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ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
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VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
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Cello, Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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B Flat, E Flat, C and Bass cle… (87)
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Low voice (41)
Flexible Instrumentation (41)
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Tenor voice (38)
Violon Solo, Violoncelle Solo,… (36)
Recorder, Piano (36)
Solistes SATB, Choeur SATB, 4 … (36)
Voice and Orchestra (36)
Voix et Instruments Divers (36)
Accordion ensemble (36)
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Ensemble à Cordes (35)
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Descent (Soprano) Recorder, Pi… (34)
Guitare Electrique (34)
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2 Flûtes Traversières ou 2 F… (32)
High voice (32)
Clarinette et Orchestre (32)
Harpsichord and Strings (32)
Flute ensemble (32)
Mezzo-Soprano voice (32)
Choral CD (31)
Clarinet Quartet: 4 clarinets (31)
Solistes SATB, Choeur SATB, 2 … (30)
Travaux Pour Choeurs (30)
Big Note Piano (30)
Concert Band/Harmonie (29)
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Choeur SAM (29)
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Big band (29)
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Clarinet, Orchestra (28)
Treble (Alto) Recorder, Piano (28)
A Cappella (28)
Ensemble (28)
Flute, Cello, Piano (trio) (27)
Choral, Orchestra (27)
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Trio (26)
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Guitare ou Luth (26)
Marimba (26)
4 Parties Mixtes (26)
Flute Quartet: 4 flutes (26)
Choeur d'Enfants, Solistes, In… (26)
Oboe, Violin, Viola and Violon… (25)
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Livret (25)
Piano, Guitar (duet) (25)
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Oboe and Orchestra (24)
Parties Orchestrales (24)
Baritone voice (24)
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Guitar Ensemble (24)
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Choeur de Femmes (24)
Flute, Basso continuo (24)
Solistes (SATB), Choeur Mixte … (23)
Harp, Flute (duet) (23)
Violin, Basso continuo (23)
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Autoharp (22)
Dobro (22)
String Trio: 3 violins (22)
Horn Ensemble (22)
Percussion Ensemble (22)
Tenor Saxophone and Piano (22)
Voix Mixtes (22)
2 Violons, Alto, Violoncelle e… (21)
Solistes SATB, Choeur SATB, 2 … (21)
Solistes SAT, Choeur SATB, 2 F… (21)
Violon, Ensembles de Cordes et… (21)
Piccolo, Piano (21)
2 Violas (duet) (21)
Voix et Orchestre (21)
Concert band, Choral (21)
Clavecin Et Instruments A Cord… (21)
3 Guitars (trio) (21)
Flûte Traversière ou Violon)… (20)
2 Violons, Alto et Violoncelle… (20)
Oboe, Organ (20)
String Quartet : 4 violas (20)
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2 Choeurs Mixtes (SATB Et SATB… (20)
Soli and Orchestra (20)
Double bass, Orchestra (20)
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Accessoire (20)
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Solistes SATBB, Choeur SATB, 2… (19)
3 Clarinets (trio) (19)
Trumpet, Trombone (duet) (19)
Clarinet Ensemble (19)
Cornet and Piano (19)
Soli (ATB), Choeur Mixte (SATB… (19)
Ensemble Mixte (19)
Organ, Trumpet (duet) (19)
Petit Choeur AT, 2 Flûtes Tra… (18)
Gemischter Chor (SATB) und Orc… (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
String quintet (18)
Trio à Cordes (18)
Quatuor (18)
Euphonium, Piano (duet) (18)
Cor en Fa (18)
2 Flutes, Piano (18)
Choral SSATTB (18)
Alto (Partie séparée) (18)
Trio de Pianos, Salon Ensemble… (18)
Chamber Music (18)
Solistes STBB, Choeur SATTBB, … (17)
Solo S, 2 Flûtes Traversière… (17)
Solistes ST, Choeur SSAATB, 2 … (17)
Quintette à vent (17)
Soli (SATB, Soprano Aussi Chor… (17)
Ocarina (17)
1 Piano, 6 hands (17)
Clavier Electronique et Ligne … (17)
Soli (AT), Choeur Mixte (SATB)… (17)
Saxophone ensemble (17)
Violin, Organ (17)
Saxophone Baryton (17)
Lute (17)
Instruments Cuivre (17)
Choeur Mixte et Ensemble de Ch… (16)
Electric bass, Drums (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Solistes SAB, Choeur SATB, Cto… (16)
Flûte à Bec Soprano (Flûte … (16)
Saxophone Ténor et Piano (16)
Choeur Mixte (SSATB) avec Soli… (16)
Bass Clarinet (16)
Violon 3 (Partie Séparée) (16)
5 A 9 Instruments A Vent (16)
