SKU: AP.1-ADV3502
UPC: 805095035025. English.
With plungers close at hand and an improvised second trombone solo, this swingin' version of the old favorite, Little Brown Jug, yields best results when played with rhythmic precision and careful interpretation of articulations.
SKU: BT.DHP-1125359-070
9x12 inches. International.
Jupiter Hymn is a beautiful, easy-to-play arrangement from the wonderful fourth movement of the seven-part orchestral suite The Planets by Gustav Holst: Jupiter, the Bringer of Jollity. Holst took inspiration for this suite?one of his best-known works?from the astrological aspect of the planets rather than their astronomical or physical characteristics. Holst wrote The Planets at the beginning of the 20th century, at a time when certain features of the work, such as exotic time signatures (5/4), dissonances and unusual instrumentation were uncommon.Jupiter Hymn is een mooie, eenvoudig speelbare bewerking van het schitterende vierde deel uit de zevendelige orkestsuite The Planets van Gustav Holst: â??Jupiter - The Bringer of Jollityâ??. Holst liet zich voor de suite, een van zijn bekendste werken, inspireren door het astrologische karakter van de planeten, en dus niet op de astronomische of fysische eigenschappen. Hij schreef The Planets aan het begin van de 20e eeuw. Voor die tijd in het oog springende bijzonderheden zijn de toepassing van ongebruikelijke instrumenten, de ongewone maatsoorten (5/4) en de dissonante samenklanken.Jupiter Hymn ist eine schöne, einfach spielbare Bearbeitung aus dem glanzvollen vierten Satz der siebenteiligen Orchester-Suite The Planets von Gustav Holst: Jupiter - The Bringer of Jollity. Holst lieÃ? sich für dese Suite, die eines seiner bekanntesten Werke ist, von dem astrologischen Aspekt der Planeten inspirieren und nicht von deren astronomischen oder physischen Eigenschaften. Er schrieb The Planets zu Beginn des 20. Jahrhunderts. Auffällig für seine Zeit waren die Verwendung ungebräuchlicher Instrumente, ungewöhnlicher Taktarten (5/4) und Dissonanzen.Jupiter Hymn est un arrangement délicieusement accessible du quatrième mouvement extrait du poème symphonique en sept mouvements The Planets (Les Planètes) de Gustave Holst : Jupiter, the Bringer of Jollity (Jupiter, celui qui apporte la gaieté). Holst sâ??inspira de notre système solaire lorsquâ??il composa cette suite, lâ??une de ses ?uvres les plus connues, donnant chacun des mouvements sa propre couleur. Holst écrivit Les Planètes au début du XXe siècle, employant une certaine signature alors inhabituelle (mesures 5/4), faisant appel de nombreuses dissonances et une instrumentation atypique.
SKU: CY.CC3060
ISBN 9790530110355. 8.5 x 11 in inches.
A ricercar is an instrumental work that was popular in the Renaissance and Baroque periods. Jeremy Kempton's stirring Ricercar for Sonorous Instruments harkens back to the Venetian splendor of the Gabrielis who epitomized the Glory of Venice at its height. This 3 minute work is in A-B-A form beginning with a fanfare-like Allegro that gives way to a contrasting lyrical section which seems to almost melt away. The piece then returns to the opening Allegro and a hall-ringing conclusion. This work is appropriate for advanced performers.
SKU: CY.CC2768
Ave Maria is a traditional Catholic prayer asking for intercession from the Virgin Mary. The prayer has often been set to music. Frank Gazda has beautifully arranged four musical settings of the prayer for Trombone Quartet or four-part Trombone Ensemble by: Jacob Arcadelt (Renaissance), Johann Joseph Fux (Baroque), Wolfgang Amadeus Mozart (Classical) and Giuseppe Verdi (Romantic).Although originally composed as four-part choral settings, they work perfectly for the Trombone. Each piece stands on its own as a work of beauty, or the four can be performed as a whole. They are at a moderately advanced level of difficulty.
SKU: CY.CC3122
ISBN 9790530110928. 8.5 x 11 in inches.
