SKU: M7.SMP-1243

Originally composed by Bill Holman for the Stan Kenton Orchestra, Bob Curnow's arrangement of 'Solos' scores the melody in the unison saxophone section and is written for 8-brass. A straight-ahead, swinging chart based on 'rhythm changes,' this is a hip, angular melody that sets up some powerful ensemble passages. There is lots of solo space for alto saxophone, trumpet, trombone, and piano. If you are looking for a chart with a memorable melody and a vehicle to feature your outstanding soloists, this is the one! 5-4-4-3 (opt. guitar).

SKU: M7.SMP-1239

As recorded by the Oliver Nelson Orchestra, 'Heidi' is the 3rd movement of the Impressions of Berlin suite. A gorgeous solo feature for alto saxophone throughout, this piece builds from a quiet beginning to a very powerful point (a 'Bolero' type of tension as the piece develops) before it diminishes to a quiet ending. This 'edited' version is in a lower key, has a shorter solo section and simpler brass ranges, making it more playable for both the soloist and the ensemble while still maintaining the integrity of Oliver's beautiful ballad. 5-4-4-3.

SKU: M7.SMP-354

English.

Shades opens with a drum solo (brushes on snare) in a medium tempo and swings on from there. There is a trombone, alto saxophone and piano solo in this first movement. There are also drum solos which are interspersed with wonderful ensemble phrases. This chart romps from beginning to end! 5-4-4-3.

SKU: M7.SMP-306

English.

Here is another chart written for Stan Kenton (in the mid-1950's), that was never recorded by the band. It is a sensational piece, a real flag-waver which features alto saxophone from top to bottom. Great ensemble figures propel the soloist ever onward. This up-tempo swing chart is refreshing, with band vs soloist, great background figures, a very hip key change and excitement throughout. A wonderful feature for your hot alto saxophonist. Typical, great Holman. 5-5-5-3.

SKU: M7.SMP-1071

As recorded by the Maynard Ferguson Orchestra on the Newport album, this clever Willie Maiden arrangement is set in three sections - ballad, medium swing and fast swing. There is solo space for baritone saxophone (written out), bass (written out), tenor saxophone, trumpet, alto saxophone, and lead trumpet (a la Maynard). While this chart will certainly take some work to pull off, it will absolutely be worth it in the end! You band and audiences will love this great rendition of Old Man River! 5-5-4-3.

SKU: M7.SMP-728

English.

As recorded by the Stan Kenton Orchestra on Sketches on Standards, this is a superb alto saxophone ballad feature, as arranged by Russo for Lee Konitz. Russo employs a dark, brooding, beautiful setting for Konitz's soaring saxophone. Included is a transcription of Lee's amazing solo. 5-5-5-3.

SKU: M7.SMP-1061

This Bill Holman chart was written for the Maynard Ferguson Orchestra. It is recorded on Live at Peacock Lane and is a bright swing tune that features solos for alto saxophone, tenor saxophone and drums. It has a wonderful shout chorus, and an ending that will knock your socks off! It has been edited to include optional parts for a full band. If your rhythm section can burn, well, here it is! 5-4-4-3.

SKU: M7.SMP-1187

As recorded by the Maynard Ferguson Orchestra on New Sounds of Maynard Ferguson, This Willie Maiden arrangement takes a great tune and puts it in an up-tempo swing setting. The chart has a bop-like melody performed as a duet by the alto saxophone and trumpet at the beginning, and then moves into the ensemble. There is a solo for alto saxophone, followed by a roaring shout chorus. There is some high trumpet work (a la Maynard), with optional lower notes included. As always, Willie gives us another incredible arrangement sure to be loved by all audiences! 5-4-4-3.