SKU: XC.SB2010
ISBN 9781644020555. UPC: 812598035537. 9 x 12 inches.
Adaptable Quartets contains 21 newly-composed or arranged quartets that can be flexibly used with any combination of string instruments, making them an invaluable resource in the modern orchestra room! Written at an accessible 1.5-3 grade level, Adaptable Quartets follow the popular Adaptable Duets and Trios books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft quartets that are fun to play and musically stimulating. Adaptable Quartets are sure to become an instant favorite. String editing by Diana Traietta.CONTENTSAbide with Me (Monk) Agincourt Carol (English Folk Song) The Barber of Seville (Rossini) Be Thou My Vision (Trad. Irish) Capstone (Arcari) Chorale - Jupiter (Holst) Country Gardens (Trad. Morris Dance) Curse of Tortuga (Arcari) Dawn of the Century - March (Paull) Fortune Favors the Bold (Putnam) Gesu Bambino (Yon) Go Tell It on the Mountain (Spiritual) Greensleeves (Trad. English Folk Song) Home on the Range (Kelly) In the Hall of the Mountain King (Grieg) Les Toreadors - Carmen (Bizet) Scimitar! (Matthew R. Putnam) Sea Shanty (19th Century Sea Shanty) Song Without Words - Second Suite in F (Holst) The Emperor Waltz (Strauss II) When Johnny Comes Marching Home (American Folk Song).
SKU: FH.VCE1
ISBN 978-1-55440-548-0.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Reaching beyond the realm of examination preparation, this series offers one comprehensive volume of Orchestral Excerpts to prepare developing cellists for standard orchestral literature and audition requirements. Bowing and fingering suggestions follow established principles of orchestral playing and are provided to assist students in making stylistically informed performance decisions.Level 5:Prelude - Cohen, MaryEtude in D Minor - Noelck, August arr. Francis GrantEtude in E Minor - Kummer, Friedrich AugustSpanish Pizzicato - Legg, PatEtude in C Major, op. 76a, no. 5 - Popper, DavidBusy Bees - Mooney, RickEtude in D Minor - Feuillard, Louis R.Etude in A flat Major - Matz, RudolfPolly Wolly Doodle - American minstrel song arr. Rick MooneyEtude in A Major - Schroeder, CarlLevel 6:Etude in D Major, op. 76a, no. 7 - Popper, DavidLooping the Loop - Cohen, MaryMetal Cellos - Mooney, RickScherzo, op. 31, no. 4 - Lee, SebastianEtude in D Minor - Matz, RudolfEtude in E Minor - Dotzauer, FriedrichMarch, op. 68, no. 2 - Kabalevsky, DmitriVocalise in G Minor - Bordogni, MarcoEtude in F Minor - Kummer, Friedrich AugustLevel 7:Gigue Positions - Legg, PatRide Like the Wind! - Cohen, MaryRussian Song - Mooney, RickDance, op. 68, no. 3 - Kabalevsky, DmitriEtude in G Major - Feuillard, Louis R.Light Bowing, op. 31, no. 15 - Lee, SebastianEtude in F Minor - Matz, RudolfEtude in G Major - Dotzauer, FriedrichEtude in B flat Major, op. 75a, no. 10 - Popper, DavidVocalise in G Major - Bordogni, MarcoEtude in G Minor, op. 57, no. 6 - Kummer, Friedrich AugustLevel 8:Etude in D Major - Matz, RudolfExercise on the Trill, op. 31, no. 20 - Lee, SebastianThe Coyote's Bark - Mooney, RickEtude in D Minor - Dotzauer, FriedrichVocalise in C Major, op. 8, no. 6 - Bordogni, MarcoEtude in D Major, op. 35, no. 2 - Franchomme, Auguste-JosephEtude in D Minor - Grant, FrancisEtude in A flat Major, op. 21, no. 12 - Buechler, FerdinandScherzo, op. 68, no. 5 - Kabalevsky, DmitriChromatic Etude - Schroeder, Carl.
SKU: HL.278658
ISBN 9788759840849. 10.5x14.5x0.445 inches.
Prelude-Labyrinth-Exit by Anders Brodsgaard for Cello solo (1994-2002). Prelude was commissioned by Louise Lerche-Lerchenborg for Lerchenborg Musikdage 1994. Labyrinth-Exit was commissioned by Det Unge Tonekunstnerselskab in 2002. Score revised in 2018.