Flûte à Bec, Guitare et Musi… (16)
Percussions (16)
Solo instrument and Organ (16)
Lap Steel Guitar (16)
3 Saxophones (trio) (16)
Trombone or Euphonium (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SATTB et Basse Continue… (15)
Trompette ou Bugle ou Cornet o… (15)
Flute, Oboe, Clarinet, Bassoon… (15)
Voice, Organ (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Petit Ensemble Contemporain (15)
Clarinette, Saxophone, Trompet… (15)
Clarinet, Violin, Cello, Piano… (15)
Choeur Mixte, Soprano et Orche… (15)
Saxhorn and Piano (15)
Flûte Traversière, Hautbois … (15)
3 Violons, Instruments à Cord… (14)
Choeur D'Enfants (Ou De Jeunes… (14)
Flûte Traversière, Violon, I… (14)
Petit Choeur SATTB, 5 Instrume… (14)
Solistes ST, Choeur SSATB/SSAT… (14)
Solistes SSA (TTB), Choeur SAT… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flûte, Hautbois et Clarinette… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Solistes ATB, Choeur SATB, Tro… (14)
Solistes SB, Choeur SSATB, 2 T… (14)
Choeur SATB/SATB, ou Basse Con… (14)
Chant et Guitare (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
2 Violins and Basso (14)
Woodwind Quintet (14)
Solistes SATB, Choeur SATB, 2 … (14)
Voix Et Orff-Instruments (14)
Xylophone (14)
Chorale (14)
Choeur SSATB et Basse Continue… (14)
Solistes SATTBB, Choeur SATB/S… (13)
Solistes SATB, Choeur SATB, Tr… (13)
Solistes SSTB, Choeur SATB, 2 … (13)
Violoncelle (Partie Séparée)… (13)
Solistes SSATB, Choeur SATB, 3… (13)
Solistes AT, Choeur SATB, Trom… (13)
Choeur SATB/SATB, (8 Instrumen… (13)
Solistes ST, Choeur SSATB, 3 T… (13)
Solistes SATB, Choeur SATB, (C… (13)
Soli (SATB), Choeur Mixte (SAT… (13)
Solistes, Choeur d'Enfants, 3 … (13)
Choeur d'Enfants et Ensemble (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Cello, String Bass (duet) (13)
Cornet (13)
4 Cellos (13)
Choeur d'Enfants (13)
Viola and orchestra (13)
Solistes SBar, Choeur SSATB, 2… (12)
Flute, Clarinet, Piano (trio) (12)
Solistes SMSATB, Choeur SATB, … (12)
Solistes, Div. Instruments à … (12)
Solistes SATB, Choeur SATB, Fl… (12)
Catalogue des Oeuvres (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
Choeur SATTB, (5 Instruments, … (12)
Madrigaux (12)
Solistes AT, Choeur SATB/SATB/… (12)
Trompette ou Cornet, Trombone … (12)
Solistes, Choeur d'Enfants, Fl… (12)
Piano et Orchestre (12)
Flûte Traversière, Clarinett… (12)
Solistes SB, Choeur SATB, 2 Ha… (12)
Scores (12)
Choeur SATB/SATB, (Contrebasse… (12)
Saxhorn en Sib (12)
Hautbois, Basson et Piano ou O… (12)
Choeur d'Enfants, Flûte Trave… (12)
Fanfare Band (12)
3 Choeurs (SATB, SATB et SATB)… (12)
6 Parties Mixtes (12)
Violin, Horn and Piano (12)
Oboe, Clarinet, Bassoon (trio)… (12)
Choeur (SATB) et Brass Band (12)
SATB et Orchestre (12)
Trumpet, Orchestra (12)
Choeur, Parties Solo, Narrateu… (12)
Libretto (12)
Baryton (12)
Contrebasse (Partie séparée)… (12)
Choeur SSATTB, (6 Instruments,… (11)
Soli (STB), Choeur Mixte (SSAT… (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Solo S, Choeur SATB, 2 Trompet… (11)
Vibraphone (11)
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Solo SA, Flûte Traversière, … (11)
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Clarinette, Violon et Piano (11)
Bagpipe (11)
Choeur Mixte et Orchestre (11)
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Choeur SSATB, 2 Hautbois, 3 Vi… (11)
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Organ, Piano (duet) (11)
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Medium Voice (11)
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Alto et Orchestre (11)
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Clarinette, Quatuor Pour Instr… (11)
Stationery (11)
2 Clarinets, Piano (11)
2 Bassoons (duet) (11)
Timpani (11)
Baritone Saxophone (11)
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Solistes (STB), Choeur Mixte (… (10)
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Choeur SATB, 2 Violons et Bass… (10)
Concert Band ou Harmonie et Ba… (10)
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Solistes SSATB, Choeur SATB, 2… (10)
Solistes STBarB, Choeur SATB, … (10)
Cello Ensemble (10)
Trompette en Sib (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes SATB, Choeur SATB, Or… (10)
Choeur SATB, 3 Flûtes Travers… (10)
Orchestre Scolaire (2 Flûtes … (10)
Horn and Orchestra (10)
4 Instruments Cuivre (Trompett… (10)
Nursery rhyme (10)
String Trio: 2 violins, viola (10)
Organ, Voice (10)
Flûte Traversière, Clarinett… (10)
Choeur SATB, Paroisse, 2 Hautb… (10)
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Lyrics only (10)
