SKU: AP.36-52701193
ISBN 9781621568391. UPC: 679360733462. English.
This collection is the ideal solution for planning wedding music when you don't have the players for a full string trio or quartet. For Violin I and another player, these beautiful duets make the most of the various string pairings.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.224731
ISBN 9781495090325. UPC: 888680671761. 9.0x12.0x0.312 inches.
Instrumentalists will love this jam-packed collection of 101 timeless pop songs! Songs include: Another Brick in the Wall • Billie Jean • Dust in the Wind • Easy • Free Bird • Girls Just Want to Have Fun • Hey Jude • I'm a Believer • Jessie's Girl • Lean on Me • The Lion Sleeps Tonight • Livin' on a Prayer • My Girl • Piano Man • Pour Some Sugar on Me • Reeling in the Years • Stand by Me • Sweet Home Alabama • Take Me Home, Country Roads • With or Without You • You Really Got Me • and more.
SKU: HL.48010854
UPC: 073999876154. 8.25x11.75x0.051 inches.
Various ensemble performances are possible using one first part with second violin, viola, cello and/or piano. The first string parts duplicate the melodic material Contents: Menuetto and Trio (Mozart) * Ballet Music (Schubert) * A Pair of Hornpipes (Traditional) * Watchman's Song (Grieg) * Siciliana (Stanley) * Variations on a Russian Theme (Beethoven) * Waltz (von Weber) * Bonnie Dundee Variations (Nelson) * Rigaudon 1 (Rameau) * Rigaudon 2 (Rameau).
SKU: HL.49014958
ISBN 9790001033534. 9.0x12.0x0.208 inches.
Contents: - An der schonen blauen Donau op. 314 - Geschichten aus dem Wiener Wald op. 325 - Wiener Blut op. 354 - Schatz-Walzer op. 418 (Zigeunerbaron) - Du und Du op. 367 (Fledermaus) - Kunstlerleben op. 316 - Rosen aus dem Suden op. 388 - Kusswalzer op. 400 (Der lustige Krieg) - Morgenblatter op. 279 - Fruhlingsstimmen op. 410 - Lagunenwalzer op. 411 (Eine Nacht in Venedig) - Accelerationen op. 234 - Wein, Weib und Gesang op. 333 - Kaiser-Walzer op. 437 - O schoner Mai op. 375.
SKU: BT.DHP-1115192-400
9x12 inches. International.
10 favourites from the Strauss dynasty arranged for instrumental solo with fully orchestrated backing tracks Play along with your favourite Viennese classics. With fully orchestrated backing tracks on the accompanying CD, you can take your moment in the orchestral spotlight! Tien bekende titels van vader en zoon Strauss die je stijlgetrouw met de volledige orkestopnamen kunt meespelen!Zehn bekannte Titel von Johann Strauss (Vater und Sohn), die stilecht zu den vollständigen Orchesteraufnahmen auf der beiliegenden CD geübt und gespielt werden können. 10 thèmes brillants de la dynastie Strauss (père et fils) se distinguent dans cet album pour soliste. Sur le compact disc sont enregistrés les accompagnements en version orchestrale de chacune des pièces. Dieci titoli molti amati della Dinastia degli Straussâ?? raccolti in questa pubblicazione dal titolo Play Vienna! Il CD incluso propone lâ??accompagnamento di ogni brano inciso da unâ??orchestra.
SKU: BA.BA11043
ISBN 9790006543229. 33.5 x 25.5 cm inches.
Manfred Trojahn on the origin and title of his impressive virtuoso solo work:Admittedly I do not know if he had seagulls, but since Mendelssohn was born in Hamburg, he will not have gone through life without at least the impression of the cry of seagulls. Nor do I know if seagulls played any part in his life in Rome. I myself was astonished when, one or two years ago in the Villa Massimo, I was, not exactly annoyed but disturbed by the strong rhythmical cry of seagulls. I was just about to write a bassoon solo when the seagulls started. Then the idea came to me that precisely this sequence of notes could serve as the basis of the work. And the sequence for the bassoon solo is, in turn, the basis of the piece for violoncello - this is how titles are born... Of course the violoncello meanders with virtuosic ease from the seagull motif to the 'elf-like' skittering brought to music by Mendelssohn and used time and again in his compositions, finally becoming a cabaletta. Now, cabalettas are not very representative of Mendelssohn, but as I was composing I definitely wanted to put a cabaletta in this passage. I am sure Mendelssohn and I will easily agree on this, especially since later justice is done to him in the rapid passages and, of course in the tonal cadenza at the very end, which is more indicative of his time than of mine ... isn't it?
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