SKU: M7.SMP-224
English.
As commissioned (and recorded) by the SWR Big Band of Stuttgart, Germany, this is an extended arrangement based on a gorgeous melody by Pat Metheny. The saxophone players double on flute (sax 1), clarinets (sax 2-4) and bass clarinet (sax 5). There is solo space for piano, tenor sax and trombone, as the chart moves from a rubato ballad, to a bossa feel, to a rock ballad feel, and back to the rubato again. This is a highly, emotionally charged piece which makes a wonderful addition to any program. Limited brass ranges. The chart also includes an interweaving of Metheny's pensive melody Tell Her You Saw Me. The CD on which this piece is recorded is Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.
SKU: M7.SMP-356
As the title implies, this chart does not rest for a moment. It moves from one tempo to another, doubling up and then doubling in tempo again. Needless to say, Stop/Go is an exciting excursion into the very hip mind of Bill Holman. The chart requires soprano saxophone on the lead part. Holman's humor comes to the fore in this fascinating arrangement. 5-4-4-3.
SKU: M7.SMP-345
Bob has created an absolutely thrilling 12 minute work, inspired by his Celtic roots (Towednack is a small area in Cornwall, England). The Celtic influence is heard in the triple-meter settings and the interlude which reflects back on a Riverdance style of music. Tenor sax is featured. Very much in the genre of his Metheny/Mays charts of the past. Commissioned by Riverside Community College (CA) Performed at the August, 1999 Kenton Sounds concert in Los Angeles. No w.w. doubles. The CD on which this piece is recorded is Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4 (opt. vibes and aux. perc.).
SKU: M7.SMP-1077
This is a fast, swing chart that is a feature for tenor saxophone. The soloist gets to blow in a free-form setting, or the soloing can be done in time with the rhythm section. The rest of the band plays a neat, tight introduction to the improvisation, and they follow the solo with the same swinging, nifty music as the front end. This is a clever, hip, piece that makes a great addition to any program..... especially if your brass section needs a rest. Les recorded this with his wonderful band on Live at Typhoon. 5-4-4-4.
SKU: M7.SMP-1232
Bill Holman's music never disappoints, and 'Introduction to an Ending' is no exception! Originally written for and recorded on the Charlie Barnet Big Band 1967 album, this straight-ahead blues tune features the saxophone section with a long, wonderful soli that grows for over 70 bars before ripping into the solo section. There is solo space for alto saxophone, trumpet, trombone, piano, and drums. Filled with energy and excitement, the shout chorus comes roaring in to take the tune out with a bang. This is a great addition to any program! 5-4-4-3.
SKU: M7.SMP-171
This chart is destined to become a best-seller because of its unique and exciting format ... an orchestration of Jelly Roll Morton's original recording of one of his most famous compositions. The arranger has successfully captured the spirit of the '20's with the modern big band. Scored for 5 woodwinds (incl. clarinet and 2 soprano saxes) 6 brass and 4 rhythm, this is one piece that your band and audiences will ask for again and again. 5-3-3-4.
SKU: M7.SMP-989
As recorded on Libertango ! Hommage to Astor Piazzolla by the HR Big Band (Germany), this arrangement will surely lift your audiences out of their seats. It features a main soloist of your choice (originally recorded with bandoneon solo) and another solo for tenor saxophone. Various parts are included for different soloists to use. This marvelous arrangement opens with warm sounds in clarinets, muted trombones and flugelhorns behind the beautiful melody stated by the primary soloist. The setting is a medium tango, with a short, exciting swing section near the end of the chart. Once the piece moves into a strong, rock-fusion feel, there is no turning back. You and your band will love this chart. This requires clarinet doubles on the top 3 saxophone parts and bass clarinet on the baritone part. There is also a mallet part (marimba, vibes and xylophone). 5-4-4-5.
SKU: M7.SMP-1134
This arrangement continues the Radiohead Jazz Project and adds another wonderful talent to the list of outstanding RJP writers. Omar Thomas has arranged this emotional heavy-rock ballad, focusing on the solo voice of the trombone. There is also solo space for piano. There are flute, clarinet and bass clarinet doubles. This piece has limited brass ranges (written B in the trumpet). 5-4-4-4.
SKU: M7.SMP-1170
Another amazing, exciting chart has been added to the Pat Metheny Series! Bob Curnow's arrangement of Metheny/Mays' composition Stranger In Town hits you in the face right from the start and ends in the same manner. With typical Metheny/Mays flavor, there is a musical shift in the middle as solo space for tenor saxophone emerges, followed by a full ensemble interlude which then takes us to a peak ending. Originally recorded by PMG on their album We Live Here, Curnow has once again masterfully arranged this tune to fit perfectly in a big band setting! 5-4-4-4.
SKU: M7.SMP-149
A medium tempo, very interesting setting for this well-known standard. Lots of unison lines and superb counterpoint make this a masterful chart. You will NOT be disappointed in this one, or any of Holman's charts, for that matter. 5-4-4-3.
SKU: M7.SMP-1123
Omar Thomas has written a stunning, contemporary piece reminiscent of the style of the Pat Metheny Group. It has a straight-eighths feel with solos for piano and trombone. This chart requires soprano saxophone and clarinet (with optional bass clarinet). There are meter changes throughout. This piece moves jazz ensemble composition forward. 5-4-4-4 (w/ opt. voice part).