SKU: BA.BA11043
ISBN 9790006543229. 33.5 x 25.5 cm inches.
Manfred Trojahn on the origin and title of his impressive virtuoso solo work:Admittedly I do not know if he had seagulls, but since Mendelssohn was born in Hamburg, he will not have gone through life without at least the impression of the cry of seagulls. Nor do I know if seagulls played any part in his life in Rome. I myself was astonished when, one or two years ago in the Villa Massimo, I was, not exactly annoyed but disturbed by the strong rhythmical cry of seagulls. I was just about to write a bassoon solo when the seagulls started. Then the idea came to me that precisely this sequence of notes could serve as the basis of the work. And the sequence for the bassoon solo is, in turn, the basis of the piece for violoncello - this is how titles are born... Of course the violoncello meanders with virtuosic ease from the seagull motif to the 'elf-like' skittering brought to music by Mendelssohn and used time and again in his compositions, finally becoming a cabaletta. Now, cabalettas are not very representative of Mendelssohn, but as I was composing I definitely wanted to put a cabaletta in this passage. I am sure Mendelssohn and I will easily agree on this, especially since later justice is done to him in the rapid passages and, of course in the tonal cadenza at the very end, which is more indicative of his time than of mine ... isn't it?
SKU: BT.DOW-03707-400
ISBN 9783905477290. International.
Die enge und weite 1. Lage mit #Erweiterung der BogeneinteilungDie halbe LageEtüdchenFingertabelleTonleiternAkkordeBei den Kompendien für Cello handelt es sich nicht um eine Schule im herkömmlichen Sinn, sondern um eine didaktisch orientierte Sammlung von Übungen und Stücken. Die Kompendien orientieren sich an den traditionellen Schulen von Küchler,Doflein, Rolland und anderen berühmten Pädagogen, sind aber inhaltlich und von der Aufmachung her an die heutige Zeit angepasst: Neben kleinen Musikstücken findet man Tonleiter- und Dreiklangübungen sowie Etüdchen“, zu jedem Band gibt es zwei CDszum Mitspielen, verschiedene Aufkleber erinnern die Schüler an wichtige Dinge - und wer genügend Stücke geübt hat, erhält am Ende jedes Bandes zur Belohnung ein Zeugnis. Die Kompendien können alseigenes Lehrwerk, aber auch ergänzend zu anderenInstrumentalschulen für Streicher verwendet werden. Das Besondere an den Kompendien ist, dass die Schüler alle Stücke und Übungen tatsächlich durcharbeiten und dadurch sehr schnell Fortschritte machen.Kompendium für Cello, Die enge und weite 1. Lage mit #Erweiterung der BogeneinteilungDie halbe LageEtüdchenFingertabelleTonleiternAkkorde.
SKU: BT.DV-10595
Italian.
SKU: KV.3611867
Here is the performer!s edition of the last three Bach cello Suites. Notated by scholar Tim Hugh, the volume contains BWV 1010, Suite four, BWV 1011, Suite five and BWV 1012, Suite six. As in Volume One, the editor prefers to give as much variety as possible between the repeat of movements with regards to bowing, dynamics, tempo and mood. Again, a helpful CD of all three Suites is included in this must have volume.
SKU: SU.46100110
Cello Duration: 9' Composed: 2005.
SKU: HL.49003453
ISBN 9790001033954. UPC: 073999897272. 9.25x12.0x0.182 inches. German - English - French.
All lower positions including thumb positions. Moderately difficult to difficult.
SKU: HL.14010200
UPC: 884088837112.
