| Joy of Music - Discoveries from the Schott Archives Cello, Piano - Intermediate/advanced Schott
Virtuoso and Entertaining Pieces for Cello and Piano. Composed by Various. Edi...(+)
Virtuoso and Entertaining
Pieces for Cello and Piano.
Composed by Various. Edited
by Beverley Ellis and Rainer
Mohrs. String. Softcover.
Schott Music #ED23310.
Published by Schott Music
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| Complete Works for Violoncello and Pianoforte Cello, Piano Barenreiter
Volumes 1 and 2. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edi...(+)
Volumes 1 and 2. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. This edition: urtext edition. Paperback. Performance score and part, anthology. 99/27, 54/19 pages. Published by Baerenreiter Verlag (BA.BA9098).
$76.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Serenade Cello, Piano Schott
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49047040 ...(+)
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49047040 30 Concert and Salon Pieces for Cello and Piano. Composed by Various. Edited by Beverley Ellis and Rainer Mohrs. String. Classical. Softcover. 192 pages. Schott Music #ED22414. Published by Schott Music (HL.49047040). ISBN 9783795711436. UPC: 196288116332. 9.0x12.0x0.535 inches. This volume from the popular Cellissimo series contains 30 entertaining recital pieces, mostly from the Romantic period. In additionto three original serenades by Jacques Offenbach, Nikolai Rimsky-Korsakov and the French composer Mel Bonis, the volume contains beautiful character pieces, mostly one-movement forms such as berceuse, elegy, humoresque, meditation, melody, nocturne, romance, tarantella, valse de concert and much more . Expressive lyrical pieces are represented as well as cheerful and virtuoso works. In addition to original works, there are numerous arrangements of popular works, including Schumann's Traumerei, Grieg's Anitras Tanz, Fauré's Après un rêve, Elgar's Salut d'amour or Rachmaninoff's Vocalise - all pieces that are well suited as concert and encore pieces . The volume also contains rarities and new discoveries, including original works by cello virtuosos such as Dotzauer, Offenbach, Goltermann, van Goens and Trowell, as well as works by composers Mel Bonis, Juliette Dantin, Ethel Harraden and Claudine Smidt. The level of difficulty is demanding and is aimed at advanced cellists. Many pieces use the 5th-7th position, others have passages in a simple thumb position, sometimes also with high harmonics. They are therefore very good practice examples for advanced users who want to apply sophisticated techniques to beautiful examples of literature. Last but not least, the requirements for expression and design offer plenty of room for cellist and musical development. $27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete Works for Violoncello and Pianoforte (Volume 2) Cello, Piano Barenreiter
Volume 2. Composed by Felix Bartholdy Mendelssohn (1809- 1847). Edited by R. La...(+)
Volume 2. Composed by Felix
Bartholdy Mendelssohn (1809-
1847). Edited by R. Larry
Todd. This edition: urtext
edition. Paperback.
Performance score and part,
anthology. 54/19 pages.
Published by Baerenreiter
Verlag
$35.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Works for Violoncello and Pianoforte (Volume 1) Cello, Piano Barenreiter
Volume 1. Composed by Felix Bartholdy Mendelssohn (1809- 1847). Edited by R. La...(+)
Volume 1. Composed by Felix
Bartholdy Mendelssohn (1809-
1847). Edited by R. Larry
Todd. This edition: urtext
edition. Paperback.
Performance score and part,
anthology. 99/27 pages.
Published by Baerenreiter
Verlag
$51.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Red Sombrero Cello, Piano - Intermediate De Haske Publications
Cello and Piano - intermediate SKU: BT.DHP-1175829-401 Composed by Pascal...(+)
Cello and Piano - intermediate SKU: BT.DHP-1175829-401 Composed by Pascal Proust. De Haske String Series. Book and Part(s). Composed 2017. 12 pages. De Haske Publications #DHP 1175829-401. Published by De Haske Publications (BT.DHP-1175829-401). ISBN 9789043153034. English-German-French-Dutch. To the beat of the Habanera rhythm, our young cellists will travel to the land of multi-coloured hats. Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote Red Sombrero for cellists with an ability of approximately 3 4 years’ experience. He paid special attention to an easy-to-follow, attractive musical style. Red Sombrero is an ideal performance or competition work for young musicians.
