SKU: JK.09193
Isaiah 9:6, Luke 2:7-19, Matthew 2:1-2.
Delightful Christmas instrumental arrangement for cello solo with piano accompaniment.Composer: German Folk Tune Arranger: Richard W. Smith Difficulty: Medium-easy / medium acc.Reference: Isaiah 9:6, Luke 2:7-19, Matthew 2:1-2.
SKU: JK.09178
Luke 2:7, Luke 18:15-17.
Christmas carol arranged for cello and piano accompaniment, moving arpeggios tie beautifully to the simple melody and spirit of the carol.Composer: William J. Kirkpatrick Arranger: Joseph Hoffman Difficulty: Medium-easy / medium-easy acc. Performance time: 2:45References: Luke 2:7, Luke 18:15-17.
SKU: HL.49044762
ISBN 9790001200462. 9.0x12.0x0.11 inches.
SKU: HL.48025324
UPC: 196288175445.
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for soprano and orchestra, Eliza Aria introduces Princess Elisa and expresses her pure soul, innocence and belief in the goodness of the world: Without saying a word, she must weave stinging nettles into cloth to save her enchanted brothers. The short, enchanting vocalise is perhaps Elena Kats-Chernin's best-known creation and went around the world as music in a promotional video on YouTube. It is now available in numerous versions for `ifferent instruments and instrumentations.
SKU: HL.49017074
ISBN 9790001151573. 9.0x12.0x0.182 inches.
In this trio, as in most of his compositions, Jost has pictures and associations with true incidents, films and novels in his mind. What inspired him to write this piece was Joseph Conrad's novel 'Heart of Darkness' in which the protagonist Marlow says about the city of Brussels: 'In a few hours I arrived in a city that always make me think of a whited sepulchre.'In 'Sepulchral City', a work commissioned to mark the tenth anniversary of the Jerusalem Chamber Music Festival, however, the title refers to Jerusalem, the city of white tombs. The topic of Jost's trio is a travel into the soul and living spirit of a city, with no physical movement being needed to find the heart of impenetrable darkness: It lies within the city walls.In this respect, 'Sepulchral City' equals a compositionally unfolded funeral bell. Even the animated middle section rather has insisting than progressive power. At the end, the only thing to do is to inhale and exhale.
SKU: HL.49018711
ISBN 9790001145190. UPC: 884088794019. 9.25x12.0x0.244 inches. English.
In a magazine with reports on mental institutions, Thomas Larcher came across interviews with patients: 'These sentences are of a strong inner power, yet do not claim to convey an overall picture of these people. There rather appear snatches from their world like a stroboscope.' The soprano part in Larcher's composition attends to these texts in a very restraint, often introverted manner, but they continue to have an effect in the instrumental parts, like catalysts of seemingly disturbing processes. The world premiere with Juliane Banse, Christian Tetzlaff, Nikolaj Schneider and the composer on the piano took place at the renowned festival 'Spannungen' in the power station of Heimbach in 2002. Recently, a recording has been released by ECM New Series.
SKU: VD.ED13961
ISBN 9790202029619. 12 x 9 inches.
SKU: LM.C06088
ISBN 9790230360883.
SKU: LM.P03509
SKU: HL.49033261
ISBN 9790001136679. German.
Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration fur Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eroffnet Raume, in denen Satze zu Romanen und einzelne Worter zu endlosen Linien werden. Kompositorisch hat dies fur Jost nicht nur die Moglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzahlen, sondern auch jedes einzelen Wort in Klange einzuschweissen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefugt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich grossere atmosplarische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten liesse. So aber konnte der Komponist eine Dichte an Ausdruck und Intensitat entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.
SKU: VD.ED11446
ISBN 9790202024461. 12 x 9 inches.
SKU: HL.49000269
ISBN 9790001001137. UPC: 884088098575. 9.0x12.0x0.22 inches.
SKU: VD.ED13962
ISBN 9790202029626. 12 x 9 inches.
Lullaby (Op. 57, No. 2) was first composed in 1908 for Voice and Piano, with lyrics by Christina Rosssetti. It was transcribed for Cello or Violin and Piano by the famous cellist Charles Warwick Evans (1885-1974) in 1918
SKU: BO.B.3460
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