SKU: BT.EMBZ6748
Hungarian-English-German-French.
The volumes of the series cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short, easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the volumes have been published in this series for the first time. An ABRSM syllabus title, 2010-16, Grade 2-3.
SKU: BT.EMBZ14768
Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume. Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Ãrpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.
SKU: HL.48186482
Reynaldo Hahn: Works for cello and piano [AL 30 749] For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette, overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland, published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree, the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli?s opera Xerse. In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ?to which the gods have destined him?. Reynaldo Hahn?s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined. Let us wager that this publication will delight cellists and pianists alike: it contains some nuggets. Deux improvisations sur des airs irlandais (The Little Red Lark, The Willow-Tree) Variations chantantes sur un air ancien.
SKU: HL.14023628
ISBN 9780711975729. 12.0x9.0x0.095 inches.
On The Fiddle consists of three pieces derived from scores to three Peter Greenaway films. The first piece Full Fathom Five, is a version of the Shakespeare song setting made for Prospero's Books (1990). The second Angelfish Decay, is an arrangement of an arrangement: the music for the speeded up time lapse decaying animal sequences in A Zed And Two Noughts (1985) was written for two violins and a harpsichord. This was subsequently 'reduced' to a violin solo for Zoo Caprices (1986). For On The Fiddle a piano part has been added. The final piece Miserere Paraphrase, was written for use in The Cook, The Thief, His Wife And Her Lover (1989), and is a transcription of Nyman's setting of the 'Miserere' text (Psalm 51) sung in the film by a boy soprano and mixed chorus. This version for cello and piano written in 1997. Duration c.15 mins.
SKU: BT.EMBZ14636
ABRSM Syllabus title - Grades 5, 6, 8The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included, apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina, Mozart: Divertimento, Vivaldi: Concerto) and sets of variations (Beethoven, Tartini) there are many shorter pieces as well, not only the famous minuets by Boccherini, Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann s Etude-caprice and Jenkinson s Dance of the sylphids, the lighter kind includeJoplin s Ragtime. This colourful, ample selection provides a good basis for a music-lover s library. ABRSM Cello Syllabus title - Grade 5, 6, 8. Die zwei Bände präsentieren eine Auswahl an Musik aus zweihundert Jahren. Sie beinhalten acht Barocksonaten, neben der berühmten Corelli in d-Moll auch solche, die nach 300 Jahren erst jetzt in einer modernen Ausgabe erscheinen. Es kommen neben zyklischen (Haydn: Sonatine, Mozart: Divertimento, Vivaldi: Concerto) und Variationswerken (Beethoven, Tartini), auch mehrere kleinere Stücke wie die berühmten Mozart-, Boccherini- und Beethoven-Menuette sowie solche vor, die hier das erste Mal erscheinen. Die virtuosen Stücke werden durch Goltermanns Etüde-Caprice und Jenkinsons Tanz der Sylphiden, die leichtere Gattungen von Joplins Ragtime vertreten. Die reichhaltige, bunte Auswahlkann für Musikliebhaber zur Grundlage einer Notensammlung werden.
SKU: HL.48180232
UPC: 888680795016. 9.0x12.0x0.04 inches.
As a prestigious composer of the late 18th century, Luigi Boccherini's (1743-1805) Rondo, transcribed for the cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day. Known for his courtly, gallant style, Rondo, originally composed for violin and harpsichord, clearly exemplifies these qualities through the 2/4 time signature, flourishing cello lines and evocative, chordal and rhythmic Piano accompaniment. Moreover, syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the cello repertoire. In addition, the clear print of separate cello and piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.
SKU: HL.14019507
ISBN 9780711990029.
Easy pieces for Cello and Piano by Joan Lovell and Peggy Page. This volume introduces the backward and forward extensions of the first position together with the half position.
SKU: AP.36-M407491
ISBN 9798892704267. UPC: 659359646829. English.
This edition is based on the long-familiar version by Wilhelm Fitzenhagen. I love the work's references to the classical style, the virtuosic use of the instrument, and its careful orchestration, all of which hopefully avoid romantic excesses. - Janos Starker.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.50606503
ISBN 9781705190661. UPC: 196288126799.
A special piece - a special story: In 2020, a renowned architect approached a composer to create a new piece of music for his daughter's wedding, which the happy father could give to the young couple as a wedding present. In earlier eras of private patronage, such a story would have been natural, but in the 21st century it is an odd story. The composition subtly alludes to the occasion: against the background of the piano, a duet of two instruments tells the story of a serene love (the piece can either be performed with a bassoon and a violoncello, or with two violoncellos). Mate Bella, who moves at home among different musical styles, shapes the song of lovers longing for each other in a way reminiscent of barcarolas sung by Venetian gondoliers.
SKU: PR.114415500
UPC: 680160607280. 8.5 x 11 inches.
Another commissioned work has Ewazen borrowing from his own The Eternal Dance of Life for a special new gift for cello and piano. The composer says it best: As a former cellist in my youth, have always loved the instrument, and have enjoyed writing for it. The work contains swirling arpeggiated gestures, a lilting compound meter and a real sense of expressivity, allowing the cello to sing with soaring lines and genuine lyricism. For advanced performers.
SKU: BR.EB-9391
ISBN 9790004188651. 9 x 12 inches.
Jean Sibelius composed far less music for the cello than for the violin. Malinconia (op. 20) - published in 1911 but composed in 1900 under the title Fantasia - remained his only opus-numbered work exclusively for cello and piano. The Fantasia for cello and piano, an early stage of Malinconia , was premiered at a soiree in the Solemnity Hall of the University of Helsinki on 12 March 1900 and was given positive press reviews: The work, which mainly drew attention with its logical and clear structure, begins with a powerful and substantial cello solo, to which the piano responds with a glimmering series of arpeggiated chords. At the end where the instruments unite in a harmonious, deeply emotional song, the harmonic impression they create is very bright and lovely. The autograph manuscript of Fantasia shows that Sibelius omitted a larger passage of music between the present bars 24 and 25 and that he made further revisions to the work, either before the publishing process or in the proofs he read in April 1911 for Breitkopf.
SKU: CZ.9798879554489
ISBN 9798879554489.
Discover Jazz Hymns â where cherished hymns meet the vibrant world of jazz! Immerse yourself in the timeless essence of twenty beloved hymns, now adorned with sophisticated jazz harmonies, designed to be easily performed by music enthusiasts of all levels.This unique collection features classics like 'Amazing Grace,' 'How Great Thou Art,' and 'What a Friend We Have in Jesus,' each thoughtfully arranged to blend tradition with the allure of contemporary jazz. Featuring beautiful arrangements, online audio mp3s and included lyrics, this book is a comprehensive resource for both musicians and congregations alike.Ideal for church services, personal devotion, or musical gatherings, these hymns resonate with a newfound energy while honoring their sacred roots. Elevate the ambiance of your gatherings and infuse them with the rich melodies and fresh harmonies found within Jazz Hymns.Embrace the beauty of tradition reimagined and experience the joy of playing these timeless hymns, perfectly suited for musicians seeking a harmonious blend of classic and modern influencesJazz Hymns is available is editions for flute, oboe, clarinet, saxophone, trumpet, trombone, violin, viola, cello, guitar and solo piano.
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