SKU: PE.EP68550

ISBN 9790300759784. 232 x 303mm inches. English.

A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters:

• Introducing Twelve Tones
• Triads and Seventh Chords
• Circle of Fifths
• Scales
• Metronome Games
• Harmonics and Open Strings
• Lateral Motion
• Extended Techniques and a Discussion of the Bow
• Practicing Together

With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the readeron a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio.

SKU: HL.48183212

Couperin's Concert Pieces for Cello and String Quartet accompaniment is an exciting addition to the string repertoire for its slightly unusual instrumentation. Francois Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Concert Piecesis made up of five movements; 1) Prelude, 2) Sicilienne, 3) The Trumpet, 4) The Complaint, and 5) Devil's Air. Couperin's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, Concert Pieces is essential to the repertoire of aspiring, advanced String Quartets and solo cellists..

SKU: FG.55009-481-9

ISBN 9790550094819.

ColourStrings Cello ABC: Book E continues the Cello ABC series. Book E teaches the new material, the 5 di erent pentachords, using numerous folk songs and chamber music works. Teachers should choose the music that best suits their pedagogical aims and needs.
The new element, the minor 2nd interval was introduced by adding the FA and TI notes. Later on these are
expanded into the four types of tetrachrods (Major, Minor, Phrygian, Lydian). Melodies based on these tone sets (including
folk song arrangements) help develop the students' taste and sense of musical character (which is the foundation for
understanding the music of the 20th century). The precise and interesting ngerings aid their sense of pitch.
The four types of tetrachords are:
DO-RE-MI-FA = SO-LA-TI-DO (major)
RE-MI-FA-SO = LA-TI-DO-RE (minor)
MI-FA-SO-LA = TI-DO-RE-MI (Phrygian)
FA-SO-LA-TI (Lydian) with three major 2nd intervals.

SKU: BT.EMBZ14879

Ferenc Farkas (1905-2000) was one of Hungary smost decisively important 20th-century composers.His musical profile combined Hungarian folkmusic, classical traditions, the melodiousness of the Mediterranean, and twelve-tone technique.

Ferenc Farkas (1905-2000) war einer der bedeutendsten ungarischen Komponisten des 20. Jahrhunderts. Er studierte Cello bei Leó Weiner und Albert Siklós sowie in Rom bei Ottorino Respighi. Bis 1965 unterrichtete er Cello und Komposition an mehrerennamhaften Hochschulen in Ungarn. Die zahlreichen Kompositionen von Farkas in verschiedenen Schwierigkeitsgraden sind eine Bereicherung für das Cello-Repertoire.

SKU: HL.14028929

Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller, with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy, nostalgic, a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book, at its simplest, is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for all its musical material to become distorted, either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning', a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in, the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece, I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific, this change of heart doesn't really matter. ~ David Blake.