(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481590. Published by Boosey and Hawkes

Choral SSA Choir and Piano

SKU: CF.CM9704

Composed by Richard Hageman. Arranged by Stephen Rotz. Jbc. 12 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #CM9704. Published by Carl Fischer Music (CF.CM9704).

ISBN 9781491160114. UPC: 680160918713. Key: F# minor. English. Sir Rabindranath Tagore.

Richard Hageman (1881-1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman's later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal classic to younger singers who might not yet possess the dexterity to perform the original solo. Rabindranath Tagore (1861-1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore's expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name. Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker.  .
Richard Hageman (1881–1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time  that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman’s later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal “classic” to younger singers who might not yet possess the dexterity to perform the original solo.Rabindranath Tagore (1861–1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore’s expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name.Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .

SAB choir, cantor, voice solo, assembly, keyboard accompaniment, guitar, C instrument - Beginning

SKU: GI.G-6608

Composed by Beth Ann Martinez. Arranged by Carol Browning. Easter Vigil. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #6608. Published by GIA Publications (GI.G-6608).

UPC: 785147660804. English. Text Source: Based on Psalms 42:3, 5, 43:3, 4. Text by Beth Ann Martinez. Scripture: Psalms 42:3, 5, 43:3, 4.

A diatonic melody in even notes offset by a slightly irregular accompaniment characterizes this setting of Psalm 42. Unison and two-part verses alternate with the SAB refrain. An independent violin or C instrument part, soprano descant, and choral backup to the cantor’s final verse round out this most useful setting. For cantor or soloist C instrument

A most useful setting.

3-part equal voices, 3-part mixed voices, cantor, voice solo, assembly, keyboard accompaniment, C instrument, guitar - Early intermediate

SKU: GI.G-8169

Composed by Ian Callanan. Ordinary Time 3 A, Ordinary Time 3 B, Ordinary Time 12 B. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #8169. Published by GIA Publications (GI.G-8169).

UPC: 785147816904. English. Text by Ian Callanan.

For cantor or soloist. .

SAB choir, cantor, voice solo, assembly, keyboard accompaniment, flute, cello, guitar - Early intermediate

SKU: GI.G-8287

Composed by Chris De Silva. Thanksgiving Day. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8287. Published by GIA Publications (GI.G-8287).

UPC: 785147828709. English. Text by Chris de Silva.

Appropriate for any celebration of thanksgiving to God, this bright, rhythmic setting offers many options for cantor or soloist with two- and three-part choral texture interjected into the verses and the refrain. Try it as a song of thanksgiving at the end of a Eucharistic celebration. For cantor or soloist.

3-part equal voices, 3-part mixed voices, cantor, voice solo, assembly, keyboard accompaniment, guitar - Beginning

SKU: GI.G-8269

Composed by Ian Callanan. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #8269. Published by GIA Publications (GI.G-8269).

UPC: 785147826903. English. Text by Ian Callanan.

For cantor or soloist.

3-part equal voices, 3-part mixed voices, cantor, voice solo, assembly, piano accompaniment, guitar - Early intermediate

SKU: GI.G-7517

Composed by Paul Melley. Ordinary Time 22 A, Ordinary Time 23 C. Leavensong Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #7517. Published by GIA Publications (GI.G-7517).

UPC: 785147751700. English. Text Source: Based on Mark 8:34-38, adapt. PM and GD. Scripture: Mark 8:34–38.

Here is another remarkable piece from the pen of Liam Lawton and arranged by Gary Fry. The text explores the meaning of church-not a stone edifice, but the people of God. For cantor or soloist.

3-part equal voices, cantor, voice solo, assembly, keyboard accompaniment, C instrument, guitar - Beginning

SKU: GI.G-7684

Composed by Paul Tate. Pentecost B. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #7684. Published by GIA Publications (GI.G-7684).

UPC: 785147768401. English. Text Source: Based on Galatians 5:16–17, 22–25. Text by David Haas. Scripture: Galatians 5:16–17, 22–25.

Cast in 3-part harmony, this is a welcome contribution to the ensemble repertoire. The refrain is a bit extended, and the somewhat shorter verses, drawn from Galations 5, are in the form of call and response between cantor and all. For cantor or soloist.

By Solomon Golub. Arranged by Ken Corneille. (3 Part). This edition: 993338. Transcontinental Music Choral. Jewish. 12 pages. Published by Transcontinental Music Publications.

By Bob Seger and The Silver Bullet Band. By Bob Seger. Arranged by Roger Emerson. Pop Choral Series. Country, Pop, Rock. Octavo. 16 pages. Published by Hal Leonard

3-part mixed chorus - early intermediate

SKU: XC.HRMG2045

Composed by Michael John Trotta. Holy Week, Holy Thursday, General. Michael John Trotta. Sacred. Octavo. 8 pages. Hampton Roads Music Group LLC #HRMG2045. Published by Hampton Roads Music Group LLC (XC.HRMG2045).

UPC: 785147100157. Latin. Text source: Traditional.

Beautiful modern harmonies create the backdrop for this elegantly simple a cappella work that is well within reach for most choirs. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the solo chant line, which may be sung by a soloist, small group, or performed by a C instrument. Also available for SATB, SAB, 3pt, SA, and unsion voices with piano. This artistic setting is equally appropriate for litugical use or the concert stage.  .

By Andy Beck. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. Novelty; Secular, Christmas. Choral Octavo. 12 pages. Published by Alfred Publishing.
Level: Level 3 (grade L3).