainsi descendants, et vice-versa. La partie du milieu est plus cantabile et profite surtout du registre aigu du basson, ce qui crée un magnifique contraste avec les parties qui lâ??entourent. Lâ??accompagnement pour piano est modeste et simple : ainsi il ne couvre pas le basson.
SKU: HL.48187803
UPC: 888680873622. 9.0x12.0x0.125 inches. French.
“André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto for Bassoon was composed in 1954, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in his Concerto for Bassoon. The piece requires high, virtuosic skills due to its expansive use of extended techniques. For all advanced bassoonists, Jolivet provides an exciting, alternative piece for the instrument's repertoire.â€.
SKU: BT.ALHE31669
English.
André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto for Bassoon wascomposed in 1954, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known forits spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in his Concerto for Bassoon. The piece requires high, virtuosicskills due to its expansive use of extended techniques. For all advanced bassoonists, Jolivet provides an exciting, alternative piece for the instrument's repertoire.
SKU: HL.48181006
UPC: 888680878726. 9.0x12.0x0.06 inches.
As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera Style, transcribed for bassoon and piano by Fernand Oubradous contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Piece in the Habanera Style clearly exemplifies these qualities through flourishing bassoon lines and evocative, chordal and rhythmic piano accompaniments. Moreover, habanera rhythms heard throughout the piece create further excitment. All of these musical elements combined create a highly enjoyable piece for the bassoon and piano repertoire. In addition, the clear print of separate solo and accompaniment parts in this edition of Piece in the Habanera Style add to an irresistible purchase for aspiring bassoon players.
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