SKU: M7.SMP-1190

This Oliver Nelson melody was originally recorded with a small group. Bob Curnow took this great tune and arranged it for big band in a very hip way! Set in an easy swing feel, this chart has quite a bluesy feel to it while providing a nice variation to the standard blues changes that you might not expect. There is solo space for alto saxophone, trombone and piano. In this pro (original) version, you will find Oliver Nelson's amazing solo transcribed and arranged as a trumpet soli. Very cool and fun to play! If you like Oliver Nelson's music, you'll love this chart! 5-4-4-3.

SKU: M7.SMP-558

English.

A true Kenton Classic. Alto saxophone, piano and bass are featured on this one-of-a-kind piece. The piece was recorded in the early 1950s by Stan Kenton, became a huge hit and found its way onto many albums, most notably Popular Favorites by Stan Kenton. If you need a Kenton chart that doesn't demand a great deal of hard, high blowing, this is the one. 5-5-4-4.

SKU: M7.SMP-1243

Originally composed by Bill Holman for the Stan Kenton Orchestra, Bob Curnow's arrangement of 'Solos' scores the melody in the unison saxophone section and is written for 8-brass. A straight-ahead, swinging chart based on 'rhythm changes,' this is a hip, angular melody that sets up some powerful ensemble passages. There is lots of solo space for alto saxophone, trumpet, trombone, and piano. If you are looking for a chart with a memorable melody and a vehicle to feature your outstanding soloists, this is the one! 5-4-4-3 (opt. guitar).

SKU: M7.SMP-1252

Ever heard of Take the A Train? Not like this you haven't! Another ingenious arrangement from the towering Rich DeRosa, this up-tempo swing chart is a journey through creative waters from beginning to end and will not disappoint. In additional to incredible ensemble writing, there is improvisation space for piano and alto saxophone. As recorded by the University of North Texas One O'Clock Lab Band on their album Lab 2013, DeRosa's arrangement of Take the A Train is a must for any serious band. 5-4-4-4.

SKU: M7.SMP-1198

English.

Vern Sielert has created a marvelous arrangement of Michel LeGrand's extremely popular melody. As recorded by the North Texas Two O'Clock Lab Band, it is set in a modern ECM swing feel. The melody is stated by alto saxophone and flugelhorn, and they are featured throughout with extensive room for improvisation. Brass ranges are moderate. This is the original pro version requiring 10 brass players. This chart will surely join Vern's arrangements of I Thought About You and Like Someone in Love as best-sellers! 5-5-5-4 (opt. vibes).

SKU: M7.SMP-407

English.

Sierra continues to find the lost treasures from Maynard Ferguson's Birdland Dream Band Library. Willie scored this Miles Davis classic to feature four different saxophone players. A typical chart for that time, it covers the whole dynamic range with exciting, swinging music. Printed as originally scored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.

SKU: M7.SMP-1233

If you are looking for a modern arrangement with a classic feel, Drew Zaremba has done just that with Dave Brubeck's 'Cassandra.' Recorded by the University of North Texas One O'Clock Lab Band on their CD Lab 2014, Drew uses theme and variation to take this marvelous, swinging melody into challenging, extensive and exciting places. In addition to featuring the depth of your ensemble, including woodwind doubles, lots of counterpoint, and tempo and style changes, there is also solo space for alto saxophone and trumpet. This chart is the real deal! 5-4-4-4.

SKU: M7.SMP-930

English.

As recorded on the new CD The Bill Holman Band Live, Holman has written a witty, musical, fun-filled feature for baritone saxophone. Lots of space for creative playing, and the wonderful contrapuntal writing that we come to expect from Holman. It's time to feature the foundation of your jazz band. A moderate tempo shuffle-feel makes this one swing like crazy! 5-4-4-4.

SKU: M7.SMP-306

English.

Here is another chart written for Stan Kenton (in the mid-1950's), that was never recorded by the band. It is a sensational piece, a real flag-waver which features alto saxophone from top to bottom. Great ensemble figures propel the soloist ever onward. This up-tempo swing chart is refreshing, with band vs soloist, great background figures, a very hip key change and excitement throughout. A wonderful feature for your hot alto saxophonist. Typical, great Holman. 5-5-5-3.

SKU: M7.SMP-1249

As recorded by the Oliver Nelson Orchestra on their album Berlin Dialogue for Orchestra, Checkpoint Charlie is some of Nelson's most creative writing. Full of up-tempo energy, Oliver masterfully intertwines the melody in the saxophones with counter-lines from the brass to create an incredible tapestry of sound. There is plenty of solo space for trombone to stretch out, giving a great contrast from the full ensemble sections to the lone soloist with rhythm section. This edited version maintains the integrity of Oliver's original recording while simplifying some of the rhythms, making brass ranges more accessible, and providing solo space for tenor, trumpet, or trombone. 5-4-4-3.

SKU: M7.SMP-1248

As recorded by the Oliver Nelson Orchestra on their album Berlin Dialogue for Orchestra, Checkpoint Charlie is some of Nelson's most creative writing. Full of up-tempo energy, Oliver masterfully intertwines the melody in the saxophones with counter-lines from the brass to create an incredible tapestry of sound. There is plenty of solo space for trombone to stretch out, giving a great contrast from the full ensemble sections to the lone soloist with rhythm section. This pro version is exactly as Oliver Nelson's recorded version. 5-4-4-3.