SKU: M7.SMP-345
English.
Bob has created an absolutely thrilling 12 minute work, inspired by his Celtic roots (Towednack is a small area in Cornwall, England). The Celtic influence is heard in the triple-meter settings and the interlude which reflects back on a Riverdance style of music. Tenor sax is featured. Very much in the genre of his Metheny/Mays charts of the past. Commissioned by Riverside Community College (CA) Performed at the August, 1999 Kenton Sounds concert in Los Angeles. No w.w. doubles. The CD on which this piece is recorded is Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4 (opt. vibes and aux. perc.).
SKU: M7.SMP-459
Oliver had a great feel for the funky jazz style which was so popular. This chart features tenor sax throughout, and was recorded on the Fantabulous album. It is a very easy chart to play, and it would be a great addition to any big band book. This also could be played by a smaller instrumentation as recorded by Oliver (4 saxes, 2 tpts.2 trbs. 3 rhythm). 5-4-4-3.
SKU: M7.BARN-32314300
A hot new contemporary up-tempo Woody Herman styled swing arrangement of a great old jazz standard. Has a slow blues intro and a huge ending with lots of enjoyable big band swinging in between. Ranges are reasonable (1st trumpet to Bb above the staff) and it has short solo spots for trumpet, tenor sax and trombone (suggested written solos are provided). Can't be beat!
SKU: M7.BARN-32349200
A hot shuffle chart that kicks off by featuring a combo within the band for the first chorus. Includes a tasty sax ensemble section and solo space for the soloists of your choice. A rip-roaring shout chorus takes it out in fine style. A great feature for your whole band!
SKU: M7.SMP-1052
This is a great swingin' blues chart that is playable by most any band. With solo space for almost anybody, this toe-tapping tune is a great vehicle for opening up a chart to showcase the soloists in your band. Written in the Count Basie style.
SKU: M7.BARN-32361800
Your band will really swing with this tasty chart that lays right in the groove. Every section gets to play the melody while easy dorian solo changes over a blues style 12 bar format makes the open solo section approachable by any instrument in the band. The guitar helper part includes tablature and chord shape/performance suggestions. A written piano solo and optional vibes and vocal parts enhance the performance possibilities. Cool chart!
SKU: M7.SMP-1233
If you are looking for a modern arrangement with a classic feel, Drew Zaremba has done just that with Dave Brubeck's 'Cassandra.' Recorded by the University of North Texas One O'Clock Lab Band on their CD Lab 2014, Drew uses theme and variation to take this marvelous, swinging melody into challenging, extensive and exciting places. In addition to featuring the depth of your ensemble, including woodwind doubles, lots of counterpoint, and tempo and style changes, there is also solo space for alto saxophone and trumpet. This chart is the real deal! 5-4-4-4.
SKU: M7.SMP-569
As recorded by the Stan Kenton Orchestra on Stage Door Swings, this is a lovely ballad scored in the incomparable Kenton style. Niehaus uses the saxophone section to great effect. Limited ranges make this a very playable chart for most any band. There is solo space for trumpet. 5-5-5-3 (can be played with 8 brass).
SKU: M7.SMP-1124
This edited version of Where's Teddy (as played and recorded by Maynard Ferguson's Birdland Dream Band) is much more playable for the trumpet section as a whole than the original pro version (which is also available). However, everything else is the same and it does not sacrifice any of the original chart's style and charm. It is a medium-swing minor blues tune with solo space for trumpet, tenor saxophone and drums. 5-4-4-3.
SKU: M7.SMP-757
This is a gorgeous feature for tenor saxophone (there is also a piano solo). Sensuous, warm, lush ..... all those good things. Set in a slow bossa-nova style, this lyrical piece will please your players and audiences alike. Very modest brass ranges (high D for tpt. 1) and easy rhythms make this chart very playable and attractive for just about any band. 5-4-4-4 (Opt. 10 brass).
SKU: M7.BARN-105800
A medium tempo Basie Style swing tune that really captures the idiom. Written trumpet and tenor sax solos.
SKU: M7.SMP-1123
Omar Thomas has written a stunning, contemporary piece reminiscent of the style of the Pat Metheny Group. It has a straight-eighths feel with solos for piano and trombone. This chart requires soprano saxophone and clarinet (with optional bass clarinet). There are meter changes throughout. This piece moves jazz ensemble composition forward. 5-4-4-4 (w/ opt. voice part).
SKU: M7.SMP-678
Another terrific chart from Kenton's Contemporary Concepts LP. Features trombone throughout this fast-paced, Cool Bop chart in the unmistakable style of the late, great Gerry Mulligan. Use this with 3 other Sierra publications to do a Mulligan Tribute at your next concert. 5-5-5-4.
SKU: M7.BARN-5
SKU: M7.SMP-101
This piece has been in the catalog for a while, but it has been totally recomposed and notated in Finale. It now comes with a full score (and parts). It was written for Stan Kenton, and it features a written piano solo throughout the piece. This is a slow ballad, written in the Kenton tradition. If you're looking for a piano feature in ballad style, this will work very well for you.
SKU: M7.BARN-32314800
Incredible uptempo jazz samba arrangement of a great jazz standard by Dominic Spera. Plenty of solo space for the soloists of your choice then a brass choir section that segues into a Buddy Rich styled shout chorus. Goes back to the samba for the ending. Includes an optional contrafactum section that is incredibly exciting! Exceptional concert or competition chart for good bands. Very highly recommended!
SKU: M7.BARN-31304600
Hot 40's swing styled chart for mid-level bands. Perfect choice for contest or concert. Open solo section (written suggested solos included). Great ensemble writing giving every section a chance to shine exceptional!
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