Viola da Gamba (10)
Diverses Formations (10)
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Cello, Guitar (duet) (10)
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Choeur Mixte (Unisson) Avec Or… (9)
Solistes SAB, Choeur SATB, 2 H… (9)
Ensemble de Cordes (9)
Solistes SATB, Choeur SSATTB, … (9)
Violoncelle solo, Basse Flûte… (9)
Solo S, Flûte Traversière, H… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Solistes SSATTB, 2 Trompettes,… (9)
Solo SATB, Choeur SATB, 2 Flû… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur D'Enfants (SMezA) Avec … (9)
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Choeur Mixte (SATB) Avec Solis… (9)
Children choir, Instruments (9)
Euphonium or Saxhorn and Piano… (9)
Violoncelle ou Contrebasse (Pa… (9)
Harmonie (9)
Solistes SATB, SATB et Orchest… (9)
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Quintette à Cordes (9)
Vocal duet (9)
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Choeur SATB, (4 Instruments, C… (9)
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Quintette (9)
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Saxhorn en Sib Basse Continue (9)
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Trumpet ensemble (9)
Flute, Viola and Guitar (9)
Xylophone or Marimba or Vibrap… (9)
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Flûte Traversière et Orchest… (9)
Matériel D'Orchestre (9)
Choeur De Femmes (SA) Et Piano… (9)
Choeur SATB et Basse Continue (9)
Piano Quartet: piano, 2 violin… (9)
Piccolo (9)
2 Violins, Piano (9)
Violoncello, Basso continuo (9)
Choeur SSATB, 2 Violons, Alto,… (8)
Flute and String Quartet (8)
Conga (8)
Solistes SATB, Choeur SATB/SAT… (8)
Solistes, Div. Instruments à … (8)
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Cello Concerto (BRYARS GAVIN)
Cello, Orchestra
[Study Score / Miniature]
Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...
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Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre
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Per Nørgård: Between - Cello Concerto No. 1: Cello: Score
Cello, Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra comp...
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Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra) the latter of which the soloist in a simple accompanyingrole but after a turning point in the middle of the movement the soloist assumes a dominating role. In the final movement a balance is finally achieved with the soloist at last being on equal terms with the orchestra. Per Nørgård
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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Englische Liebeslieder (HENZE HANS WERNER)
Cello, Orchestra
[Study Score / Miniature]
Schott
Canzoni d'amore inglese. Par HENZE HANS WERNER. / Répertoire / Violoncelle et O...
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Canzoni d'amore inglese. Par HENZE HANS WERNER. / Répertoire / Violoncelle et Orchestre
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Concerto In D Major Op. 74 (WEBER CARL MARIA VON)
Cello, Orchestra
[Reduction]
Schott
Par WEBER CARL MARIA VON. Freie Bearbeitung Nach Dem Konzert Für Klarinette Und...
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Par WEBER CARL MARIA VON. Freie Bearbeitung Nach Dem Konzert Für Klarinette Und Orchester Es-Dur Von Gaspar Cassadó/ Répertoire / Violoncelle et Orchestre
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Critical Report): Cello: Score
Cello, Orchestra
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
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Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Full Score): Cello: Score
Cello, Orchestra
[Sheet music]
Barenreiter
b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cell...
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b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Parts
Cello, Orchestra
Barenreiter
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Part
Cello, Orchestra
Barenreiter
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Score
Cello, Orchestra
[Sheet music]
Barenreiter
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Part
Cello, Orchestra
Barenreiter
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Part
Cello, Orchestra
Barenreiter
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
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Fanfares
Cello, Orchestra
Barenreiter
This study score is based on the score and complete performance material of Dvor...
