SKU: CA.3109749
ISBN 9790007206987. Key: B flat major. Language: German/English. Text: Fleming, Paul.
Liturgical intention unknown. Score and part available separately - see item CA.3109700.
SKU: PR.362034230
ISBN 9781598069556. UPC: 680160624225. Letter inches. English.
When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental.When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear.
SKU: HL.2050306
ISBN 9781705151495. UPC: 797242334795. 6.75x10.5x0.307 inches.
Three gifts, gifts of great significance; gold, frankincense and myrrh were laid at feet of the Christ Child. These were gifts that could only comefrom royal treasures. The gifts we bring are of much greater value to the Lord; my life, my heart, my praise, all of my desires, all of my accomplishments, all of my failures, all of the thanksgiving I can comprehend, all of me, the surrender of my imagined authority to the Author of all life, the Giver of every good and perfect gift - Jesus. Messiah.
SKU: WD.080689862120
UPC: 080689862120.
The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.Includes songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.
SKU: WD.080689752728
UPC: 080689752728.
SKU: ST.EM17
ISBN 9790220210297.
CONTENTS A seely Sylvan (SSAT (or A) B) Alas my Daphne, stay (SSAT (or A) B) All ye that sleep in pleasure (SSATB) Arise, sweet heart (SSAT (or A) B) Ay me, that life should yet remain (SSATB) Ay me, when to the air (SSAT (or A) B) Cruel, let my heart be bless'd (SSAT (or A) B) First with looks he liv'd (SSATB) I always lov'd to call my lady Rose (SSATB) If this be love, to scorn (SSAT (or A) B) Injurious hours (SSAT (or A) B) My heart oppress'd (SSAT (or A) B) O come Shepherds all together (SSATB) O my grief, were it disclosed (SSATB) Shall I seek to ease my grief? (SSATB) Shepherd Claius seeing (SSATB) Sweet Daphne, stay thy flying (SSATB) Sylvan justly suffered (SSATB) When first I saw those cruel eyes (SSAT (or A) B) Whilst that my lovely Daphne (SSATB).
SKU: XC.DJS2305
6.75 x 10.5 inches.
This arrangement is a combination of 7 well-known Spirituals wrapped around IN THAT GREAT GETTIN’ UP MORNING. The styles meander through the moods of great happiness and joy to deep personal introspection. There really is something for everybody here. Nobody said life would be easy... just worth it. Same as this medley. There would be no better closer to your concert than this exciting medley!
SKU: ST.EM22
ISBN 9790220200861.
CONTENTS Ah, Cupid, grant (SSATTB) All the day I waste (SSA(or T)A(or T)B) Camilla fair tripped o'er the plain (SSA(or T)T(or B)B) Come, Sorrow, help me to lament (SSATB) Cupid in a bed of roses (SSATTB) Cytherea smiling said (SSATTB) Down the hills Corinna trips (SSATB) Fond love is blind (SSATTB) Have I found her? (SST(or A)BB) Her hair the net of golden wire (SSATTB) I heard a noise (SSATB) If floods of tears (S(or T)Solo) If I seek to enjoy (SST) In depth of grief (SA(or T)TTB) Life of my life (SSATB) Live not, poor bloom (SSA(or T)B) Love is the fire (SAT) My mistress after service due (SAT) O what is she? (SSAB) One woman scarce of twenty (SST) Pleasure is a wanton thing (SST) Sadness, sit down (SSATB) See forth her eyes (SAA(or T)B(or T)) She with a cruel frown (SSTTBB) Sweet those trammels of your hair (SAT) The nightingale in silent night (SSAT) When to the gloomy woods (SATB) Why do I, dying, live? (SSA(or T)TB) Why dost thou fly? (SSA(or T)T(or A)B) With bitter sighs (SS(or A)A(or T)TB).
SKU: JK.19990
Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!
46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017).Collection includes: All Ye Who Watch the Master's Sheep Are the Heavens Truly Open? Are We Not All Beggars? As an Ensign to the Nations A Sinless, Pure and Holy Man Be Clean, Oh House of Israel Be Not Afraid, But Be Believing Bless Me to Be a Little More Like Thee Do You Love Me? Christ Can Heal the Broken Hearted ever We'll Remember For God Loves Us With All His Heart For God So Loved the World God Has Raised Up Noble Daughters God will Never Leave the Weary He Will Bring Rest to Your Soul His More Excellent Way Holy Father, King of Heaven How Fair Upon the Mountain I Am a Child of Destiny I Bear My Witness of the Lord In Heaven There Is a Law Inviting All to Come to Christ I Testify I Would Be Thy True Disciple let Not Your Heart Be Troubled Let Thy Word Be In Our Hearts Lord, Accept My Humble Offering Lord, I Believe Lord, I'll Strive to Live Worthy of Thy Love Lord, We Pray For All the Children May We Have the Tongues of Angels My Life is Not My Own None Were With Him Oh Come Ye Heavy Laden Come Our Faith Unites Us With One Heart The Keys of the Kingdom The Love of God Is Without End The Mother of All Living The Words of God Will Never Cease The Worth of Souls Is Great Indeed Through a Thousand Generations To the Rising Generation Who Will Now Speak For the Widow? Wilt Thou, Lord, In Me Abide You Can Always Come Back HomeComposer: Janice Kapp Perry Lyricist: David B. LarsenReference: Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!
SKU: WD.080689676024
UPC: 080689676024.
This smorgasbord of favorites serves up some sing-able settings fromA trusted arranger Marty Parks.A Designed primarily for senior choirs, Well-Seasoned Praise is also appropriate for small choirs or large choirs with limited rehearsal time.A A Two versions of optional narrationA are included:A one for use prior to each song as a simple spoken set-up in worship when the songs are used separately, or another version for using the songs as a complete musical - perfect as a spring worship concert, a dinner on the grounds homecoming (recipes included!) or other similar events.A A bonus 3-song patriotic musical is also included making this book a resource you'll use time and again! Features songs perfect for small choirs, senior choirs and large choirs with limited rehearsal time. Includes mini patriotic musical. Perfect for summer camp meeting style events. Features recipes.
SKU: WD.080689756726
UPC: 080689756726.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
