SKU: M7.SMP-582
English.
As recorded by the Stan Kenton Orchestra on Adventures In Standards CD, this is a wonderful, swinging chart on a great tune. As usual, Lennie does a great job arranging it, with terrific section work and limited ranges for the brass (written high D for 1st Tpt). There is a nice, lengthy solo for Baritone Sax. 5-5-5-3 (can be played with 8 brass).
SKU: M7.SMP-1070
Every band from Tommy Dorsey to the Tonight Show Band to Ted Heath seemed to have a version of this great Sy Oliver tune. Bob Curnow compiled some of those versions into one great, new arrangement. It features, of course, the trumpet section (Bob wrote it for an optional 5-player section) and two improvised trumpet solos. The swing band feel is very much a part of this chart which culminates in an ending that will knock your socks off. Your audiences will LOVE this one. 5-5-4-4.
SKU: M7.SMP-1052
This is a great swingin' blues chart that is playable by most any band. With solo space for almost anybody, this toe-tapping tune is a great vehicle for opening up a chart to showcase the soloists in your band. Written in the Count Basie style.
SKU: M7.SMP-402
Bill Holman titled this one after the signs which used to be in the old-time dance halls around the country. Written in the '50's for Maynard's Birdland Dream Band, this chart is a laid back, swinging tune, with a roaring ensemble section near the end. Blowing space for trombone and tenor.5-4-4-3.
SKU: M7.SMP-1047
Here is another one of Johnny Richards' great latin tunes as written for the Stan Kenton Orchestra. This lilting 5/4 chart has a great groove and amazing ensemble writing, with solo space for alto, trumpet, and trombone. This new arrangement makes the piece much easier to play and can be played with traditional instrumentation. Quintile is a part of the Adventures in Time CD.
SKU: M7.SMP-1124
This edited version of Where's Teddy (as played and recorded by Maynard Ferguson's Birdland Dream Band) is much more playable for the trumpet section as a whole than the original pro version (which is also available). However, everything else is the same and it does not sacrifice any of the original chart's style and charm. It is a medium-swing minor blues tune with solo space for trumpet, tenor saxophone and drums. 5-4-4-3.
SKU: M7.SMP-603
Four wonderful tunes.... Eager Beaver, Dynaflow, Opus in Chartreuse and Artistry in Rhythm are included in this medley. Curnow put on paper what the band used to play to close most concerts or dances in the later years. Perfect for a Kenton Tribute Concert when you want to end with the best loved hits of this band. Fairly easy to play for most bands (In fact, the idea was to rest the trumpet section for a while.) 5-5-5-4.
SKU: M7.SMP-1243
Originally composed by Bill Holman for the Stan Kenton Orchestra, Bob Curnow's arrangement of 'Solos' scores the melody in the unison saxophone section and is written for 8-brass. A straight-ahead, swinging chart based on 'rhythm changes,' this is a hip, angular melody that sets up some powerful ensemble passages. There is lots of solo space for alto saxophone, trumpet, trombone, and piano. If you are looking for a chart with a memorable melody and a vehicle to feature your outstanding soloists, this is the one! 5-4-4-3 (opt. guitar).
SKU: M7.SMP-383
Here is a terrific medium-tempo shuffle chart that the Buddy Rich Band played all the time. It was recorded on the Swingin' New Big Band album (CD available from Sierra Music), and has wide open blowing space in the blues format. A great shout chorus finishes off this exciting, swinging chart from Oliver Nelson. 5-4-4-3.
SKU: M7.BARN-32350800
An industrial strength big band swing shuffle chart that really roars! 1st trumpet needs a solid written high D and there is plenty of solo space for the soloists of your choice over blues changes. The awesome power of this chart makes it perfect for a wide variety of performance situations and audiences are sure to love it. A guaranteed winner!
