SKU: BR.EB-9074

ISBN 9790004179499. 9 x 12 inches.

World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109

World premiere: VIII version for violoncello Tokyo: October 14, 1989.

SKU: AP.46207

ISBN 9781470637125. UPC: 038081522746. English.

Billboard Greatest Chart All-Stars Instrumental Solos contains hit songs from the Billboard Hot 100 and Billboard Hot 200 lists of the past 50 years. Each instrument book is carefully edited---complete with articulations, dynamic markings, and keys well suited for the level 2--3 player. The accompanying MP3 CD includes a live instrumental performance of each song followed by a play-along track, PDFs of piano accompaniments, and Alfred's TNT 2 practice software. Titles: 21 Guns (Green Day) * Style (Taylor Swift) * All About That Bass (Meghan Trainor) * Cake by the Ocean (DNCE) * Can't Feel My Face (The Weeknd) * Desperado (Eagles) * Don't Stop Believin' (Journey) * Firework (Katy Perry) * Go Your Own Way (Fleetwood Mac) * Sorry (Justin Bieber) * Mr. Know It All (Kelly Clarkson) * Like I'm Gonna Lose You (Meghan Trainor feat. John Legend) * and more.

SKU: AP.1-ADV14772

UPC: 805095147728. English.

A new and exciting way for cello players to learn and practice basic jazz style.
This book features 15 solo etudes based on blues and standard chord progressions, demonstrated by Erik Friedlander on cello along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums.
The recording features two separate versions of each etude: one with the soloist and rhythm section and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist and learn basic jazz style first-hand.