By The Jimmie Lunceford Orchestra. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Sy Oliver. For big band with vocal trio (Lead Vocal, Backing Vocal Duet, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 3 Trumpets, 3 Trombones, Guitar,

Edited by Jeffrey Sultanof. Arranged by Tadd Dameron. For big band (2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums). Ranges: Trumpet 1 to C#6, Trombone 1 to A5. Swing. Difficult. Score and pa

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-5, Trombone 1-3, Trombone 4 (opt.), Bass Trombone 5, Piano, Guitar, Bass, Drums) - advanced to difficult

SKU: M7.SMP-557

Latin/Swing. Composed by Bill Holman and Stanley Newcomb Kenton. Sheet music. Latin/Swing. Score and parts. Handelsware #SMP 557. Published by Handelsware (M7.SMP-557).

English.

Rarely does a piece turn up like this one. Although written for Stan Kenton (the mid-1950s), the chart never was recorded by the band (Holman doesn't know why), and it was lost for years. It is a sensational piece, combining Afro-Cuban rhythm (Latin) and Swing, and featuring solo space for tenor sax, trumpet and drums. It utilizes counterpoint between the wind sections over a Latin vamp and explores the perfect balance between counterpoint and dynamic ensemble writing in the Swing sections. This is Holman at his very best! 5-5-5-4.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trumpet 5 (opt.), Trombone 1-3, Bass Trombone 4, Trombone 5 (opt.), Piano, Guitar, Bass, Drums) - advanced

SKU: M7.SMP-603

Composed by Stanley Newcomb Kenton. Arranged by Bob Curnow. Sheet music. Eager Beaver, Dynaflow, Opus in Chartreuse and Artistry in Rhythm are included in this medley. Score and parts. Handelsware #SMP 603. Published by Handelsware (M7.SMP-603).

English.

Four wonderful tunes.... Eager Beaver, Dynaflow, Opus in Chartreuse and Artistry in Rhythm are included in this medley. Curnow put on paper what the band used to play to close most concerts or dances in the later years. Perfect for a Kenton Tribute Concert when you want to end with the best loved hits of this band. Fairly easy to play for most bands (In fact, the idea was to rest the trumpet section for a while.) 5-5-5-4.