SKU: M7.SMP-1170
English.
Another amazing, exciting chart has been added to the Pat Metheny Series! Bob Curnow's arrangement of Metheny/Mays' composition Stranger In Town hits you in the face right from the start and ends in the same manner. With typical Metheny/Mays flavor, there is a musical shift in the middle as solo space for tenor saxophone emerges, followed by a full ensemble interlude which then takes us to a peak ending. Originally recorded by PMG on their album We Live Here, Curnow has once again masterfully arranged this tune to fit perfectly in a big band setting! 5-4-4-4.
SKU: M7.SMP-1077
This is a fast, swing chart that is a feature for tenor saxophone. The soloist gets to blow in a free-form setting, or the soloing can be done in time with the rhythm section. The rest of the band plays a neat, tight introduction to the improvisation, and they follow the solo with the same swinging, nifty music as the front end. This is a clever, hip, piece that makes a great addition to any program..... especially if your brass section needs a rest. Les recorded this with his wonderful band on Live at Typhoon. 5-4-4-4.
SKU: M7.SMP-657
Mulligan's writing for the Kenton Band was fairly minimal in quantity but extraordinary in quality. He had a profound effect on the band and the writers to follow him. This composition was recorded in 1952 and is on the New Concepts CD (available from Sierra Music). There is solo space for alto, tenor and trumpet. A classic which should be in every jazz library. 5-5-5-4 (This music is available from Mosaic Records in their Russo/Holman CD set.).
SKU: M7.BARN-32395300
Take your students and audiences on a quick tour of the History of Jazz with this impressive Les Hooper chart for better bands. Starts in the 1920's and moves forward about a decade for each following chorus until you get to the present. A great way to teach many jazz styles and features short solos(written) for piano, trombone,trumpet and drums. Even includes a short section for dixieland band. Totally unique!
SKU: M7.SMP-653
This is one of those superb Holman charts written for Stan Kenton in the early '50's that just swings like crazy. It starts off very soft and easy, with clever linear writing. It then roars into an alto sax solo, to be followed by a trumpet solo. A key change brings the chart to a great shout section before returning to the soft opening for a moment. Finishes easy and nice. A great chart! 5-5-5-4.
SKU: M7.SMP-1187
As recorded by the Maynard Ferguson Orchestra on New Sounds of Maynard Ferguson, This Willie Maiden arrangement takes a great tune and puts it in an up-tempo swing setting. The chart has a bop-like melody performed as a duet by the alto saxophone and trumpet at the beginning, and then moves into the ensemble. There is a solo for alto saxophone, followed by a roaring shout chorus. There is some high trumpet work (a la Maynard), with optional lower notes included. As always, Willie gives us another incredible arrangement sure to be loved by all audiences! 5-4-4-3.
SKU: M7.SMP-104
This is a new edition (Finale computer notation) of this lovely bossa nova tune. Curnow uses flugelhorns to create a warm, lush, lyrical melody that floats in and out of various counter lines. There is a tenor sax solo which is followed by a marvelous full ensemble passage. The melody returns and takes things out to the end. Very reasonable ranges (1st tpt. high Db only) and rhythms make this very playable by most bands.
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