| Johann Sebastian Bach: 6 Suites For Cello Solo
Cello [Critical Reports] Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Bettina Schwemer, Dougl...(+)
Composed by Johann Sebastian Bach (1685-1750), edited by Bettina Schwemer, Douglas Woodfull-Harris. For cello. Urtext of the New Bach Edition. Includes critical performing edition, critical text volume (analysis and performance notes) and facsimiles of source manuscripts (5 complete source editions). Baroque. Text language English. 327 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.
(2)$62.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Air (JS Bach) Cello Majestic Music Publication
By Gordon Schuster. For Cello. Trio for Cello. Traditional. Level: 4. Published ...(+)
By Gordon Schuster. For Cello. Trio for Cello. Traditional. Level: 4. Published by Majestic Music Publications.
$7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sacred Duets for All Cello [Sheet music] Alfred Publishing
(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For C...(+)
(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Cello/Bass. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.
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| String Festival Solos, Volume I Cello [Sheet music] - Beginner Alfred Publishing
Sel., transcr., and ed. Samuel Applebaum. For Cello Solo. String Series. Level: ...(+)
Sel., transcr., and ed. Samuel Applebaum. For Cello Solo. String Series. Level: Easy (grade 1-2). Book. 16 pages. Published by Alfred Publishing.
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| Tortelier: Cello Book Two Cello Chester
Cello SKU: HL.14033877 By Paul Tortelier. By Paul Tortelier. Music Sales ...(+)
Cello SKU: HL.14033877 By Paul Tortelier. By Paul Tortelier. Music Sales America. Classical. Book [Softcover]. Composed 2002. 44 pages. Chester Music #CH55049. Published by Chester Music (HL.14033877). ISBN 9780711953116. 8.25x11.75x0.14 inches. Tortelier's Cello Book Two covers twelve more Classical and folk pieces arranged for Cello in first position, with accompaniment for second Cello or Piano. Contains classics from masters like Bach, Mozart, andSchubert, and traditional tunes from France, Norway, and Israel. Edited and arranged by the French cellist and composer Paul Tortelier. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Suite Exotique Cello Editorial de Musica Boileau
Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de...(+)
Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de Musica Boileau (BO.B.3726). Written in 2001, this work was conceived by the need to enlarge the repertoire of works for solo cello, an important goal since the repertoire of such works is limited. Most cellists are limited to performances of such well-known solo works as the Suites of Bach, written almost 300 years ago, as well as other classics of the genre by Max Reger, Zoltan Kodaly, Benjamin Britten, Gaspar Cassado, Enric Casals, etc.
The intention of the Suite Exotique is to revolutionize the concept of the Baroque suite by transforming the suite into a collection of modern dances, which are both contemporary and widely recognized today. Thus, the dances of the Baroque suite, such as Allemande, Courante, Sarabande are substituted for the Tango, Milonga, Blues in such a way that the traditional formal structure of six movements of Baroque dances is modernized by rhythms and contemporary styles which coexist in the Modern world, but are separate from and do not pertain to those works which are normally considered to belong to the realm of cultured music.
Apart from the fusion represented by the mixture of a Baroque genre with modern, urban musical language found in this work, the subtitle exotica is appropriate due to the originality of writing such a work for cello solo. This work allows the interpreter to explore and take full advantage of their technical, artistic and expressive abilities.
This work establishes a total symbiosis between the instrument and the evolutionary transformation of its musical language which in turn creates a style adapted to the expressive requirements of the work itself. The specific techniques and qualities of the cello are placed in service of the required style and concept of each movement of the Suite. At the same time those stylistic characteristics are transformed and adapted to the particular characteristics of the cello and taking full advantage of the instruments polyphonic, sonic, aesthetic qualities as well as its timbre.
The Suite Exotique was premiered in August, 2003 during the International Music Festival of Ibiza by the Russian cellist Svetlana Tovstukha. $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Ein Hauch von Unzeit Cello [Score] Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Edited by Michael Bach. Arranged by Michael Bach. Solo instruments; stapled. Edition Breitkopf. You will need a copy of BG 1002 for each player to perform the version for variable instrumentation (BG 1004). Music post-1945; New music (post-2000). Score. Composed 1972. 12 pages. Duration 20'. Breitkopf and Haertel #EB 9074. Published by Breitkopf and Haertel (BR.EB-9074). ISBN 9790004179499. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109
World premiere: VIII version for violoncello Tokyo: October 14, 1989. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Beach Music: Five Etudes for Solo Cello Cello Edward B. Marks Music Company
Cello SKU: HL.236316 Composed by Evan Hause. E.B. Marks. Classical, Conte...(+)
Cello SKU: HL.236316 Composed by Evan Hause. E.B. Marks. Classical, Contemporary. Softcover. 16 pages. Edward B. Marks Music #EBM236316. Published by Edward B. Marks Music (HL.236316). ISBN 9781495096228. UPC: 888680695699. 9.0x12.0x0.086 inches. Rock and jazz sounds mingle with classical tradition and modern techniques in Hause's virtuoso cello suite. In Fish Heaven, an arpeggiated texture reminiscent of Bach's cello suites expands along a quasi-Gospel chord progression. In Crabs on Parade, the contrapuntal technique of crab canon is rendered in a pizzicato texture drawing upon guitar technique. In five movements: 1. Man O' War, 2. Atlantis, 3. Sea Serpents, 4. Fish Heaven, 5. Crabs On Parade. $10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Suite in D-minor Op. 16 for Cello and Orchestra Cello Schott
Cello - advanced to difficult SKU: HL.49018922 Cello with Piano Reduct...(+)
Cello - advanced to difficult SKU: HL.49018922 Cello with Piano Reduction. Composed by Camille Saint-Saens. Edited by Maria Kliegel. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 1862. Op. 16bis. 36 pages. Schott Music #CB229. Published by Schott Music (HL.49018922). ISBN 9790001174527. UPC: 841886015913. 9.25x12.0x0.163 inches. When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saens created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second concerto, two sonatas, the 'Swan' from 'The Carnival of the Animals' as well as a 'Suite with Piano Accompaniment' Op. 16. Premiered on 27 April 1866 and probably written shortly before, the work is based on the composer's study of tradition, especially of the form of the Baroque suite, integrated in a Romantic tonal language. Many years later (1919) the composer also presented a version with orchestral instead of piano accompaniment, and for this version he replaced movements 3 and 5 and changed the ending of the fourth movement. The present edition contains the text of the orchestral version: The five-movement suite begins with a prelude reminiscent of Bach which is followed by a pleasant serenade, a stylized gavotte and a sentimental romance before a passionate tarantella puts a virtuoso end to the piece. The enthusiastic, melodic 'Suite' is a valuable addition to the cello repertoire, suitable for both tuition and concert purposes. $28.99 - See more - Buy online | | |
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