SKU: M7.SMP-1197
Vern Sielert has created a marvelous arrangement of Michel LeGrand's extremely popular melody. As recorded by the North Texas Two O'Clock Lab Band, it is set in a modern ECM swing feel. The melody is stated by alto saxophone and flugelhorn, and they are featured throughout with extensive room for improvisation. Brass ranges are moderate. This edited version only requires 8 brass players. This chart will surely join Vern's arrangements of I Thought About You and Like Someone in Love as best-sellers! 5-4-4-4 (opt. vibes).
SKU: M7.SMP-1200
As recorded by the Maynard Ferguson Orchestra (and included in the Mosaic CDs The Complete Roulette Recordings of the Maynard Ferguson Orchestra), this is one of those charts that escaped notice for many, many years. Don Sebesky, one of the world's premier arrangers, took a magnificant Rolf Ericson tune and created an arrangement unlike anything you've heard before. The melody is stated by alto saxophone and trumpet, weaving in and out of various textures created by muted brass. The waltz feel begins to accelerate and rise at a climactic point where the melody is once again taken over by a solo trumpet and alto saxophone. Surprisingly, brass ranges are moderate. If you wish to program a piece which will have a very unique flavor and great audience appeal, this would be the chart! 5-4-4-3 (opt. original instrumentation available as 4-4-2-3).
SKU: M7.SMP-1131
This is another great Oliver Nelson chart (it swings like crazy!). It starts in 3/4 and then goes to 4/4 and has a wonderful feel and flow as it moves through the different sections. The piece has very limited brass ranges with some optional octave writing in the trumpet 1 part. There is solo space for alto saxophone, trumpet, piano and drums. This big band arrangement was adapted by Bob Curnow from the original small band version as recorded on Oliver Nelson Plays Michelle (Impulse). 5-4-4-4.
SKU: M7.SMP-930
As recorded on the new CD The Bill Holman Band Live, Holman has written a witty, musical, fun-filled feature for baritone saxophone. Lots of space for creative playing, and the wonderful contrapuntal writing that we come to expect from Holman. It's time to feature the foundation of your jazz band. A moderate tempo shuffle-feel makes this one swing like crazy! 5-4-4-4.
SKU: M7.SMP-542
This is another of the many wonderful charts arranged by Niehaus for the Stan Kenton Orchestra. A splendid rendition of a great standard, and it swings like crazy! It contains all of the elements so associated with the Kenton band. Wonderfully inventive writing which at first states the melody with a small band. 5-5-5-3 (edited to be played without mellophoniums and can be played with 8 brass or 10).
SKU: M7.SMP-724
Graettinger arranged this standard in his most unusual way, using dissonance offset with the beauty of this gorgeous melody. It is a trombone solo pretty much throughout the entire ballad. Great writing for the soloist and the trombone section as well. This is something quite different and quite wonderful. 5-5-5-2.
SKU: M7.SMP-653
This is one of those superb Holman charts written for Stan Kenton in the early '50's that just swings like crazy. It starts off very soft and easy, with clever linear writing. It then roars into an alto sax solo, to be followed by a trumpet solo. A key change brings the chart to a great shout section before returning to the soft opening for a moment. Finishes easy and nice. A great chart! 5-5-5-4.
SKU: M7.SMP-557
Rarely does a piece turn up like this one. Although written for Stan Kenton (the mid-1950s), the chart never was recorded by the band (Holman doesn't know why), and it was lost for years. It is a sensational piece, combining Afro-Cuban rhythm (Latin) and Swing, and featuring solo space for tenor sax, trumpet and drums. It utilizes counterpoint between the wind sections over a Latin vamp and explores the perfect balance between counterpoint and dynamic ensemble writing in the Swing sections. This is Holman at his very best! 5-5-5-4.
SKU: M7.SMP-1121
Written for and recorded by the Maynard Ferguson Birdland Dream Band, this chart by Willie Maiden is uncharacteristically easy to play for the band due to very reasonable brass ranges. However, this is a 2 tenor saxophone and 2 trombone feature throughout. While quite a bit of the solos are written out, there is also a lot of space for improvisation. This is one of Willie's most delightful pieces scored for Maynard. 5-4-4-3.
