(Foreword and Additional Editing by Richard Hughey). By Camille Saint-Saens Daniel Francois Van Goens. Edited by Richard Hughey, Larry Clark. For Cello, Cello and Piano. 104 pages. Published by Carl Fischer

(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music

Cello SKU: HU.HN666 Composed by Johann Sebastian Bach. Edited by Egon Voss. Strings, Repertoire, Solos. 6 Suites for Violoncello solo BWV 1007-1012. Softcover Book. 136 pages. G. Henle #HN666. Published by G. Henle

(Cello Play-Along Volume 1). By The Piano Guys. For Cello. Cello Play-Along. Softcover Audio Online. 32 pages. Published by Hal Leonard

For Cello. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

Cello

SKU: HL.14010200

For Solo Cello. Composed by Brian Elias. Music Sales America. Classical. Softcover. With Text language: English. Chester Music #CH88180. Published by Chester Music (HL.14010200).

UPC: 884088837112.

“Elutropia is a Gemme, in colour greene, or grassie, in part coloured and bespotted with Purple speckes & bloud coloures vaines. This is a marvellous Jugler, for it will cause things object to be presented to our eies as it listeth. It being put into a Basan of water chaungeth to a mans eyesight the Sunne his beames, and giveth them a contrarie colour. Being also moved and beaten in the ayre maketh to appeare a bloudie Sunne, and darkneth the ayre in the maner of an Eclipse: and therfore it is called Eloutropia as you would say, the Sunne his enimie. There is of this name also a certain Hearbe which Enchaunters & Witches have oftentimes used and doe use, as also that above said, whereby they have mocked and deluded many, which by meanes and working and enchauntment, have so dazzled the beholders eies, that they have gone by them invisibly.” John Maplet (died 1592) A greene forest, or A natural historie 1567 This text from the clergyman, astrologer and natural historian John Maplet's fascinating work in which he describes the properties of various gemstones is the inspiration for this piece. Without being programmatic, the music is constantly developed to try and mimic the way the shafts of light mutate through the gem, and the illusions and magic they create.