SKU: M7.BARN-32350800
English.
An industrial strength big band swing shuffle chart that really roars! 1st trumpet needs a solid written high D and there is plenty of solo space for the soloists of your choice over blues changes. The awesome power of this chart makes it perfect for a wide variety of performance situations and audiences are sure to love it. A guaranteed winner!
SKU: M7.SMP-352
A monumental piece of big band jazz. This was written for Les' fantastic Chicago band. It is an extensive work (about 12 minutes) which features trumpet (or flugelhorn) throughout in various settings and styles, based on one of the most beautiful melodies Les has ever written. There are also piano solos. Woodwind players must be good doublers and it is well worth the effort. This is certainly one of Hooper's most dynamic and interesting creations (among a great many)! As recorded on the Dorian Blue LP. 5-4-4-3.
SKU: M7.SMP-989
As recorded on Libertango ! Hommage to Astor Piazzolla by the HR Big Band (Germany), this arrangement will surely lift your audiences out of their seats. It features a main soloist of your choice (originally recorded with bandoneon solo) and another solo for tenor saxophone. Various parts are included for different soloists to use. This marvelous arrangement opens with warm sounds in clarinets, muted trombones and flugelhorns behind the beautiful melody stated by the primary soloist. The setting is a medium tango, with a short, exciting swing section near the end of the chart. Once the piece moves into a strong, rock-fusion feel, there is no turning back. You and your band will love this chart. This requires clarinet doubles on the top 3 saxophone parts and bass clarinet on the baritone part. There is also a mallet part (marimba, vibes and xylophone). 5-4-4-5.
SKU: M7.SMP-1057
Bob Curnow continues to add to his catalog of arrangements of Metheny & Mays compositions. Metheny & Mays have given us a great upbeat rock tune with a beautiful melody! This chart will challenge and excite your band, while providing the alto soloist a chance to build a solo that will thrill and wow the audience. A terriffic way to add some exciting variety to your concert program!
SKU: M7.BARN-32380400
Dreamin' Out Loud is a very accessible calypso chart that is reminiscent of Sonny Rollins's well known calypso tunes. An introductory chorale gives way to a happy, toe-tapping groove over which a tuneful melody is presented. The basic chord progression will accommodate multiple soloists. Great vehicle for exploring different rhythms and providing variety to a concert or festival program. Outstanding!
SKU: M7.BARN-32361600
Up-tempo swing tune that cooks from the first measure to the last. Written solos provided over easy blues changes make your developing soloists sound great. Designed to be played by a variety of ensemble size, experience, and ability levels, this chart is a guaranteed winner for audiences and performers alike.
SKU: M7.SMP-1200
As recorded by the Maynard Ferguson Orchestra (and included in the Mosaic CDs The Complete Roulette Recordings of the Maynard Ferguson Orchestra), this is one of those charts that escaped notice for many, many years. Don Sebesky, one of the world's premier arrangers, took a magnificant Rolf Ericson tune and created an arrangement unlike anything you've heard before. The melody is stated by alto saxophone and trumpet, weaving in and out of various textures created by muted brass. The waltz feel begins to accelerate and rise at a climactic point where the melody is once again taken over by a solo trumpet and alto saxophone. Surprisingly, brass ranges are moderate. If you wish to program a piece which will have a very unique flavor and great audience appeal, this would be the chart! 5-4-4-3 (opt. original instrumentation available as 4-4-2-3).
SKU: M7.SMP-104
This is a new edition (Finale computer notation) of this lovely bossa nova tune. Curnow uses flugelhorns to create a warm, lush, lyrical melody that floats in and out of various counter lines. There is a tenor sax solo which is followed by a marvelous full ensemble passage. The melody returns and takes things out to the end. Very reasonable ranges (1st tpt. high Db only) and rhythms make this very playable by most bands.
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