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Piano and Orchestra
Cello, Piano
INSTRUMENTS
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Bartok Bela - First Rhapsody - Cello And Orchestra
Cello, Piano
[Reduction]
Boosey and Hawkes
Folk dances Instrument : cello and orchestra Type : piano reduction with solo p...
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Folk dances Instrument : cello and orchestra Type : piano reduction with solo part Nombre de Pages : 32
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Kol Nidrei Op. 47 For Violoncello And Orchestra (BRUCH MAX)
Cello, Piano
G. Henle
Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” ...
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Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” numbers among Max Bruch ’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day “ Kol Nidrei ” offers every cellist a wonderful opportunity to make the instrument “sing”. In this text, based on the first edition of 1881, “ Kol Nidrei ” appears for the first time in an Urtextedition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part. / Oppermann, Annette / Répertoire / Violoncelle et Piano
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Concerto For Violoncello And Orchestra D Major Hob. VIIb:2
Cello, Piano
G. Henle
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur...
(+)
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Violoncello and Orchestra D major Hob. VIIb:2 écrite et composée pour Violoncelle et plus précisément pour Violoncelle Et Piano vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violoncelle Et Piano / Chanson En Séparée
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Concerto For Violoncello And Orchestra C Major Hob. VIIb:1
Cello, Piano
G. Henle
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur...
(+)
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Violoncello and Orchestra C major Hob. VIIb:1 écrite et composée pour Violoncelle et plus précisément pour Violoncelle Et Piano vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violoncelle Et Piano / Chanson En Séparée
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Introduction Et Rondo Capriccioso Op. 28 For Violin And Orchestra (SAINT-SAENS CAMILLE)
Cello, Piano
G. Henle
Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / ...
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Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / Répertoire / Violon et Piano
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Potpourri (Fantasie) Op. 95 For Violoncello And Orchestra
Cello, Piano
[Reduction]
G. Henle
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...
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Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Hummel Johann Nepomuk et éditée par Henle cette partition est idéale pour les joueurs de Piano. Si l'instrumentation Piano (Réduction) correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Piano (Réduction) / Chanson En Séparée
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Concerto For Violoncello And Orchestra #1 A Minor Op. 33
Cello, Piano
G. Henle
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...
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Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Saint-Saëns Camille et éditée par Henle cette partition est idéale pour les joueurs de Violoncelle. Si l'instrumentation Violoncelle Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violoncelle Et Piano / 8 pages / niveau : 1 / Editions Instrumentales - Format: 21 X 29.7
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Concerto for Cello and Orchestra (Concertstück)
Cello, Piano
[Sheet music]
Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...
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Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
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Pièce Op. 39 (Cello And Piano) (CHAUSSON ERNEST)
Cello, Piano
[Sheet music]
Faber Music Limited
Par CHAUSSON ERNEST. Chausson's 'Piece Op.39', the composer's only work for solo...
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Par CHAUSSON ERNEST. Chausson's 'Piece Op.39', the composer's only work for solo cello, was written during his final years and belongs with the intensity lyrical Poeme for violin and orchestra (1896) and the two quartets (1897 and 1899). Like these more 'classical' late works, 'Piece' derives potency from its restrained lyricism, but is rhythmically unusual with 5/4 and 7/4 the predominant time signatures. Neil Heyde's new edition, the first authoritative one of the work, is based on the composer's autograph manuscript and will be welcomed by cellists seeking fresh, first-rate repertoire by major French composers. The edition includes an informative introduction and critical commentary./ Répertoire / Violoncelle et Piano
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Oration (Cello And Piano) (BRIDGE FRANK)
Cello, Piano
[Sheet music]
Faber Music Limited
Par BRIDGE FRANK. Originally composed in 1930 for Cello and Orchestra, this is a...
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Par BRIDGE FRANK. Originally composed in 1930 for Cello and Orchestra, this is a chamber arrangement of a sombre and poignant war requiem by Frank Bridge. / Niveau : Elémentaire / Répertoire / Violoncelle et Piano
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Concert Favourites
Cello, Piano
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Advanced
Schott
Morceaux de rappel habilement choisis ajoutent une touche spéciale à un concer...
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Morceaux de rappel habilement choisis ajoutent une touche spéciale à un concert. Peu importe que des chefs-d'oeuvre de virtuosité ou des mélodies de réflexion: les deux peuvent aider à atteindre une parfaite harmonie dans un concert réussi. L'artiste bien connu et violoncelle pédagogue professeur Maria Kliegel a sélectionné morceaux de rappel pour chaque occasion, avec des oeuvres de Senaillé, Chopin, Schubert, Tchaïkovski, Saint-Saëns, Glasunov, Debussy et bien sûr David Popper (y compris 'Danse de Gnome' et 'L'Andalouse 'de l'Op. 54). Un coffre au trésor pour tous les violoncellistes! / Violoncelle Et Piano
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Rozsa Miklos - Violoncellokonzert Op. 32 - Cello, Orchestra
Cello, Piano
Breitkopf & Härtel
Composer : Rozsa, Miklos Instrumentation : Vc,Klav Edition : Piano and solo
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Concerto For Cello And Orchestra.Op. 66. Piano Score.
Cello, Piano
[Sheet music]
Muzyka
/ Violoncelle Et Piano / 56 pages / Partition
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Concerto For Violoncello And Orchestra
Cello, Piano
Schirmer
/ Violoncelle Et Piano
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Invocation (Cello And Piano) (HOLST GUSTAV)
Cello, Piano
[Sheet music]
Faber Music Limited
Par HOLST GUSTAV. Invocation was composed in 1911 and first performed on May 2nd...
