SKU: HL.49033276
ISBN 9790001137096. 9.25x12.0x0.094 inches.
This is one of the early works by which the clarinettest Jorg Widmann also made himself a name as a composer. The form develops from the - at first only tentative - interaction of the three instruments. Sound-sensitive and eruptive moments alternate unexpectedly. Between 'jazzy-secco' and the 'Spieluhr' solo, the piano announces the passage of time: '12 Glockenschlage Mitternacht'.
SKU: HL.49033261
ISBN 9790001136679. German.
Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration fur Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eroffnet Raume, in denen Satze zu Romanen und einzelne Worter zu endlosen Linien werden. Kompositorisch hat dies fur Jost nicht nur die Moglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzahlen, sondern auch jedes einzelen Wort in Klange einzuschweissen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefugt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich grossere atmosplarische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten liesse. So aber konnte der Komponist eine Dichte an Ausdruck und Intensitat entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.
SKU: BR.OB-16104-16
ISBN 9790004339428. 10 x 12.5 inches.
The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).
SKU: BR.OB-16104-23
ISBN 9790004339442. 10 x 12.5 inches.
SKU: HL.49033212
ISBN 9790001135894. UPC: 073999282085. 9.0x12.0x0.132 inches.
This Piano Trio Passacaglia is the 'junior' companion piece to my Cello Concerto Dunkle Saiten [Dark Strings], or more precisely to the concerto's large-dimensional introductory section with the indication 'Feierlich, schreitend' [solemnly, striding]. What in the Cello concerto then inescapably culminates in a catastrophe remains in this composition ostensibly largely conflict-free. This is in fact perhaps one of my most peaceful and conflict-free compositions; it consists of half an hour of almost exclusively tonal progressions. Here, passacaglia (stepping dance!) is taken literally: the step progressions themselves become the subject of the work. This also includes pausing, not being able to progress, feeling one's way, stumbling and taking compulsive steps forward.As familiar as the harmonic surface of the structure appears, for me the natural adaptation of the musical flow was new to a similar degree. This is my attempt to produce a linear tonal band (a horizontal) exclusively with the aid of harmonic - i.e. vertical - progressions.- Jorg Widmann.
SKU: HL.49047370
ISBN 9798350124873. UPC: 196288207672.
Nikolai Kapustin's Divertissement op. 126 for violin, cello and piano dates from 2005. The four-movement work is now available in a sheet music edition for the first time.
SKU: HL.49046015
ISBN 9790001163385. UPC: 841886030114. German.
For soprano solo, baritone solo, oboe, violin, cello and piano. Score and Parts.
SKU: OU.9780193359857
ISBN 9780193359857. 12 x 8 inches.
For clarinet in C/violin, cello and piano As is typical of Finnissy, this piece is demanding for the performers. The tempo is slow and much of the music of the upper two parts consists of sustained notes, with more movement occurring in the piano. The clarinet part can be played on the violin.
SKU: BR.OB-16104-30
ISBN 9790004339466. 10 x 12.5 inches.
SKU: HL.14033570
ISBN 9788759883297. English.
Three Mobiles For Flute, Cello and Piano by Bent Lorentzen. The instrumentation is open. A score is not available for this version.
SKU: BR.OB-5283-30
ISBN 9790004332887. 10 x 12.5 inches.
Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.
SKU: HL.49033137
ISBN 9790001133272.
Volker David Kirchner's works encompass every genre; in addition to numerous compositions for musical theatre and for orchestra, this viola player who formerly played in orchestras and chamber ensembles still shows a preference for composing chamber music. Yet even in this field of 'pure, absolute' music, Kirchner's work has a theatrical quality which shows itself very clearly in his choice of titles (e.g. Mysterion, Il canto della notte, Lamento d'Orfeo, Exil).In this Quintet Kirchner manages to use the various possible combinations of the different instruments to create highly expressive music.
SKU: BR.OB-16104-19
ISBN 9790004339435. 10 x 12.5 inches.
SKU: BR.OB-16104-27
ISBN 9790004339459. 10 x 12.5 inches.
SKU: BR.EB-32078
ISBN 9790004186633. 9 x 12 inches.
Friedrich Schneider is known today above all for his extensive oeuvre in the area of the oratorio. No less important, however, in addition to his symphonic work, is his group of works for piano and/or chamber music. His cello sonata in F major, with all four movements large in scale, was probably composed in 1831 for the daughter of the Cologne music patron, Dr. Erich Heinrich Verkenius. With its expressiveness, monumental structure, and post-Beethovenian sensuality, this sonata already seriously anticipates Romanticism. Our edition offers two solo parts: an unmarked original text as well as a version with fingerings and bowings by the Leipzig based cellist Jurnjakob Timm.
SKU: HL.49006833
ISBN 9790001073424.
SKU: HL.49033093
ISBN 9790001131773. 9.25x12.0x0.36 inches.
SKU: BR.OB-5283-15
ISBN 9790004332832. 10 x 12.5 inches.
SKU: BR.OB-5283-19
ISBN 9790004332856. 10 x 12.5 inches.
SKU: BR.OB-5283-23
ISBN 9790004332863. 10 x 12.5 inches.
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