SKU: ST.C182
ISBN 9790570811823.
BodhánThe melody here is very broken up, so breathe and be ready for the next entry in good time. Don’t drag behind the drum in the piano part. Notice that only some of the notes are marked staccato.À la ModalModes are scales based on the white notes of the piano, say, so you won’t find a single accidental in this piece. It shows that expression in music depends on more than just the dynamics, that is, how loudly and softly you play. We also need to observe the articulation markings such as staccato, tenuto and the accents on both long and short notes.Schubert’s GhostSchubert is one of my favourite composers. I hope you enjoy the swing of the dotted rhythms and accents in this little Viennese impression. There are three musical quotations: one from Schubert himself, one from a later Viennese composer, Gustav Mahler and, near the end, the Dies Irae tune which has been used by many composers.Three Pieces for Bassoon and PianoGrade 2Former Spartan Press Cat. No.: SP1162.
SKU: FL.FX074214
Who does not have a little nostalgic air in their head when they think of their last vacation in Italy? And who says Italy says Tarantella! - Pascal PROUST ; A piece to be played from 5 years of practice. ; Instruments: 1 Bassoon 1 Piano; Difficuly Level: Grade 3; Duration: 3 mns; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: ST.C184
ISBN 9790570811847.
March of the DayThe subtitle says it all, I think. The piece has three main ideas each in the contrasting keys of Bb, Eb and F majors. Can you find a different character for each one? The danger for bassoonists in this sort of piece is that everything can sound accented, so be careful to follow the articulation marks as closely as you can.RondolettinettoThis is all about building phrases through repetition. It relies largely, therefore, on control of the sound. Try to achieve a really obvious contrast of character between the opening phrases and the less refined con spirito episode. This might be played just a touch faster than the opening and closing sections, if you wish. There is a hint of gentle parody in this piece if you can find a way of expressing that too.Sand-dance KidThis piece stretches the compass and range of expression even further. There are very obvious contrasts of staccato and legato and the phrase lengths of the middle section are far from regular. Try to scale down the dynamics at the end so that you end as softly as you can play.Three Pieces for Bassoon and PianoGrade 4Former Spartan Press Cat. No.: SP1164.
SKU: P2.40006
James Grant says, Slow jazz... What musical language could celebrate more appropriately the lyrical, sensuous, expressive character of the bassoon? The three Chocolates, in this version for bassoon and piano, are torch songs in the tradition of the passionate, tuneful ballads of the American 40s and 50s. The first two Chocolates, Valentine and Bittersweet, offer soulful narratives that speak to devotion, poignancy, romance, uncertainty, longing. The third Chocolate, Triple Mocha Indulgence, is slightly less soul-searching, more ebullient, and progressively becomes more animated (a sugar high, perhaps?) right up to its raucous close. Chocolates was commissioned and premiered in 1998 by violist Michelle LaCourse, to whom this music is dedicated..
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