SKU: LM.JJ08132

ISBN 9790230808132.

SKU: LM.29232

ISBN 9790230992329.

SKU: LM.JJ19701

ISBN 9790230819695.

SKU: LM.JJ17660

ISBN 9790230817660.

SKU: BR.PB-14590

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

ISBN 9790004211120. 10 x 12.5 inches.

When Ludwig van Beethoven wrote the present two works around 1800, the Romance as a genre designation for a soulful, melodious instrumental piece was anything but established, despite the occasional piece bearing this title. Beethoven himself named the pieces Romance in the autographs, but offered them to Breitkopf & Hartel for publication as Solo. His brother Karl even spoke of 2 Adagios to the publisher. Nevertheless, Beethoven's two Romances for violin achieved lasting popularity ever since the publication of the first editions in 1803 and 1805.The present Urtext edition takes the autographs and first editions as its main sources.

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

SKU: LM.28477

ISBN 9790230984775.

SKU: BR.PB-5531-07

Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day.

ISBN 9790004212608. 6.5 x 9 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.