SKU: M7.SMP-1260
Every once in a while a melody is written that words cannot convey and only the soul understands. Master-of-melodies, Pat Metheny, did just that in his composition of Tell Her You Saw Me, and Bob Curnow magnificently transformed it into a majestic big band arrangement. A ballad throughout that slowly builds in intensity; this piece utilizes woodwind doubles and flugelhorns with a short, written-out piano solo up front. If you are looking to provide a moving ballad for your audiences, then this is it. 5-4-4-4.
SKU: M7.SMP-1178
This chart was originally written for Charlie Parker to perform with the Stan Kenton Orchestra. Eventually it was recorded by Lee Konitz. The ensemble writing is very playable with no range concerns in the brass. If you have a great alto saxophone player (the solo is mostly chord symbols), this is an easy tune to put together with your band and will be a spectacular addition to any concert program. 5-5-5-3.
SKU: M7.BARN-32374400
English.
Beautifully written in a slow swing, this impressive swing ballad is an excellent showcase for your lead trombone player. Rob keeps the ranges modest throughout, yet achieves a most sophisticated sound by way of a well-crafted melody, paired with a distinctive set of chord changes and well written ensembles. Rhythm section parts are fully notated along with chord changes to ensure success. Sure to be a favorite in any book, this chart has the timeless feel of a true standard.
SKU: M7.BARN-32377000
Hip and cool doesn't have to take a lot of rehearsal time and hard work - at least not with this chart. The ranges are conservative and the rhythms are basic, but you'd never know it from the big and full sound. An open solo section for any instrument on very basic chord changes, plus lots of hard driving ensemble writing make this one a true winner.
SKU: M7.SMP-1194
Short, sweet and swingin'! Willie Maiden's arrangement of I'll Be Seeing You packs a whopper in a tiny box, making this chart perfect as an encoure closer for any set. As recorded by Maynard Ferguson and his orchestra on the album Dancing Sessions, Willie's arrangement makes great use of the trombone section as they carry the melody upfront before passing it around to the rest of the band. There is some space for a short trumpet solo before the band comes roaring in at the end to take it out with a punch! This chart should be in every band's library! 5-4-4-3 (opt. original instrumentation available as 4-4-2-3).
SKU: M7.SMP-672
This may be the all-time greatest jazz arrangement of a standard tune. Recorded on the Contemporary Concepts LP, this great standard is turned into a marvelous vehicle for solo statements from alto, tenor, 2 different trumpets and baritone saxophone. No big band jazz library can be complete without this superb arrangement. (This music is available from Mosaic Records in their Russo/Holman CD set.) 5-5-5-4.
SKU: M7.SMP-1197
Vern Sielert has created a marvelous arrangement of Michel LeGrand's extremely popular melody. As recorded by the North Texas Two O'Clock Lab Band, it is set in a modern ECM swing feel. The melody is stated by alto saxophone and flugelhorn, and they are featured throughout with extensive room for improvisation. Brass ranges are moderate. This edited version only requires 8 brass players. This chart will surely join Vern's arrangements of I Thought About You and Like Someone in Love as best-sellers! 5-4-4-4 (opt. vibes).
SKU: M7.SMP-1198
Vern Sielert has created a marvelous arrangement of Michel LeGrand's extremely popular melody. As recorded by the North Texas Two O'Clock Lab Band, it is set in a modern ECM swing feel. The melody is stated by alto saxophone and flugelhorn, and they are featured throughout with extensive room for improvisation. Brass ranges are moderate. This is the original pro version requiring 10 brass players. This chart will surely join Vern's arrangements of I Thought About You and Like Someone in Love as best-sellers! 5-5-5-4 (opt. vibes).
SKU: M7.SMP-582
As recorded by the Stan Kenton Orchestra on Adventures In Standards CD, this is a wonderful, swinging chart on a great tune. As usual, Lennie does a great job arranging it, with terrific section work and limited ranges for the brass (written high D for 1st Tpt). There is a nice, lengthy solo for Baritone Sax. 5-5-5-3 (can be played with 8 brass).
SKU: M7.SMP-653
This is one of those superb Holman charts written for Stan Kenton in the early '50's that just swings like crazy. It starts off very soft and easy, with clever linear writing. It then roars into an alto sax solo, to be followed by a trumpet solo. A key change brings the chart to a great shout section before returning to the soft opening for a moment. Finishes easy and nice. A great chart! 5-5-5-4.
SKU: M7.SMP-581
This was recorded by the Stan Kenton Orchestra on Back To Balboa, and it is a highly original, exciting chart (latin/swing) on a great standard tune. Johnny Richards wrote for Kenton as well as anyone. Solos for Alto Sax, Baritone Sax, Trumpet and Trombone. 5-5-5-3 (can be played with 8 brass).
SKU: M7.SMP-194
An absolutely stunning feature for flugelhorn and piano!! The great bassist Ray Brown wrote this gorgeous bossa/ballad, and Geoff Keezer gave it his special, inventive touch. One of the great jazz pianists collaborates with the premier jazz bassist to create a true work of art. And, it is not difficult to play. Range is very reasonable throughout, and, the transparent, light approach Geoff takes, makes it very playable. 5-4-4-4.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