Op het ritme van de Habanera, reizen onze jonge cellisten naar het land van de kleurrijke hoeden. De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Red Sombrero voor cellisten die ongeveer drie tot vier jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Red Sombrero een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.
In einem Habanera-Rhythmus unternehmen die jungen Cellisten eine Reise ins Land der bunten Hüte. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Red Sombrero für Cellisten mit ungefähr 3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Red Sombrero ideal als Vortrags- und Wettbewerbsstück für junge Musiker.
Sur un rythme de Habanera, nos jeunes violoncellistes feront un voyage au pays des chapeaux multicolores .... Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Red Sombrero pour violoncellistes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Red Sombrero est la pièce idéale pour tout examen ou audition de jeunes musiciens. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| El violonchelo del niño Cello, Piano De Haske Publications
Cello and Piano - easy SKU: BT.DHP-1175823-401 Composed by Pascal Proust....(+)
Cello and Piano - easy SKU: BT.DHP-1175823-401 Composed by Pascal Proust. De Haske String Series. Book and Part(s). Composed 2017. 8 pages. De Haske Publications #DHP 1175823-401. Published by De Haske Publications (BT.DHP-1175823-401). ISBN 9789043152938. English-German-French-Dutch. A small, playful piece that revives the famous Twinkle, twinkle, little star in a dance version (a short tango). Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote El violonchelo del niño for cellists with an ability of approximately one year’s experience. He paid special attention to an easy-to-follow, attractive musical style. El violonchelo del niño is an ideal performance or competition work for young musicians.
Een kort, vrolijk werkje waarin Twinkel, Twinkel, little star is verwerkt als een dansbaar nummer (een korte tango). De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef El violonchelo del niño voor cellisten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is El violonchelo del niño een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.
Ein kurzes spielerisches Stück, in dem das bekannte LiedAh! vous dirais-je, maman in einer tänzerischen Version (ein kleiner Tango) verwendet wird. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb El violonchelo del niño für Cellisten mit ungefähr 1 Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich El violonchelo del niño ideal als Vortrags- und Wettbewerbsstück für junge Musiker.
Une petite pièce ludique reprenant le célèbre Ah! vous dirai-je, maman dans une version dansante (un petit tango). Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit El violonchelo del niño pour violoncellistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, El violonchelo del niño est la pièce idéale pour tout examen ou audition de jeunes musiciens. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pieces for Violoncello Cello, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768). Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.
Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.
Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Ãrpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Franz Liszt - Csardas Obstinee Cello, Piano EMB (Editio Musica Budapest)
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Composed by Franz Liszt. Edited by Csiky Boldizsar. Arranged by Csí, ky Boldizsá, and r. Romantic. EMB. Classical. Softcover. 14 pages. Editio Musica Budapest #Z14779. Published by Editio Musica Budapest (HL.50512037). ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky. The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+. $27.45 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Csardas obstinee Cello, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14779 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU: BT.EMBZ14779 Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779). The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.
The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).
Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärung. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Violoncello Music for Beginners 1 Cello, Piano - Easy EMB (Editio Musica Budapest)
Cello and Piano - easy SKU: BT.EMBZ6312 By Arpad Pejtsik. By Endre Lengye...(+)
Cello and Piano - easy SKU: BT.EMBZ6312 By Arpad Pejtsik. By Endre Lengyel. EMB Music for Beginners. Educational Tool. Book Only. Composed 1970. 60 pages. Editio Musica Budapest #EMBZ6312. Published by Editio Musica Budapest (BT.EMBZ6312). Hungarian-English-German-French. ABRSM Syllabus title - Grade 2.This is a collection of popular classics and European folk tunes arranged for beginning cellists.The volumes 'Music for Beginners' series cover the entire music literature from the earliest centuries to our days. The contents of the individual volumes, comprising short, easy pieces to be played in the first three-four years of instrumental study, has been compiled by accomplished music teachers. The majority of the contemporary works included in the volumes have been published in this series for the first time.
Eine Sammlung von beliebten Klassikern und Volksmelodien aus Europa für Celloanfänger. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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