SKU: M7.SMP-1214
Billy Byers, known for his wildly successful arrangements for the Count Basie Orchestra, provided them with some of their best music ever performed and recorded. Originally recorded on the album Frankly Basie, 'South of the Border' has it all - Basie piano solos (written out), roaring ensemble passages, a swinging saxophone soli, and some compelling key changes. There is solo space for tenor saxophone, trumpet, and piano. If you want your band and audiences to experience to joy of Basie, then this chart is a must! 5-4-4-4.
SKU: M7.SMP-1178
This chart was originally written for Charlie Parker to perform with the Stan Kenton Orchestra. Eventually it was recorded by Lee Konitz. The ensemble writing is very playable with no range concerns in the brass. If you have a great alto saxophone player (the solo is mostly chord symbols), this is an easy tune to put together with your band and will be a spectacular addition to any concert program. 5-5-5-3.
SKU: M7.SMP-1190
This Oliver Nelson melody was originally recorded with a small group. Bob Curnow took this great tune and arranged it for big band in a very hip way! Set in an easy swing feel, this chart has quite a bluesy feel to it while providing a nice variation to the standard blues changes that you might not expect. There is solo space for alto saxophone, trombone and piano. In this pro (original) version, you will find Oliver Nelson's amazing solo transcribed and arranged as a trumpet soli. Very cool and fun to play! If you like Oliver Nelson's music, you'll love this chart! 5-4-4-3.
SKU: M7.SMP-196
English.
This chart was recorded by the Count Basie Orchestra on the CD I Told You So. This is a rip-roaring, swinging chart. It starts with trombones and rhythm setting the time with simple halfnote figures. The saxes and trumpets join in with a swinging, exciting series of lines, and away we go ! One of the great shout choruses of all time! Features solo space for tenor sax, trombone, piano and drums. A great closer for your programs. 5-5-4-4.
SKU: M7.SMP-1177
James Miley brings us an original, fresh and fun-to-play composition titled Swing State. With bop-ish lines over a swing feel (with a funky back-beat), this chart brings new life to an eager rhythm section and interesting, interactive rhythmic figures to the ensemble. You choose the soloists from tenor saxophone, trumpet and/or trombone. There is also some solo space for your drummer. Miley is a wonderful composer, and this chart is a great addition to our growing library of contemporary composers. 5-4-4-5.
SKU: M7.SMP-1243
Originally composed by Bill Holman for the Stan Kenton Orchestra, Bob Curnow's arrangement of 'Solos' scores the melody in the unison saxophone section and is written for 8-brass. A straight-ahead, swinging chart based on 'rhythm changes,' this is a hip, angular melody that sets up some powerful ensemble passages. There is lots of solo space for alto saxophone, trumpet, trombone, and piano. If you are looking for a chart with a memorable melody and a vehicle to feature your outstanding soloists, this is the one! 5-4-4-3 (opt. guitar).
SKU: M7.BARN-32285000
You won't want to shoot your trombone section after they get a hold of this exceptional rock chart! Features the whole trombone section as it rocks hard from start to finish, great audience pleaser!
SKU: M7.SMP-922
This is the Opener on the 1959 The Jazz Soul of Porgy and Bess album, and it is a great opener for any live concert as well. It is an up-tempo, swinging version of Gershwin's tune. Potts is a master arranger, and he brought it all to this chart. Solo space for trumpet and tenor saxophone. Use this to start your concerts, and you'll never regret it. 5-5-5-4.
SKU: M7.SMP-1112
This arrangement of I Hope In Time a Change Will Come came about through a desire to hear/play more than one chorus of this stunningly beautiful melody by Oliver Nelson. The basis for this new arrangement was Nelson's original chart, but this one is two choruses, not one. Part of the second chorus can be improvised. The soloist throughout is soprano saxophone (could be played on tenor saxophone or trumpet if you so desire). This is a slow, gorgeous ballad that will thrill your audiences. 5-4-4-3.
SKU: M7.BARN-32379700
Get down and in the groove with this hard swingin' in the pocket Bb blues! The eight bar interludes add a nice variation to the standard twelve bar form, and you can feature your star trumpet and tenor player on improvised solos that eventually trade twos. A perfect choice for any concert or jazz festival! Can't be beat!
SKU: M7.BARN-32368700
Maximum Impact is a hard-hitting rock chart that will get your audience's attention. Powerful unison melodic lines and a rock-solid groove propel this chart. Simple but effective solo section changes will make it easy encourage your budding rockers (written suggested solos are included). For your next concert, get Maximum Impact from your band!
SKU: M7.BARN-32394100
Give your band and audience a pleasant Day At The Beach with this solid Latin-rock chart by Larry Neeck. Not too hard, and includes suggested solos for an open solo section for the soloists of your choosing, and it's playable with limited instrumentation. Your kids and audiences will love it! Don't forget your sun block!
SKU: M7.SMP-224
As commissioned (and recorded) by the SWR Big Band of Stuttgart, Germany, this is an extended arrangement based on a gorgeous melody by Pat Metheny. The saxophone players double on flute (sax 1), clarinets (sax 2-4) and bass clarinet (sax 5). There is solo space for piano, tenor sax and trombone, as the chart moves from a rubato ballad, to a bossa feel, to a rock ballad feel, and back to the rubato again. This is a highly, emotionally charged piece which makes a wonderful addition to any program. Limited brass ranges. The chart also includes an interweaving of Metheny's pensive melody Tell Her You Saw Me. The CD on which this piece is recorded is Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.
SKU: M7.SMP-1070
Every band from Tommy Dorsey to the Tonight Show Band to Ted Heath seemed to have a version of this great Sy Oliver tune. Bob Curnow compiled some of those versions into one great, new arrangement. It features, of course, the trumpet section (Bob wrote it for an optional 5-player section) and two improvised trumpet solos. The swing band feel is very much a part of this chart which culminates in an ending that will knock your socks off. Your audiences will LOVE this one. 5-5-4-4.
SKU: M7.BARN-32383800
Showcase your bari sax player with this solid sounding swinger from the pen of Andy Clark. The spotlight is on the bari and the tasteful background parts for the band provide a comfortable setting to allow your bari soloist to really cook! Includes an optional open solo section for the soloists of your choice. A great choice for any performance situation and it's sure to bring the house down! Very highly recommended!
SKU: M7.SMP-411
This is a great, HOT chart from Maynard's Dream Band book. Beautifully written, with tenor and trumpet solos. This is the one everyone has been asking for! Included in the new Smithsonian recording of big band jazz. Let your band sink their teeth into this one! Full score/parts for 5-4-4-3.
SKU: M7.SMP-320
This amazing work was commissioned by the I.A.J.E, ASCAP and the Dizzy Gillespie Commissions and was premiered at the IAJE Conference in New York City. It is a piece approximately 12 minutes in length, with solos for trombone, baritone saxophone, piano and others. This is Holman's newest work, and it should stand as one of his most interesting, creative and exciting works to date. 5-4-4-3.
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