Jeff Reynolds has arranged four exquisite sacred motets by Renaissance composer Heinrich Isaac titled: 1. Christ ist erstanden (Christ has risen) 2. Ecce Virgo concepiet (Behold, a virgin shall conceive) 3. Esto mihi in Deum protectorem (Be Thou unto me a God, a Protector) 4. Fili quid feristi nobis sic?(Son, why hast thou done so to us?) Arranged for Trombone quartet, they can be performed with a larger group also. They are polyphonic in style and appropriate for moderately advanced performers.
SKU: CY.CC2889
Ryan Diefenderfer's clever arrangement of the Traditional Christmas carol God Rest You Merry, Gentlemen for Trombone Quartet begins as a Bass Trombone feature ballad with accompanying jazz chords. Then it ramps up to a jazz waltz giving all parts a good workout.This almost 4-minute work is appropriate for advanced performers.The sound track below is a rough digital example of the arrangement.
SKU: CY.CC2978
ISBN 9790530057971.
Jeff Reyolds has arranged a beautiful setting of the Saint-Saens Veni Creator Spiritus (Come Creator Spirit, a 9th Century Pentecost plainsong hymn) for 4-part Trombone Ensemble. The original work for TTBB men's chorus and optional Organ was written in 1858. Saint-Saens was a Roman Catholic Church organist in his early years and produced a volume of music that was easy to sing.Mr. Reynolds calls this music Church Polyphonic style that came out of the late Renaissance and endured for a couple centuries into the Romantic period.This work begins with a beautiful unison chant and moves into four polyphony sections concluding with a soft Amen.The music is of moderate difficulty with the first part in tenor clef.
SKU: CY.CC2475
Equali were works written for equal, or similar, instruments; in the eighteenth century they were almost always used for funeral services and usually employed a quartet of trombones. The most famous of these were the three Beethoven wrote for the Linz Cathedral in Austria on All Soul's Day 1812. Two of these were adapted later for male voices and were sung at Beethoven's funeral.
These pieces are some of the most famous works for trombones, no doubt due to the fact that they were composed by Beethoven. They were commissioned by Franz Xaver Gloggl, Kappelmeister of the city of Linz, while Beethoven was visiting his brother. According to later accounts by Gloggl's son, although his father had a complete collection of trombones (soprano, alto, tenor, bass or quart) the three Equali were performed by a traditional quartet of alto, tenor and bass trombones.
This edition offers a compromise: the original score and parts are given exactly as written in the complete works, and a version designed for the less experienced players: the three movements are transposed down one step, edited with minor musical suggestions, and all four parts are written in bass clef.
Dr. Mathie has done the Trombone world a great service in bringing this great work in its two forms to publication.
SKU: ST.Y197
ISBN 9790220220692.
The original version of this work was commissioned and first performed by the London Trombone Chorale at the Purcell Room on 9 March 1988. It was revised in July, 2002.
SKU: CY.CC2372
Tomas Luis de Victoria was the most famous composer of the 16th century in Spain, and one of the most important composers of the Counter-Reformation, along with Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an accomplished organist and singer. However, he preferred the life of a composer to that of a performer. He is sometimes known as the Spanish Palestrina because he may have been taught by Palestrina.
SKU: CY.CC2983
ISBN 9790530058022.
The Hallelujah Chorus is one of the most recognizable works in the entire musical repertoire, beloved for generations.Jeremy Niles Kempton's arrangement for Trombone Quartet (or larger ensemble) and Organ/Piano is sure to be a hit for any concert or service during Christmas or Easter.This 4-minute arrangement for moderately advanced performers is in the original key with the 1st and 2nd parts in tenor clef.
SKU: CY.CC2971
ISBN 9790530057902.
The Eight Little Fugues, each originally paired with preludes are often performed in churches because of their technical ease and brevity. They have finally been attributed to Bach by most scholars after a number of years of doubt. They are less technically difficult than the full-blown fugues of Bach, but still equally full of beauty and commanding mastery.They are all less than 3 minutes in length with four in major keys and four in minor, appropriate for moderately advanced performers.These may be performed in a quartet or choir setting with multiple performers on a part.
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