SKU: M7.SMP-603
Four wonderful tunes.... Eager Beaver, Dynaflow, Opus in Chartreuse and Artistry in Rhythm are included in this medley. Curnow put on paper what the band used to play to close most concerts or dances in the later years. Perfect for a Kenton Tribute Concert when you want to end with the best loved hits of this band. Fairly easy to play for most bands (In fact, the idea was to rest the trumpet section for a while.) 5-5-5-4.
SKU: M7.SMP-1165
Here is a slow, gutty, down-home type of blues written for and recorded by the Stan Kenton Orchestra on the Adventures In Blues album. There is open solo space for tenor, trumpet and piano. Once the solos are over, the full ensemble comes roaring in to take the chart to a strong, sensational ending. Your audiences will love this tune! 5-5-5-3.
SKU: M7.SMP-601
This is a new edition (Finale computer notation) of the original arrangement, with no editing. Instrumentation requires 1 alto, 2 tenors, baritone and bass saxophone, 5 trumpets, 4 horns in F, 4 trombones, tuba, piano, bass and drums. This is exactly as recorded on the Adventures in Jazz CD. There is solo space for trombone (written) and tenor saxophone (improvised). 5-5-5-3.
SKU: M7.SMP-726
As recorded by the Stan Kenton Orchestra on Live at Brigham Young University, this may well be Willie's best chart done for Stan. Maiden uses a latin feel, the lush sound of the trombones and saxophones and the exciting energy of the trumpets and rhythm section to create a superb arrangement of this very special melody. Solos for piano, trombone, and alto saxophone. 5-5-5-3.
SKU: M7.SMP-1252
Ever heard of Take the A Train? Not like this you haven't! Another ingenious arrangement from the towering Rich DeRosa, this up-tempo swing chart is a journey through creative waters from beginning to end and will not disappoint. In additional to incredible ensemble writing, there is improvisation space for piano and alto saxophone. As recorded by the University of North Texas One O'Clock Lab Band on their album Lab 2013, DeRosa's arrangement of Take the A Train is a must for any serious band. 5-4-4-4.
SKU: M7.SMP-1097
Inspired by a similar-titled original Bob Curnow composed for the great Doc Severinsen, The Doctor Is In is written for trumpet-extraordinaire Dr. Vern Sielert. Set as a medium-up swing feel, this chart features trumpet throughout and is exciting from beginning to end, including a great shout chorus to highlight the entire ensemble. If you are looking to showcase a great trumpet player, then this chart is a must-have! 5-4-4-4.
SKU: M7.SMP-1151
This is a beautiful, lush, straight-eighth ballad on the popular Cole Porter tune Easy To Love. Arranged by Lennie Niehaus, this short (and quite dancable) chart exemplifies the Kenton-esque warm and rich ensemble sound we all love. There is solo space for piano (written out) and for alto saxophone. Originally recorded by the Stan Kenton Orchestra on their album Sophisticated Approach, this popular tune out of the Great American Songbook will put a smile on any audience's face. 5-5-5-3.
SKU: M7.SMP-958
As recorded on Tonight Show Band, Vol. 2 (Amherst), this chart won a Grammy for best big band arrangement. Holman took this great standard, put it in 3-4, and wrote scintillating counter lines that weave their way through the whole arrangement. Solo space for trumpet, and roaring ensemble passages make this chart something that should be in every big band library in the world. 5-5-4-3.
SKU: M7.SMP-1190
This Oliver Nelson melody was originally recorded with a small group. Bob Curnow took this great tune and arranged it for big band in a very hip way! Set in an easy swing feel, this chart has quite a bluesy feel to it while providing a nice variation to the standard blues changes that you might not expect. There is solo space for alto saxophone, trombone and piano. In this pro (original) version, you will find Oliver Nelson's amazing solo transcribed and arranged as a trumpet soli. Very cool and fun to play! If you like Oliver Nelson's music, you'll love this chart! 5-4-4-3.
SKU: M7.SMP-582
As recorded by the Stan Kenton Orchestra on Adventures In Standards CD, this is a wonderful, swinging chart on a great tune. As usual, Lennie does a great job arranging it, with terrific section work and limited ranges for the brass (written high D for 1st Tpt). There is a nice, lengthy solo for Baritone Sax. 5-5-5-3 (can be played with 8 brass).
SKU: M7.SMP-1231
Rich DeRosa, Professor of Jazz Composition at the University of North Texas, has written an exquisite ballad in dedication to Neil Slater (UNT Jazz Studies chair and director of One O'Clock Lab Band, retired). Originally recorded by the UNT One O'Clock Lab Band on their album Lab 2015, 'Neil' features the piano with a lot of room to improvise, combined with gorgeous, lush, legato ensemble passages. Quite playable by most bands, this chart has very limited brass ranges (highest note for trumpet is a written G) and will be a fantastic addition to any concert program! This 'edited' version is exactly like the 'pro' version except it only requires 8-brass. 5-4-4-3.
SKU: M7.SMP-1138
This beautiful arrangement of the lovely popular Michel Legrand ballad was originally scored for the Tonight Show Band with Doc Severinsen. It is an alto saxophone feature throughout. The entire solo is written out (with changes provided to allow for improvisation). The accompanying band parts are very simple to play, making this chart accessible to most middle school bands. 5-4-4-4.
SKU: M7.SMP-587
Stan Kenton had a certain touch in his arranging that stood out. He took a simple, slow-swinging approach to this great Neal Hefti tune, and it was one of the most popular charts played by the band in the 1970's. Piano takes the melody, while the trombones set the harmonic and rhythmic groove. This is a wonderful piece to program, becasue it is so different than most charts. 5-5-5-3.
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