| New Collection of Studies - Volume 2 Cello - Intermediate/advanced Schott
Cello - intermediate to advanced SKU: HL.49003452 Cello. Composed ...(+)
Cello - intermediate to advanced SKU: HL.49003452 Cello. Composed by Joachim Stutschewsky. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 44 pages. Schott Music #ED1592. Published by Schott Music (HL.49003452). ISBN 9790001033947. UPC: 073999352757. 9.0x12.0x0.16 inches. German - English - French. 3d to 6th positions without thumb positions. Moderately difficult. $22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cello Repertoire Level 2 Cello The Frederick Harris Music Company
Cello - Late Elementary SKU: FH.VC2 Cello Series, 2013 Edition. Co...(+)
Cello - Late Elementary SKU: FH.VC2 Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC2. Published by The Frederick Harris Music Company (FH.VC2). ISBN 978-1-55440-538-1. This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique. Baroque and Classical Repertoire: Chaconne - Handel, George Frideric arr. Peter Heilbut Un ballo (A Ball) - Steibelt, Daniel arr. Eugen Rapp Schwedisch (Swedish) - Romberg, Bernhard arr. Percy Such When I Am Laid in Earth (from Dido and Aeneas) - Purcell, Henry Concertino No. 4 in C Major, op. 22 - Breval, Jean-Baptiste arr. L.-R. Feuillard Ombra mai fu (Never Was a Shade) Handel, George Frideric arr. Gaston Borch Traditional and Romantic Repertoire: The Joker, op. 126b, no. 3 - Grechaninov, Alexandr Anitra's Dance - Grieg, Edvard arr. Ann Lindsay She's Like the Swallow - Canadian folk song arr. Forrest Kinney Joyeuse (Joyful) - Squire, William Henry After the Bass Is Over - Harris, Charles K. arr. Pat Legg and Alan Gout Repertoire Composed after ca 1930: Hen and Rooster - Konicek, Zdenek Latin Nights - Blackwell, David and Kathy Blackwell Running of the Bulls - Cheney, Elliott W. Wrist Watch - Birston, Harold Sunday Drag - Perry, Anita D. Soft-Shoe Dance - Reubart, Dale For a Blue Note - Allerme, Jean-Marc. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ein Hauch von Unzeit Cello Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Edited by Michael Bach. Arranged by Michael Bach. Solo instruments; stapled. Edition Breitkopf. You will need a copy of BG 1002 for each player to perform the version for variable instrumentation (BG 1004). Music post-1945; New music (post-2000). Score. Composed 1972. 12 pages. Duration 20'. Breitkopf and Haertel #EB 9074. Published by Breitkopf and Haertel (BR.EB-9074). ISBN 9790004179499. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109
World premiere: VIII version for violoncello Tokyo: October 14, 1989. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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