“Elutropia is a Gemme, in colour greene, or grassie, in part coloured and bespotted with Purple speckes & bloud coloures vaines. This is a marvellous Jugler, for it will cause things object to be presented to our eies as it listeth. It being put into a Basan of water chaungeth to a mans eyesight the Sunne his beames, and giveth them a contrarie colour. Being also moved and beaten in the ayre maketh to appeare a bloudie Sunne, and darkneth the ayre in the maner of an Eclipse: and therfore it is called Eloutropia as you would say, the Sunne his enimie. There is of this name also a certain Hearbe which Enchaunters & Witches have oftentimes used and doe use, as also that above said, whereby they have mocked and deluded many, which by meanes and working and enchauntment, have so dazzled the beholders eies, that they have gone by them invisibly.†John Maplet (died 1592) A greene forest, or A natural historie 1567 This text from the clergyman, astrologer and natural historian John Maplet's fascinating work in which he describes the properties of various gemstones is the inspiration for this piece. Without being programmatic, the music is constantly developed to try and mimic the way the shafts of light mutate through the gem, and the illusions and magic they create.
SKU: FH.VC6
ISBN 978-1-55440-542-8.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Concertos:Concerto No. 4 in G Major, op. 65 - Goltermann, Georg arr. Leo Schulz- First Movement: AllegroConcertino No. 1 in C Major, op. 7 - Klengel, Julius- First Movement: AllegroConcerto No. 1 in A Minor, RV 422 - Vivaldi, Antonio arr. Eberhard Wenzel- Second Movement: Largo cantabileSonatas and Suites:Sonata in D Minor, op. 8, no. 9 - De Fesch, Willem arr. Jason Noble- First Movement: Siciliano- Second Movement: AllemandeSonata in G Minor, RV 42 - Vivaldi, Antonio- First Movement: Preludio- Second Movement: AllemandaSinfonia in F Major - Pergolesi, Giovanni Battista arr. Joseph Schmid- Third Movement: Adagio- Fourth Movement: PrestoConcert Repertoire:Lied ohne Worte, op. 109 - Mendelssohn, FelixCantillation - Ethridge, JeanSupplication - Bloch, ErnestRomanze - Reger, MaxLa Provencale - Marais, Marin arr. May MukleGavotte, op. 67, no. 2 - Popper, DavidSerenade espagnole, op. 20, no. 2 - Glazunov, Aleksandr arr. M.P. BelaieffAndaluza (Playera) - Granados, Enrique arr. Manuel CalvoApparition - Rathburn, EldonSiciliana - Piazzolla, AstorUnaccompanied Repertoire:Suite No. 5 in C Minor, BWV 1011 - Bach, Johann Sebastian- Seventh Movement: GigueSuite No. 2 in D Minor, BWV 1008 - Bach, Johann Sebastian- Third Movement: CouranteSuite No. 1 in G Major, BWV 1007 - Bach, Johann Sebastian- First Movement: PreludeI Dropped My Ice Cream Cone - Laut, EdwardBallad - Laut, Edward.
SKU: HL.14035889
ISBN 9788759859285. English-Danish.
I - Lento II - Imposante III - Andante Programme Note In my early television remembrance I recall a broadcast with Samuel Beckett, one of the fathers of the absurd play and drama. At one time Beckett looked the viewer (the camera) in the eye and said:'What! - is the Word'. I have not since been able to forget it, obviously, having borrowed this ambiguous sentence as title for this short cello sonata. The fact that it is conceived as a unity is obvious from the fact that the two outer movements are closely related. The long, immediately recognizable melodic line which dominates the first movement appears in the third movement aswell, first in an inverted version and then almost identical to its original appearance, only shorter. In contrast, the middle movement is a fast one, constantly and intensely on the move, with many changes of pulse and meters, as well as large melodic leaps. And while the outer movements each are composed as a single melodic line, the middle movement makes extensive use of the cello as a polyphonic instrument employing lots of chords, double stops and flageolet effects. Per Norgard (2010).
SKU: BA.BA05277
ISBN 9790006569618. 32.5 x 25.5 cm inches.
The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.Considering the worksâ?? significance, the great number of editions in existence is not surprising. However, the composerâ??s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bachâ??s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources.
SKU: BT.DOW-03714-400
ISBN 9783905477610. 9x12 inches. German.
