SKU: P2.60044
For many years I have coached brass quintets at the USC Thornton School of Music. One of the outstanding young quintets was the Valente Brass: Yurie Yoshida, and Jessica Cruz, Trumpets; Erika Miras, Horn; Jonathan Sie, Trombone; and Jake Kraft, Bass Trombone. They kept urging me to write a quintet for them and thus was born HoopLA. This short (4:30 min) one movement piece was premiered by them at the Live at Basset Hall 8 concert, April 13, 2014. It was during this same time that I was writing two other works, Intrepideedoodah and Pocket Change. In all three I used 6/4 meter as the main rhythmic structure. I call it my 6/4 period. That meter translates easily into 12/8 and many other groupings of 2s, 3s, 4,s and 6s--the glories of hemiola abound. A unison intro leads to a Latin set-up in the trumpets and a tricky groove in the trombones. The horn has a haunting melody over that. A middle waltz section follows with imitative solos in the trumpets and a series of duets between the all of the players--giving the impression of odd meters. The main theme returns with a rousing ending. The brass quintet members named the piece HoopLA and, as the title suggests, it's a lot of fun in Los Angeles. -Jim Self.
SKU: PR.144406070
ISBN 9781491111727. UPC: 680160624010. 9 X 12 inches.
Lauren Bernofsky’s PASSACAGLIA is in C Minor with an 8-bar recurring theme; although traditional in this regard, the theme’s 8 bars include irregular meter changes and modal harmony, and the successive variations go refreshingly far afield from the original phrase. PASSACAGLIA is also available for Trombone Quintet (4 Tenor, 1 Bass), and for large Brass Ensemble (4 Trumpets, 2 Horns, 2 Tenor Trombones, 1 Bass Trombone, and 1 Tuba).
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