SKU: M7.BARN-32380300
English.
Powerhouse rock and a huge sound make this a real winner at the medium-easy level! Trombones and tenors get the melody first, with the altos and trumpets taking over at the bridge. The open solo section for any instrument is over a 2-chord vamp, but one simple scale is all the soloist(s) need to sound impressive. The shout chorus drives it home to a powerful ending. This one rocks hard, but plays easy!
SKU: M7.BARN-32380400
Dreamin' Out Loud is a very accessible calypso chart that is reminiscent of Sonny Rollins's well known calypso tunes. An introductory chorale gives way to a happy, toe-tapping groove over which a tuneful melody is presented. The basic chord progression will accommodate multiple soloists. Great vehicle for exploring different rhythms and providing variety to a concert or festival program. Outstanding!
SKU: M7.BARN-32374400
Beautifully written in a slow swing, this impressive swing ballad is an excellent showcase for your lead trombone player. Rob keeps the ranges modest throughout, yet achieves a most sophisticated sound by way of a well-crafted melody, paired with a distinctive set of chord changes and well written ensembles. Rhythm section parts are fully notated along with chord changes to ensure success. Sure to be a favorite in any book, this chart has the timeless feel of a true standard.
SKU: M7.SMP-931
This is a wonderful chart, an old tune in a new dress, as only Bill Holman can do it. It's the exact chart as recorded by the terrific Charlie Barnet Big Band. The tempo is bright, a swinging excursion into the clever writing of Holman. Solo space for piano, alto, tenor, trumpet, and drums. There is a great sax section soli and the usual, wonderful, roaring ensemble shout choruses. A big finish ends an amazing chart. 5-5-4-4 (4 tpts. work just as well).
SKU: M7.BARN-32349200
A hot shuffle chart that kicks off by featuring a combo within the band for the first chorus. Includes a tasty sax ensemble section and solo space for the soloists of your choice. A rip-roaring shout chorus takes it out in fine style. A great feature for your whole band!
SKU: M7.SMP-383
Here is a terrific medium-tempo shuffle chart that the Buddy Rich Band played all the time. It was recorded on the Swingin' New Big Band album (CD available from Sierra Music), and has wide open blowing space in the blues format. A great shout chorus finishes off this exciting, swinging chart from Oliver Nelson. 5-4-4-3.
SKU: M7.SMP-1112
This arrangement of I Hope In Time a Change Will Come came about through a desire to hear/play more than one chorus of this stunningly beautiful melody by Oliver Nelson. The basis for this new arrangement was Nelson's original chart, but this one is two choruses, not one. Part of the second chorus can be improvised. The soloist throughout is soprano saxophone (could be played on tenor saxophone or trumpet if you so desire). This is a slow, gorgeous ballad that will thrill your audiences. 5-4-4-3.
SKU: M7.BARN-32377000
Hip and cool doesn't have to take a lot of rehearsal time and hard work - at least not with this chart. The ranges are conservative and the rhythms are basic, but you'd never know it from the big and full sound. An open solo section for any instrument on very basic chord changes, plus lots of hard driving ensemble writing make this one a true winner.
SKU: M7.BARN-106100
Carl Strommen, one of the most prolific educational writers, has penned the funk chart that students will love. The chord structure is blues in F which can feature any of your soloists. This composition features Carl's trademark rhythmless soli sections. There is a pretty fat chance that this will be a big seller for Carl. Solos are not written out for these F blues changes.
SKU: M7.BARN-32361800
Your band will really swing with this tasty chart that lays right in the groove. Every section gets to play the melody while easy dorian solo changes over a blues style 12 bar format makes the open solo section approachable by any instrument in the band. The guitar helper part includes tablature and chord shape/performance suggestions. A written piano solo and optional vibes and vocal parts enhance the performance possibilities. Cool chart!
SKU: M7.SMP-1232
Bill Holman's music never disappoints, and 'Introduction to an Ending' is no exception! Originally written for and recorded on the Charlie Barnet Big Band 1967 album, this straight-ahead blues tune features the saxophone section with a long, wonderful soli that grows for over 70 bars before ripping into the solo section. There is solo space for alto saxophone, trumpet, trombone, piano, and drums. Filled with energy and excitement, the shout chorus comes roaring in to take the tune out with a bang. This is a great addition to any program! 5-4-4-3.
SKU: M7.SMP-120-01
Pat plays this at just about every concert of the Group. It is on the First Circle LP. The featured solo is played on Alto Saxophone. This is a two chorus version in the original key, a much more demanding chart than the first version published by Sierra. Your alto soloist will love the chance to play this one. (10 brass) As recorded on Bob Curnow's L.A. Big Band,The Music of Pat Metheny and Lyle Mays.
SKU: M7.SMP-577
One of those mystery charts that hardly anyone knows about, this chart is a beauty. Mulligan was a master at creating moods and using wonderful chord substitutions, as he did in this medium ballad. The arrangement features Trumpet throughout (written to feature Buddy Childers), and it was played very often by the Kenton Band. The brass ranges and rhythms for all are very reasonable (written Bb above the staff for Trumpet). This is a VERY impressive chart that is easy to play. 5-5-5-4.
SKU: M7.BARN-32404900
Featuring a solid rock groove, this unique Andy Clark original is an outstanding choice for any performance by young jazz ensembles. Written in Bb concert, the ranges are very modest and it features an open solo section over two-chord changes (for any instrument) that is a perfect way to get your young students started on improvising. Sure to be a favorite of students and audiences alike!
SKU: M7.SMP-1178
This chart was originally written for Charlie Parker to perform with the Stan Kenton Orchestra. Eventually it was recorded by Lee Konitz. The ensemble writing is very playable with no range concerns in the brass. If you have a great alto saxophone player (the solo is mostly chord symbols), this is an easy tune to put together with your band and will be a spectacular addition to any concert program. 5-5-5-3.
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