SKU: M7.SMP-1232
Bill Holman's music never disappoints, and 'Introduction to an Ending' is no exception! Originally written for and recorded on the Charlie Barnet Big Band 1967 album, this straight-ahead blues tune features the saxophone section with a long, wonderful soli that grows for over 70 bars before ripping into the solo section. There is solo space for alto saxophone, trumpet, trombone, piano, and drums. Filled with energy and excitement, the shout chorus comes roaring in to take the tune out with a bang. This is a great addition to any program! 5-4-4-3.
SKU: M7.SMP-345
English.
Bob has created an absolutely thrilling 12 minute work, inspired by his Celtic roots (Towednack is a small area in Cornwall, England). The Celtic influence is heard in the triple-meter settings and the interlude which reflects back on a Riverdance style of music. Tenor sax is featured. Very much in the genre of his Metheny/Mays charts of the past. Commissioned by Riverside Community College (CA) Performed at the August, 1999 Kenton Sounds concert in Los Angeles. No w.w. doubles. The CD on which this piece is recorded is Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4 (opt. vibes and aux. perc.).
SKU: M7.SMP-1260
Every once in a while a melody is written that words cannot convey and only the soul understands. Master-of-melodies, Pat Metheny, did just that in his composition of Tell Her You Saw Me, and Bob Curnow magnificently transformed it into a majestic big band arrangement. A ballad throughout that slowly builds in intensity; this piece utilizes woodwind doubles and flugelhorns with a short, written-out piano solo up front. If you are looking to provide a moving ballad for your audiences, then this is it. 5-4-4-4.
SKU: M7.SMP-395
Also known as Patterns For Orchestra (as recorded on the Verve jazz masters 48 CD), this is one of Nelson's very interesting charts. It has a very angular, exciting melody in a brisk swing tempo, and lots of solo space for trombone (as recorded by J.J. Johnson). The solo space could be filled by piano or any other instrument as well. The instrumentation has been converted to 5-4-4-4, a standard big band.
SKU: M7.SMP-457
As recorded on Portrait of Shorty, (including the best of West Coast jazz musicians such as Herb Geller, Bill Holman, Jack Montrose, Frank Rosolino, Conrad Gozzo, Conte Candoli and others) this is a medium tempo Swing chart that has a very unique, catchy sound to it. There is solo space for alto, tenor and baritone saxophones, trumpet, trombone, piano, bass and drums. Once again Shorty writes a superb chart for Big Band. Over 200 bars of enjoyment! 5-4-4-4.
SKU: M7.SMP-1030
Bob Curnow has a way of picking out the Metheny tunes that work so well in a big band setting. This chart is based on a bright, happy tune of Pat's. The medium tempo and contemporary feel make this a very delightful chart. There is solo space for alto sax (or guitar, or whomever you wish) 5-4-4-4.
SKU: M7.SMP-1190
This Oliver Nelson melody was originally recorded with a small group. Bob Curnow took this great tune and arranged it for big band in a very hip way! Set in an easy swing feel, this chart has quite a bluesy feel to it while providing a nice variation to the standard blues changes that you might not expect. There is solo space for alto saxophone, trombone and piano. In this pro (original) version, you will find Oliver Nelson's amazing solo transcribed and arranged as a trumpet soli. Very cool and fun to play! If you like Oliver Nelson's music, you'll love this chart! 5-4-4-3.
SKU: M7.SMP-1230
Rich DeRosa, Professor of Jazz Composition at the University of North Texas, has written an exquisite ballad in dedication to Neil Slater (UNT Jazz Studies chair and director of One O'Clock Lab Band, retired). Originally recorded by the UNT One O'Clock Lab Band on their album Lab 2015, 'Neil' features the piano with a lot of room to improvise, combined with gorgeous, lush, legato ensemble passages. Quite playable by most bands, this chart has very limited brass ranges (highest note for trumpet is a written G) and will be a fantastic addition to any concert program! This 'pro' version requires 10-brass. 5-5-5-3.
SKU: M7.SMP-1252
Ever heard of Take the A Train? Not like this you haven't! Another ingenious arrangement from the towering Rich DeRosa, this up-tempo swing chart is a journey through creative waters from beginning to end and will not disappoint. In additional to incredible ensemble writing, there is improvisation space for piano and alto saxophone. As recorded by the University of North Texas One O'Clock Lab Band on their album Lab 2013, DeRosa's arrangement of Take the A Train is a must for any serious band. 5-4-4-4.
SKU: M7.SMP-1231
Rich DeRosa, Professor of Jazz Composition at the University of North Texas, has written an exquisite ballad in dedication to Neil Slater (UNT Jazz Studies chair and director of One O'Clock Lab Band, retired). Originally recorded by the UNT One O'Clock Lab Band on their album Lab 2015, 'Neil' features the piano with a lot of room to improvise, combined with gorgeous, lush, legato ensemble passages. Quite playable by most bands, this chart has very limited brass ranges (highest note for trumpet is a written G) and will be a fantastic addition to any concert program! This 'edited' version is exactly like the 'pro' version except it only requires 8-brass. 5-4-4-3.
SKU: M7.SMP-419
The Maynard Ferguson Band performed a lot of Abene's charts over the years. This chart is an excellent example of Abene's very musical approach to a great jazz standard. Very reasonable ranges throughout. Features tenor sax, trumpet and trombone solos. Destined to be a best-seller! Printed as originally scored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation. This one burns!
SKU: M7.SMP-407
Sierra continues to find the lost treasures from Maynard Ferguson's Birdland Dream Band Library. Willie scored this Miles Davis classic to feature four different saxophone players. A typical chart for that time, it covers the whole dynamic range with exciting, swinging music. Printed as originally scored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.
SKU: M7.SMP-416
Sierra continues to find the lost treasures from Maynard Ferguson's Birdland Dream Band Library. A Country Boy starts out with a lazy trombone solo on the written melody and swings along from there. Recorded on the Come Blow Your Horn LP. Printed as originally scored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.
SKU: M7.SMP-113
An exciting, contemporary funk/rock piece which has been played on national television by the McDonald's All-American High School Jazz Band (directed by Bob Curnow), and by All-State jazz bands in Wisconsin, Texas, Georgia, and Alabama. Solo space for trumpet and/or tenor. This is a new, updated Finale version. 5-5-5-4Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4 (Solo), Trumpet 5, Trombone 1/Shaker, Trombone 2/Cabasa, Trombone 3/Claves, Bass Trombone 4, Bass Trombone 5/Cowbell, Electric Piano (Solo), Guitar, Electric Bass, Drums (Solo).
SKU: M7.SMP-252
Dan has created a wonderful Rock Ballad, with a nifty, repeating vamp figure, that can be played by even the most inexperienced players. He has managed to do this without compromising the music. The chart is wonderful! The melody is stated by 2 Altos, Trumpet and Trombone in unison, and it grooves on from there. VERY limited ranges (1st Tpt. written G top of staff) Solos for Alto Sax, Tenor Sax and Trumpet. Solos are written out, or they can be improvised as well. Your band will love it! 5-4-4-4.
SKU: M7.SMP-402
Bill Holman titled this one after the signs which used to be in the old-time dance halls around the country. Written in the '50's for Maynard's Birdland Dream Band, this chart is a laid back, swinging tune, with a roaring ensemble section near the end. Blowing space for trombone and tenor.5-4-4-3.
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