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This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
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Bohuslav Martinu: Concerto No.2 For Cello And Orchestra: Cello and Accomp.:
Cello, Orchestra
Hal Leonard
This is one of the best Cello concertos of the twentieth century and readily co...
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This is one of the best Cello concertos of the twentieth century and readily communicates the Bohuslav Martinu strong feelings for his homeland. Written over the Christmas and New year period of 1944-45 in New York it is full ofhis reactions to that last dramatic winter of the war and the desire to go home. It is an expansive work over 35 minutes in length in the standard three movements. Typically for Martinu the first movement is inModerato tempo. The opening gesture is highly characteristic: A pulsing rhythm establishes itself in the orchestra and a striving rising theme with a contradictory rhythm contends with it. The second movement Andante pocomoderato has a general pulse that is not much slower than that of the first. It is episodic with a faster central section and then a truly magical and heartfelt treatment of the main subject in which Martinu expresses hislonging for home. The final movement Allegro is a driving energetic conclusion with a solo cadenza that breaks the ongoing rhythm and provides a touching moment of contemplation before the joyous conclusion. This editioncontains a Piano reduction of the Orchestral part for rehearsal purposes.
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David Blake: Cello Concerto: Cello: Study Score
Cello, Orchestra
[Sheet music]
Novello & Co Ltd.
Commissioned by the BBC for Moray Welsh and the BBC Symphony Orchestra and first...
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Commissioned by the BBC for Moray Welsh and the BBC Symphony Orchestra and first performed in Cheltenham in 1993. Facsimile Study Score. Duration c. 25 minutes.
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Poul Ruders: Polydrama: Cello: Score
Cello, Orchestra
[Sheet music]
Wilhelm Hansen
Cello Concerto No. 1-Poul Ruders Polydrama (Manyfold Event) for cello and orches...
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Cello Concerto No. 1-Poul Ruders Polydrama (Manyfold Event) for cello and orchestra is the last part of a drama trilogy otherwise consisting of Dramaphonia' for piano and 11 instruments and Monodrama for percussion and 32 instruments. In this abstract drama the individual listener is left entirely to his own associations. The composer has compared polydrama with the gradual defoliation of a big tree: the vigorously growing organism is attacked by a swarm of locusts until finally nothing remains but bare branches in a landscape of long shadows; a solitary singing bird remains however like a streak of hope in an increasingly dark and pessimistic universe.
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Franz Joseph Haydn: Cello Concerto No.1 In C: Cello: Study Score
Cello, Orchestra
Barenreiter
C major-Concert for violoncello and orchestra. Urtext from: Joseph Haydn Werke ...
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C major-Concert for violoncello and orchestra. Urtext from: Joseph Haydn Werke G. Henle Verlag München
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Alfred Schnittke: Cello Concerto No.1: Cello: Study Score
Cello, Orchestra
Sikorski
für Violoncello und Orchester-Schnittke?s first cello concerto was written duri...
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für Violoncello und Orchester-Schnittke?s first cello concerto was written during a near fatal time in his life after having suffered a severe stroke in 1985 during which his heart stopped three times. Upon recovery he completed the concerto the music becoming more dissonant and discordant with the melodies more contorted.The first cello concerto was a monumental endeavor for large orchestra and approximately 40 minutes in duration. The work was written for Schnittke?s close friend Russian cellist Natalia Gutman. The solo part is most feverish and virtuosic exhausting the performer both technically and emotionally. The last fourth movement creates an unusual structuralprogression ending in what feels like a celestial hymn-like prayer. Schnittke himself said: Suddenly I was given this finale from somewhere and I?ve just written it down.Available here is the study score for Schnittke?s emotionally and technically demanding Cello Concerto No.1. This Sikorski edition study score is well presented and provides an excellent resource for study or perusal use.
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Concerto No. 2: Cello: Study Score
Cello, Orchestra
Schott
Per Violoncello e Orchestra-The Cello Concerto No. 2 is Nino Rota's third contri...
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Per Violoncello e Orchestra-The Cello Concerto No. 2 is Nino Rota's third contribution to the genre but he does not include the early Cello Concerto dating back to 1925 in his own list of works: this composition only received its very much delayed first performance in Milan in November 2010. The much later Cello Concerto No. 2 was created around the same time as Rota???s work on the soundtrack for The Godfather II for which the composer received an Oscar in 1975. Although there are no direct quotations from the film-track in this concerto the section in 6/8-time displays a slight hint of the well-known Sicilian Pastorale.
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