SKU: RM.SL10870

ISBN 9790231098709.

SKU: HL.49019217

ISBN 9790001179386. UPC: 841886017740. 9.0x12.0x0.067 inches.

Beethoven wrote several works for mandolin and piano for Countess Josephine of Clary-Aldringen, who played the mandolin. Four of these works are still extant and have been arranged by Julius Berger for cello and piano.

SKU: JK.09178

Luke 2:7, Luke 18:15-17.

Christmas carol arranged for cello and piano accompaniment, moving arpeggios tie beautifully to the simple melody and spirit of the carol.
Composer: William J. Kirkpatrick
Arranger: Joseph Hoffman
Difficulty: Medium-easy / medium-easy acc.
Performance time: 2:45
References: Luke 2:7, Luke 18:15-17.

SKU: HL.49045850

SKU: BR.OB-16104-27

ISBN 9790004339459. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

SKU: BR.OB-16104-16

ISBN 9790004339428. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).