Edition : piano reduction with solo part Instrumentation : cello and orchestra Duration : 30'Number of Pages : 58 Series : Rahter Original Edition

Un nombre quelconque des artistes suivants : pf - 1 en solo (FLA, a-fl).0.1.1(bar-sax) - 0.1.1.1 - str (3 vl, 2 vla, vc, db) 63 pages pour être joué, en tout ou en partie, dans n'importe quelle séquence - 84 ' types ' de composition sont impliqués. Etre effectuées, en tout ou en partie, dans toute durée, avec un nombre quelconque des interprètes ci-dessus comme solo, ensemble de chambre, orchestre symphonique, concert pour piano et orchestre, aria, etc. (voir aussi ARIA, SOLO pour voix 1,2, FONTANA MIX, WBAI). Des pièces disponibles séparément (EP 6705a-m) / Violoncelle

für Violoncello und Klavier-With this composition Editio Baerenreiter Praha launched the Complete Critical Edition of Works by Miloslav Kabelac a prominent Czech composer who lived from 1908 to 1979. The editor of this complete edition is a musicologist and a noted expert on Kabelac's work Dr. Zdenek Nouza. The outline of the edition is as follows: I. Orchestral and Concert compositions II. compositions for solo Voice or a Chorus with Orchestra or Instrumental Ensemble III. songs with Piano Choruses Children's Choruses IV. Chamber compositions V. compositions for Piano and Organ.Sonata Op.9 for Cello and Piano which came into existence betweenyears 1941-42 has never been published before. Therefore as part of the Complete Edition this composition appears in print for the first time. Its edition is based on an authograph present in the Museum of Czech Music in Prague. The prominent Czech cello player Daniel Veis who also premiered the complete four-movement version has revised the cello part of this edition.

A fantasia for solo Cello and Orchestra based on five folk tunes which was first performed by Pablo Casals in 1930. Reduction for Cello and Piano.

Instrumental Play-Along-These outstanding packs feature solo arrangements of a dozen Beethoven pieces plus a great sounding play-along CD!

Par DUNCAN CRAIG. Cette collection de musique de Haendel provient de ses sonates, oeuvres orchestrales et pièces accessoires. Ces sélections faciles sont jouables tout en première position. Le livre commence avec des arrangements faciles et progresse dans son niveau de difficulté. La plupart des pièces piano double du violoncelle pour aider à la performance. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Violoncelle

Media Type : BookLevel : Beginning-IntermediateMusical Genre : Celtic/IrishNumber of pages : 80This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs, reels, hornpipes, slip jigs, strathspeys, waltzes and airs. The harmonies are written so that various combinations from solo instrument with piano, to duets and trios, to full string quartet/orchestra are possible. The cello book includes melody (solo) cello, cello harmony, bass and piano accompaniment. All of the Celtic Tunes for Solo and Ensemble books (Violin, Viola and Cello/Bass) are written as ensemble books, so they can be played as solo books or together as ensemble.

Instrumental Solos For Strings-This series offers a versatile selection of hit movie and TV music for flute clarinet alto sax tenor sax trumpet horn in F trombone violin viola cello and mallet percussion. Each book contains carefully edited arrangements appropriate to each instrument and well suited for level 2--3 students. The CD includes a fully orchestrated demo track of each song which features a live instrumental solo performance followed by a play-along track. Also included are PDFs of piano accompaniments and Alfred's Tempo Changer Software. Titles include: Amazons of Themyscira (Wonder Woman) Another Day of Sun (La La Land) Beauty and the Beast (Beauty and the Beast) City of Stars (La La Land) Everything Is Awesome (The LEGO® Movie) Ghostbusters (Ghostbusters) Heathens (Suicide Squad) Just Like Fire (Alice Through the Looking Glass) Kowalski Rag (Fantastic Beasts and Where to Find Them) A Man and His Beasts (Fantastic Beasts and Where to Find Them) Mia

15 awesome solos from ABBA to Aladdin. This volume features 15 songs in a range of styles from pop and classical to film and musical theatre. The pieces have been carefully selected and arranged to provide the perfect light relief from exam practice. The songs in this collection appear in order of difficulty, for students at Grade 1 level. Each song is presented with teaching notes to help you improve your performance. The price includes fully orchestrated backing and demo tracks, available to download or stream online, and rich, playable piano accompaniments, which can be downloaded as A4-size PDFs. To help you practice, the audio tracks can be sped up, slowed down and looped using Playback .

Le dernier volume de la série contient pas trop longues oeuvres romantiques arrangé pour quatre plus cellos.In à deux oeuvres chorales et orchestrales de Liszt funéraire mars par Tchaïkovski, pièces pour piano connues de Schumann, Chopin et Liszt a servi de bases pour ces place des modalités quatre parties diffèrent dans leur degré de difficulté: les supérieures se situent plus élevé, tandis que ceux du bas sont plus faciles, jouable au niveau des classes supérieure en école de musique. / Violoncelle

These fifteen well-known pieces have been imaginatively arranged by the ever-popular Chris Tambling for cellists of grade 1 to 2 standard with Piano accompaniment.Christopher Tambling (b.1964) studiedthe Organ with Malcolm McKelvey at Christ's Hospital Horsham Sussex. He went on to gain Organ scholarships to Cantebury Cathedral and St Peter's College Oxford where he studied with Geoffrey Webber and David Sanger and wasOrganist of Pusey House. He started his teaching career at Sedbergh School in Cumbria where he was Organist from 1986 to 1989: he then became Director of Music at Glenalmond College near Perth in Scotland also taking on rolesof Perth City Organist and Conductor of Perth City Orchestra.Tunes You Know Book 1 (Cello) includes Amazing grace Ave Maria Can Can from 'Orpheus in Underworld' Cocklesand Mussels Early One Morning Hallelu! Hornpipe form 'Water Music' Jupiter from 'The Planets' Largo from 'New World' Symphony Marche Militaire Waly Waly Prelude form 'Te Deum' Spring from 'The Four Seasons' The Entertainer and When the Saints Go Marching In.

Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of