SKU: M7.SMP-1215
As recorded by the Count Basie Orchestra on their album Count Basie's Finest Hour, Doodle Oodle is a barn-burning Billy Byers original. In usual Basie fashion, this chart swings its tail off with incredible ensemble passages, and provides for plenty of solo space for both tenor saxophonists to dual it out. Dramatic and flashy from beginning to end, this chart is guaranteed to be a band and audience favorite alike! 5-4-4-4.
SKU: M7.SMP-1134
This arrangement continues the Radiohead Jazz Project and adds another wonderful talent to the list of outstanding RJP writers. Omar Thomas has arranged this emotional heavy-rock ballad, focusing on the solo voice of the trombone. There is also solo space for piano. There are flute, clarinet and bass clarinet doubles. This piece has limited brass ranges (written B in the trumpet). 5-4-4-4.
SKU: M7.SMP-563
This is another one of those absolutely wonderful charts that Lennie did for Stan Kenton for what was known as the dance book. It was the hippest dance book ever! A medium-swing tempo sets this great standard in a framework that is very musical and very exciting. Trumpet and bass are featured. Limited ranges (tpt. written high D). This one will be a real favorite. 5-5-5-3.
SKU: M7.SMP-657
Mulligan's writing for the Kenton Band was fairly minimal in quantity but extraordinary in quality. He had a profound effect on the band and the writers to follow him. This composition was recorded in 1952 and is on the New Concepts CD (available from Sierra Music). There is solo space for alto, tenor and trumpet. A classic which should be in every jazz library. 5-5-5-4 (This music is available from Mosaic Records in their Russo/Holman CD set.).
SKU: M7.SMP-1072
Anyone familiar with Benny Carter's music knows what to expect ....... the highest quality, lovely melodies or swinging tunes that lift you out of your seat. This piece is a part of the CD The Legend, as recorded by the Count Basie Orchestra. It is a bright, swinging, happy chart with solo space for tenor saxophone, trumpet, trombone, piano and bass. It makes a great opener. This is the way to wake up your band and your audiences. 5-4-4-4.
SKU: M7.SMP-1063
This arrangement by Bob Curnow is based on Johnny Richards' original composition written for the Stan Kenton Orchestra, which was part of the Adventures In Time album. This version is easier to play without losing the original character of the piece. Most of the piece is in 9/8 at a moderate tempo. There are solos for tenor saxophone, trumpet and piano, with a wonderful, written-out piano solo in the beginning. Trumpet ranges are quite reasonable.5-5-5-3.
SKU: M7.SMP-1041
Oliver's arrangement of this tune (also know as East Side, West Side) is playful in its ensemble writing as it alludes to the hustle and bustle of NYC. The bulk of this chart, though, is really a showcase for soloists, giving space to alto, tenor, trumpet, trombone, and piano. If you're looking for a familiar tune, scored to please audience and players alike, this is the chart for you ! As recorded on the Verve Jazz Masters CD.
SKU: M7.SMP-1190
This Oliver Nelson melody was originally recorded with a small group. Bob Curnow took this great tune and arranged it for big band in a very hip way! Set in an easy swing feel, this chart has quite a bluesy feel to it while providing a nice variation to the standard blues changes that you might not expect. There is solo space for alto saxophone, trombone and piano. In this pro (original) version, you will find Oliver Nelson's amazing solo transcribed and arranged as a trumpet soli. Very cool and fun to play! If you like Oliver Nelson's music, you'll love this chart! 5-4-4-3.
SKU: M7.SMP-1241
As recorded by the Oliver Nelson Orchestra, 'Berlin Bei Nacht' is the 4th movement of the Impressions of Berlin suite. Set in an up-tempo fashion, this Oliver Nelson's 1971 forward-thinking original starts out with an in-your-face swing unison line played by the saxophones and the trumpets, with the trombones and rhythm section providing the undercurrent. It then moves into a half-time Latin feel before settling into a funk/rock blues solo section (trumpet, or as you choose). This exciting and unique arrangement will be a favorite for your band and audiences alike! 5-4-4-3 (opt. 5th trombone).
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