SKU: CY.CC2372

Tomas Luis de Victoria was the most famous composer of the 16th century in Spain, and one of the most important composers of the Counter-Reformation, along with Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an accomplished organist and singer. However, he preferred the life of a composer to that of a performer. He is sometimes known as the Spanish Palestrina because he may have been taught by Palestrina.

O Magnum Mysterium is a 4 part a cappella motet written in Latin for the Catholic Church service and is performed mostly around the Christmas period as the text refers to the great mystery of the Virgin birth, animals and baby Jesus in the manger. This work was written during the composer's stay in Rome and has some of Palestrina's influence.

Dr. Converse has done a beautiful job of transcribing one of the most beautiful sacred choral works of the Renaissance period.

SKU: CY.CC3120

ISBN 9790530110980. 8.5 x 11 in inches.

Sicut cervus (As the deer longs for the springs of water, so my soul longs for you, oh God), is a 4-voice polyphonically rich motet based on Psalm 41 by the great Renaissance master Palestrina. This work is sung most often during Holy Week. Paul Garza's lovely arrangement for Trombone quartet is for moderately advanced performers.

SKU: CY.CC2768

Ave Maria is a traditional Catholic prayer asking for intercession from the Virgin Mary. The prayer has often been set to music.

Frank Gazda has beautifully arranged four musical settings of the prayer for Trombone Quartet or four-part Trombone Ensemble by: Jacob Arcadelt (Renaissance), Johann Joseph Fux (Baroque), Wolfgang Amadeus Mozart (Classical) and Giuseppe Verdi (Romantic).

Although originally composed as four-part choral settings, they work perfectly for the Trombone. Each piece stands on its own as a work of beauty, or the four can be performed as a whole. They are at a moderately advanced level of difficulty.

SKU: CY.CC3060

ISBN 9790530110355. 8.5 x 11 in inches.

A ricercar is an instrumental work that was popular in the Renaissance and Baroque periods. Jeremy Kempton's stirring Ricercar for Sonorous Instruments harkens back to the Venetian splendor of the Gabrielis who epitomized the Glory of Venice at its height. This 3 minute work is in A-B-A form beginning with a fanfare-like Allegro that gives way to a contrasting lyrical section which seems to almost melt away. The piece then returns to the opening Allegro and a hall-ringing conclusion. This work is appropriate for advanced performers.