Composed by Martin Norgaard. Saddle-stitched. Jazz Wizard. Book and online audio. Published by Mel Bay Publications, Inc (MB.20189M).

by William Bay. For cello. solos. Fun With. Folk. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

Composed by Renata Bratt. For cello. Saddle-stitched. Intermediate-Advanced. Book and online audio. Published by Mel Bay Publications, Inc

(Traditional Tunes From Scotland and Ireland). By Abby Newton. For Cello. Solos. Celtic/Irish. Beginning-Intermediate. Book. 64 pages. Published by Mel Bay Publications, Inc

By Abby Newton. For Cello. Transcribed solos. Scottish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

Arranged by Karen Khanagov. Duet/Ensemble, Solos, Christmas. My Very Best Christmas. Book, Parts and Digital Audio. 88 pages. Published by Mel Bay Publications, Inc

Cello

SKU: HL.48186967

Composed by Camille Saint-Saens. Hamelle. CD. 33 pages. Hamelle & Cie #HA09262. Published by Hamelle & Cie (HL.48186967).

UPC: 888680882976. 9.0x12.0x0.182 inches.

Suite Op 16 Vc/Pno.

Cello

SKU: HL.48187077

Leduc. CD only. Hamelle & Cie #HA09734. Published by Hamelle & Cie (HL.48187077).

UPC: 888680884192. 9x12 inches.

“Berceuse, op. 16 (3'02'') transcription pour violoncelle et Guitaree . Par Faure aux éditions Leduc. Partition / Livre de chansons pour violoncelle&rdquo.

Cello

SKU: HL.48186668

Composed by Jacques Ed. Barat. Leduc. Softcover. 32 pages. Hamelle & Cie #HA009582. Published by Hamelle & Cie (HL.48186668).

UPC: 888680885502. 8.25x11.75 inches.

Bime Apparailly Mes Premieres Doubles Cordes En Chansons Positn 1 Vlc.

Cello Method. By S. Lee. Arranged by L. Schultz. (Cello). String Solo. Size 9x12 inches. 28 pages. Published by Schirmer.

Cello

SKU: BT.MUSM570366453

Composed by Evis Sammoutis. Classical. Score Only. 10 pages. University of York Music Press #MUSM570366453. Published by University of York Music Press (BT.MUSM570366453).

English.

'Brice Catherin, a cellist and a composer exploring the notion of the one-man-band concept, commissioned this work; this composition was subsequently the result of our collaboration. My aim has been to create a work where the cellist produces sounds using his full body: his hands (employing a variety of extended techniques on the Cello and external objects), his feet, his mouth (singing and playing the harmonica and flexible tube) and even his face on one occasion to muffle the strings. There are two central themes in the work: virtuosity and theatre, both strong, frequent features of my compositional oeuvre. After several meetings and experimentation with Brice, I chose asetup that enhances the musical scope without visually cluttering the stage. I am also using a rather unusual scordatura that not only changes the timbre of the instrument itself, but also helps create unique soundscapes that blend together with the sounds from the spring drums, the human voice (whistling, groans and other effects), a singing bowl, a harmonica and a flexible tube among others. The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony), thus meaning in harmony. The composition is structured and developed in clearly defined sections (noisy, harmonious, distorted, etc.), based on information revealed by a spectral analysis of an F1 spectrum on the cello (tuned a fifth below low C), played and recorded using a variety of attacks and triggering objects and methods. Emmelia is also the name of my baby daughter, who has been my constant inspiration since she was born.' - Evis Sammoutis.

Composed by Jean-Louis Duport, edited by Martin Rummel. for violoncello. Fold out pages where you need them. Ad libitum cello part included with fingerings and bowings for today's cellists. German / English brochure with playing tips and references to where the techniques can be found in the standard cello literature. Published by Baerenreiter-Ausgaben (German import).