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Par HOLST GUSTAV. Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall, London, by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914, but with the public success of The Planets , it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary, and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd-Webber. / Niveau : Elémentaire / Répertoire / Violoncelle et Piano
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Elégie Op. 24 For Violoncello And Piano
Cello, Piano
G. Henle
C'était pour Fauré sur sa main, après l'accueil enthousiaste de sa première ...
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C'était pour Fauré sur sa main, après l'accueil enthousiaste de sa première sonate pour violon (HN 980) continuer à payer la musique de chambre. 1880, une petite pièce pour violoncelle et piano, qui a été conçu comme le mouvement lent d'une sonate. Le projet a donné Fauré Sonata mais ensuite, et a plutôt présenté la pièce intitulée 'Elégie' out. Le succès a été si grand que Fauré a été poussé par l'éditeur à une autre propriété et le conducteur Edouard Colonne en 1895 une version orchestrale de 'Elégie' a été commandé, qui a atteint ses deux premiere ans plus tard. Notre édition Urtext contient comme d'habitude à la fois désigné comme une voix solo banalisée. / Piano
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Sonate (POULENC FRANCIS)
Cello, Piano
[Sheet music]
Heugel
Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and ...
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Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier, the French cellist. Its four movements, mainly ternary, are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('Les Biches') as well as some orchestralworks./ Répertoire / Violoncelle et Piano
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Hungarian Rondo (Cello And Piano)
Cello, Piano
EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...
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Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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Concerto no (AHO KALEVI)
Cello, Piano
Fennica Gehrman
Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2...
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Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2013) is in five movements performed without a break. It begins with a swinging Berceuse, followed by a very quick, virtuosic Presto in 5/8 time. The heart of the concerto is the cadenza-like third movement, Adagio, dominated throughout by the soloist. A fairly short Allegretto is followed by the closing Epilogue. This has flashbacks to the opening movement, and they lead to a cadenza in which the soloist plays only flageolet notes and pizzicatos. The concerto ends with a virtuosic coda in 5/8 time evocative of the second movement. Arto Noras gave the concerto its first performance with the Lahti Symphony Orchestra conducted by Osmo Vänskä in Naantali on June 5, 2014. It was a joint commission from the Naantali Music Festival and the Lahti Symphony Orchestra. This product consists of the solo part (18 pages) and piano reduction by Kari Vehmanen (62 pages) - have a look inside by clicking “sample”. The concerto is scored for a fairly small orchestra. The instrumentation is 2(II=afl)2(II=ca)2(II=bcl)2-2200-bar-02-str and the orchestral material is available for hire from the publisher. / Date parution : 2022-05-31/ Répertoire / Violoncelle et Piano
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Allegro Appassionato Op. 43 For Violoncello And Piano
Cello, Piano
G. Henle
At the beginning of the 1870s, Saint-Saëns displayed a particular partiality fo...
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At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the violoncello. He composed his first cello sonata in December 1872, immediately after having completed the first cello concerto. It was presumably directly after this that he wrote the 'Allegro appassionato? for Cello and Piano op. 43 that also appeared in a version for orchestra three years later. We do not know why he wrote the work, but it is likely that after having written two weighty works for cello, Saint-Saëns wanted to write something 'easier? that was also suitable as an encore. David Geringas kindly provided the fingering and bowing for the brilliant cello part. / Violoncelle Et Piano
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4 Pieces (Cello And Piano) (BRIDGE FRANK)
Cello, Piano
[Sheet music]
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Easy
Faber Music Limited
Par BRIDGE FRANK. These four pieces for Cello and Piano accompaniment, were comp...
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Par BRIDGE FRANK. These four pieces for Cello and Piano accompaniment, were composed separately between the years 1901 and 1910 and appeared in print in several different versions, ranging from piano solo to full orchestra. They were all primarily written, however, for cello and piano so appear here in their original form. The editor - Julian Lloyd Webber - has been responsible for the addition of bowings and fingerings. / Niveau : Assez Facile / Répertoire / Violoncelle et Piano
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Boccherini Luigi - Concerto No.2 In D Major G 479 - Cello And String Orchestra
Cello, Piano
Schott
Edition : piano reduction with solo part Instrumentation : cello and string orch...
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Edition : piano reduction with solo part Instrumentation : cello and string orchestra Catalogue of works : G 479 Duration : 20' Date of Publications : 18/04/1986 Number of Pages : 37 Arranger : Lebermann, Walter Series : Cello Library
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Prelude, Fantasy andamp; Chaconne (DYSON GEORGE)
Cello, Piano
Novello & Co Ltd.
Par DYSON GEORGE. First performed at the 1936 Three Choirs Festival in Hereford ...
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Par DYSON GEORGE. First performed at the 1936 Three Choirs Festival in Hereford by Thelma Reiss (cello) and the London Symphony Orchestra, conducted by the composer. / Date parution : 2022-09-07/ Répertoire / Violoncelle (ou Alto) et Piano
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Bridge Frank - Four Pieces - Cello And Piano
Cello, Piano
Faber Music Limited
These four pieces were composed separately between the years 1901 and 1910 and a...
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These four pieces were composed separately between the years 1901 and 1910 and appeared in print in several different versions, ranging from piano solo to full orchestra. They were all originally written, however, for cello and piano. The editor - Julian Lloyd Webber - has been responsible for the addition of bowings and fingerings.
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Cello Concerto In A Minor Op. 129 (SCHUMANN ROBERT)
Cello, Piano
Peters
Concerto in A minor for Violoncello and Orchestra. Par SCHUMANN ROBERT. Robert S...
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Concerto in A minor for Violoncello and Orchestra. Par SCHUMANN ROBERT. Robert Schumann's Cello Concerto In A Minor Op. 129 composed for Cello with Piano accompaniment./ Répertoire / Violoncelle et Piano
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