Die Daumenlage A-DDie Daumenlage G-CDie Daumenlage H-EEtüdchenBei den Kompendien für Cello handelt es sich nicht um eine Schule im herkömmlichen Sinn, sondern um eine didaktisch orientierte Sammlung von Übungen und Stücken. Die Kompendien orientieren sich an den traditionellen Schulen von Küchler,Doflein, Rolland und anderen berühmten Pädagogen, sind aber inhaltlich und von der Aufmachung her an die heutige Zeit angepasst: Neben kleinen Musikstücken findet man Tonleiter- und Dreiklangübungen sowie Etüdchen“, zu jedem Band gibt es zwei CDszum Mitspielen, verschiedene Aufkleber erinnern die Schüler an wichtige Dinge - und wer genügend Stücke geübt hat, erhält am Ende jedes Bandes zur Belohnung ein Zeugnis. Die Kompendien können alseigenes Lehrwerk, aber auch ergänzend zu anderenInstrumentalschulen für Streicher verwendet werden. Das Besondere an den Kompendien ist, dass die Schüler alle Stücke und Übungen tatsächlich durcharbeiten und dadurch sehr schnell Fortschritte machen.Kompendium für Cello,Die Daumenlage A-DDie Daumenlage G-CDie Daumenlage H-EEtüdchen.
SKU: BT.EMBZ14879
Ferenc Farkas (1905-2000) was one of Hungary smost decisively important 20th-century composers.His musical profile combined Hungarian folkmusic, classical traditions, the melodiousness of the Mediterranean, and twelve-tone technique. Ferenc Farkas (1905-2000) war einer der bedeutendsten ungarischen Komponisten des 20. Jahrhunderts. Er studierte Cello bei Leó Weiner und Albert Siklós sowie in Rom bei Ottorino Respighi. Bis 1965 unterrichtete er Cello und Komposition an mehrerennamhaften Hochschulen in Ungarn. Die zahlreichen Kompositionen von Farkas in verschiedenen Schwierigkeitsgraden sind eine Bereicherung für das Cello-Repertoire.
SKU: FH.VC5
ISBN 978-1-55440-541-1.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Concertos, Sonatas, and Suites:Concerto in D Major, op. 213 - Mendelssohn, Ludwig- First Movement: Allegro moderatoConcertino No. 1 in F Major - Breval, Jean-Baptiste arr. L.-R. Feuillard- First Movement: AllegroSuite in G Major - Matz, Rudolf- Fourth Movement- Fifth MovementSonata in G Major - Bach, Johann Christoph Friedrich arr. Hugo Ruf- First Movement: AllegrettoSonata in C Major - De Fesch, Willem arr. Jason Noble- First Movement: Largo- Second Movement: VivaceSonata - Marcello, Benedetto arr. Alfred Piatti- First Movement: Largo- Second Movement: AllegroSonata in F Major, RV 41 - Vivaldi, Antonio arr. Kathleen Wood- First Movement: Largo- Second Movement: AllegroConcert Repertoire:O Canto Do Cysne Negro - Villa-Lobos, HeitorFrogs Dancing on Water Lilies - Mustonen, OlliLangsam, op. 102, no. 2 - Schumann, RobertWhen Music Sounds - Coulthard, JeanWie einst in schoener'n Tagen, op. 64, no. 1 - Popper, DavidBourree, op. 24 - Squire, William HenryNotturno, op. 59, no. 1 - Goltermann, GeorgScherzo and Trio - Reger, MaxLamento - Faure, GabrielLied - Rachmaninoff, SergeiUnaccompanied Repertoire:Capriccio No. 5 - Matz, RudolfRicercar No. 3 - Gabrielli, DomenicoSuite in C Major - Matz, Rudolf- Fourth Movement: Sarabande- Seventh Movement: GigueSuite No. 1 in G Major - Bach, Johann Sebastian- Third Movement: Courante.
SKU: PR.114418590
ISBN 9781491111499. UPC: 680160642670. 9x12 inches.
Written originally for solo violin (114-41410), Chen Yi's memorial to a favorite teacher captures the depths of loss, the power of Memory. The piece was adapted for solo flute (114-41787) by Mary Holzhausen, and is now arranged for solo cello by the composer.______________________________________Text from the scanned back cover:MEMORY for solo CelloChen Yi has created a solo cello version of this plaintive memorial work, originally for solo violin – the instrument in which composer Chen Yi was trained as a performer. The composer provides this program note: “Dear Professor Lin: I wish you could hear the tune in Memory, which sounds like my painful cry out of your name in our Cantonese dialect. I expressed my deep sorrow in the music, to remember your fatherly mentorship. Your meaningful smile will always be with usencouragingly.â€.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
