(Violoncello and Piano with CD of Performance and Play-Along Tracks Book/CD). Composed by Kurt Weill (1900-1950). Arranged by Martin Reiter. For Cello, Piano Accompaniment. String Solo. Universal Edition #UE34682. Published by Universal Edition

For Cello, Piano Accompaniment. Romantic, Classical. Sheet Music. 84 pages. Published by Chester Music.

With online audio of piano accompaniments. By Various. By Various. Misc. Softcover Audio Online. 48 pages. Published by Hal Leonard

Fantasy On Little Russian Songs For Violoncello And Orchestra (cello/piano reduction). (Cello and Piano Reduction). By David Popper (1843-1913). Cello-Bibliothek (Cello Library). Piano reduction with solo part. 38 pages. Schott Music #CB194. Published by Schott Music

With online audio of piano accompaniments. Composed by Various. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

Cello and Piano (Cello)

SKU: HL.14010907

Composed by Manuel de Falla. Music Sales America. Classical. Book [Softcover]. Composed 2002. 4 pages. Chester Music #CH00942. Published by Chester Music (HL.14010907).

9.0x12.0x0.054 inches.

Dance Of The Miller from The Three Cornered Hat by Manuel De Falla, for Cello and Piano.

Cello and Piano

SKU: BT.MUSM570363476

Composed by Anthony Gilbert. Classical. Book Only. 17 pages. University of York Music Press #MUSM570363476. Published by University of York Music Press (BT.MUSM570363476).

English.

For Cello and Piano. Commissioned by York Late Music Concerts for Simon Turner and Richard Casey with funds provided by the Britten-Pears Foundation. First performed at the Unitarian Chapel, York, on 3rd March 2012.

Cello and Piano

SKU: BT.MUSM570209637

Composed by Nigel Osborne. Book Only. 39 pages. University of York Music Press #MUSM570209637. Published by University of York Music Press (BT.MUSM570209637).

English.

For Cello and Piano. Score and Part.

Cello and Piano

SKU: BT.MUSM570206629

Composed by Jonty Harrison. Book Only. 13 pages. University of York Music Press #MUSM570206629. Published by University of York Music Press (BT.MUSM570206629).

English.

Commissioned by the Duo Parker-Brown. First performance: University of York, 1986.

Cello and Piano

SKU: BT.MUSM570205394

Composed by Elisabeth Lutyens. Classical. Score Only. 24 pages. University of York Music Press #MUSM570205394. Published by University of York Music Press (BT.MUSM570205394).

English.

Published 1976. First performance: Joan Dickson and Joyce Rathbone, Wigmore Hall, 30th January 1977.

Cello and Piano

SKU: BT.EMBZ6528

Composed by Pal Jardanyi. Book Only. Composed 1972. 16 pages. Editio Musica Budapest #EMBZ6528. Published by Editio Musica Budapest (BT.EMBZ6528).

An ABRSM syllabus title - Grade 7.Pál Járdányi (1920-1966) was one of Zoltán Kodály's most faithful pupils and followers. At the end of his short career in 1965, he wrote his Sonata for Cello and Piano. The two movement format follows the format of a rhapsody. The Larghetto is dominated by pentatonic melodies characteristic of Hungarian folksongs. In contrast, the Allegro assai takes the tone of a bagpipe song, offering rhythmic and virtuosic parts for each instrument.

(Cello Part And Piano Score)

SKU: HL.48186482

Composed by Reynaldo Hahn. Leduc. 24 pages. Alphonse Leduc #AL30749. Published by Alphonse Leduc (HL.48186482).

Reynaldo Hahn: Works for cello and piano [AL 30 749] For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette, overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland, published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree, the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli?s opera Xerse. In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ?to which the gods have destined him?. Reynaldo Hahn?s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined. Let us wager that this publication will delight cellists and pianists alike: it contains some nuggets. Deux improvisations sur des airs irlandais (The Little Red Lark, The Willow-Tree) Variations chantantes sur un air ancien.