SKU: M7.BARN-32380300
English.
Powerhouse rock and a huge sound make this a real winner at the medium-easy level! Trombones and tenors get the melody first, with the altos and trumpets taking over at the bridge. The open solo section for any instrument is over a 2-chord vamp, but one simple scale is all the soloist(s) need to sound impressive. The shout chorus drives it home to a powerful ending. This one rocks hard, but plays easy!
SKU: M7.BARN-32404900
Featuring a solid rock groove, this unique Andy Clark original is an outstanding choice for any performance by young jazz ensembles. Written in Bb concert, the ranges are very modest and it features an open solo section over two-chord changes (for any instrument) that is a perfect way to get your young students started on improvising. Sure to be a favorite of students and audiences alike!
SKU: M7.BARN-32361800
Your band will really swing with this tasty chart that lays right in the groove. Every section gets to play the melody while easy dorian solo changes over a blues style 12 bar format makes the open solo section approachable by any instrument in the band. The guitar helper part includes tablature and chord shape/performance suggestions. A written piano solo and optional vibes and vocal parts enhance the performance possibilities. Cool chart!
SKU: M7.BARN-32377000
Hip and cool doesn't have to take a lot of rehearsal time and hard work - at least not with this chart. The ranges are conservative and the rhythms are basic, but you'd never know it from the big and full sound. An open solo section for any instrument on very basic chord changes, plus lots of hard driving ensemble writing make this one a true winner.
SKU: M7.BARN-32371300
Everybody knows this classic children's hymn, but nobody has heard it quite like this before. It's very cool and a lot of fun. Can feature any instrumental or even vocal soloists. A word of warning: if you use a vocalist, there's a very good chance that the audience will start singing along with some hand jive motions included. Playable with limited instrumentation. A truly unique arrangement, it's perfect for church and private school performances!
SKU: M7.SMP-395
Also known as Patterns For Orchestra (as recorded on the Verve jazz masters 48 CD), this is one of Nelson's very interesting charts. It has a very angular, exciting melody in a brisk swing tempo, and lots of solo space for trombone (as recorded by J.J. Johnson). The solo space could be filled by piano or any other instrument as well. The instrumentation has been converted to 5-4-4-4, a standard big band.
SKU: M7.BARN-32371700
This magical up-tempo Spanish rock chart with lots of unison sectional lines for the horns will have your students sounding bigger and better than they really are! The chart develops by building on rhythmic ideas from every section starting with the rhythm section featuring the bass player. Multiple auxiliary Latin percussion parts are written for two players. There is solo space for your trumpet player with additional room for percussion or any other instrument of your choice. A guitar performance help sheet with suggested voicings and scales is also included in the bag of tricks. A perfect chart for any concert or festival performance and a sure winner with students and audiences alike!
SKU: M7.SMP-555
Holman originally wrote this chart to feature Charlie Parker with the Kenton Band in the early '50's. Based on the changes to the ever-popular All the Things You Are, it features alto saxophone throughout (can be done with trumpet also), and the chart has all of the wonderful creativity for which Holman is so well known with his feature charts. It doesn't get any better than this! 5-4-4-3 (10 brass optional).
SKU: M7.SMP-1194
Short, sweet and swingin'! Willie Maiden's arrangement of I'll Be Seeing You packs a whopper in a tiny box, making this chart perfect as an encoure closer for any set. As recorded by Maynard Ferguson and his orchestra on the album Dancing Sessions, Willie's arrangement makes great use of the trombone section as they carry the melody upfront before passing it around to the rest of the band. There is some space for a short trumpet solo before the band comes roaring in at the end to take it out with a punch! This chart should be in every band's library! 5-4-4-3 (opt. original instrumentation available as 4-4-2-3).
SKU: M7.BARN-32353100
An incredible swing blues chart this is perfect for young jazz ensembles. Ranges are modest and every section has interesting parts. Includes an open solo section so you can give anyone you wish a chance to improvise over easy Bb blues changes. Even sounds big and solid with limited instrumentations and will provide a great way for your group to build confidence. Don't miss this one!
SKU: M7.SMP-1200
As recorded by the Maynard Ferguson Orchestra (and included in the Mosaic CDs The Complete Roulette Recordings of the Maynard Ferguson Orchestra), this is one of those charts that escaped notice for many, many years. Don Sebesky, one of the world's premier arrangers, took a magnificant Rolf Ericson tune and created an arrangement unlike anything you've heard before. The melody is stated by alto saxophone and trumpet, weaving in and out of various textures created by muted brass. The waltz feel begins to accelerate and rise at a climactic point where the melody is once again taken over by a solo trumpet and alto saxophone. Surprisingly, brass ranges are moderate. If you wish to program a piece which will have a very unique flavor and great audience appeal, this would be the chart! 5-4-4-3 (opt. original instrumentation available as 4-4-2-3).
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
