SKU: M7.SMP-619
Bill Holman, well known for his solo features, originally arranged this iconic tenor saxophone feature, 'Out of Nowhere,' for Bill Perkins and the Stan Kenton Orchestra in the mid '50s. Set as an up-tempo swing, the tenor saxophone is featured throughout and has lots of solo space to make this tune its own. Combine that with a cookin' rhythm section and great swinging ensemble passages, this chart is really happening! This new Finale edition provides cleaner, more correct parts and is easier to read with better page turns. This 'pro' version is the original chart requiring 10-brass. Brass ranges are reasonable in both versions (highest note for trumpet is a written D). 5-5-5-3.
SKU: M7.SMP-1124
English.
This edited version of Where's Teddy (as played and recorded by Maynard Ferguson's Birdland Dream Band) is much more playable for the trumpet section as a whole than the original pro version (which is also available). However, everything else is the same and it does not sacrifice any of the original chart's style and charm. It is a medium-swing minor blues tune with solo space for trumpet, tenor saxophone and drums. 5-4-4-3.
SKU: M7.SMP-1125
This is the original chart as played and recorded by Maynard Ferguson's Birdland Dream Band. If you have a screamin' 1st trumpet player and want to play this historical chart, then Where's Teddy (Pro) is for you. It is a medium-swing minor blues tune with solo space for trumpet, tenor saxophone and drums. 4-4-2-3.
SKU: M7.SMP-207
The chart everyone has been waiting for!! Eight minutes of amazing, dynamic, exciting sounds! This arrangement was commissioned and recorded by the SWR Big Band of Stuttgart, Germany. It is, of course, based on the centerpiece of the wildly popular show. Everytime this chart was performed in live concerts in Germany (and elsewhere), the audience just erupted with applause and standing ovations. This isn't an easy chart to play, but it is well worth the effort (similar to The First Circle in that respect). All ranges are fairly reasonable, with the 1st Tpt. part topping out at a written high E. This is recorded on the highly acclaimed CD Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.
SKU: M7.BARN-32356900
This one is way cool, but the energy it creates is hot. It's a medium tempo swinger in a minor key, reminiscent of some of the great Buddy Rich tunes. Just when you think you know where it's going, the harmonies change and lead to something new. The open section for solos of your choice is built upon very basic minor Blues changes. Plenty of dynamic contrasts, with a very soft sax soli leading into a shout chorus that really roars.
SKU: M7.SMP-1108
'There, There' (subtitled 'The Boney King of Nowhere) was recorded on Radiohead's 2003 album Hail to the Thief. James Miley's sublime and highly accessible arrangement re-imagines the melodic, harmonic, and structural components of the original, showcasing tenor saxophone and trumpet improvisations amidst beautiful ensemble scoring. 5-4-4-5.
SKU: M7.SMP-322
This is one of the most original big band rock/fusion charts ever written. The Buddy Rich Big Band recorded this as a Closer on the CD Buddy and Soul. Tenor solo and lots of exciting counterpoint. Red-hot ensemble passages prevail! Played on the Tonight Show many times when Buddy would be a guest. This is a terrific crowd-pleaser. 5-4-4-4.
SKU: M7.BARN-31290600
You certainly will be ready to rock when your band performs this easy but very effective Larry Neeck rock chart. This one will have them sounding like the big boys in no time. Very cool!
SKU: M7.SMP-603
Four wonderful tunes.... Eager Beaver, Dynaflow, Opus in Chartreuse and Artistry in Rhythm are included in this medley. Curnow put on paper what the band used to play to close most concerts or dances in the later years. Perfect for a Kenton Tribute Concert when you want to end with the best loved hits of this band. Fairly easy to play for most bands (In fact, the idea was to rest the trumpet section for a while.) 5-5-5-4.
SKU: M7.SMP-1213
Many have tried, but few have been able to match the incredible swing that happens when you combine Billy Byers' arranging with the Count Basie Orchestra. Originally recorded on the Basie album Frankly Basie: Count Basie Plays the Hits of Frank Sinatra, Hey, Jealous Lover is a medium-swing chart that will excite your band and audiences alike! Filled with typical Basie-esque piano solo fills (written out), there is also room for trumpet and tenor saxophone improvisation. The ensemble writing is powerful and swinging; nothing complex or rhythmically awkward, just a great melody with hard swingin' horn lines and tasty solo spots. 5-4-4-4.
SKU: M7.SMP-1200
As recorded by the Maynard Ferguson Orchestra (and included in the Mosaic CDs The Complete Roulette Recordings of the Maynard Ferguson Orchestra), this is one of those charts that escaped notice for many, many years. Don Sebesky, one of the world's premier arrangers, took a magnificant Rolf Ericson tune and created an arrangement unlike anything you've heard before. The melody is stated by alto saxophone and trumpet, weaving in and out of various textures created by muted brass. The waltz feel begins to accelerate and rise at a climactic point where the melody is once again taken over by a solo trumpet and alto saxophone. Surprisingly, brass ranges are moderate. If you wish to program a piece which will have a very unique flavor and great audience appeal, this would be the chart! 5-4-4-3 (opt. original instrumentation available as 4-4-2-3).
SKU: M7.BARN-32374400
Beautifully written in a slow swing, this impressive swing ballad is an excellent showcase for your lead trombone player. Rob keeps the ranges modest throughout, yet achieves a most sophisticated sound by way of a well-crafted melody, paired with a distinctive set of chord changes and well written ensembles. Rhythm section parts are fully notated along with chord changes to ensure success. Sure to be a favorite in any book, this chart has the timeless feel of a true standard.
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